They Live By Night – 1948 Nicholas Ray

2020-07-03T10:31:42+00:00

It is a key film in the history of film noir Also well-known and often cited as one of the best film debuts of all-time Begins Ray’s exploration and medication on youth (specifically troubled youth)

They Live By Night – 1948 Nicholas Ray2020-07-03T10:31:42+00:00

Repo Man – 1984 Cox

2017-03-31T17:24:26+00:00

Certainly well known in circles as cult classic. Cox is/was a huge fan of spaghetti westerns and there’s a lot of the western touch here. Many of the car chases feel very much like western

Repo Man – 1984 Cox2017-03-31T17:24:26+00:00

Gojira – 1954 Honda

2020-07-03T10:31:42+00:00

It’s a fantastic film. The reputation of the film suffers for two reasons. For one, there have been countless regrettable sequels. Secondly, the film rights were bought in the US and the film added a

Gojira – 1954 Honda2020-07-03T10:31:42+00:00

La Chienne – 1931 Renoir

2017-03-29T14:59:34+00:00

Renoir’s first sound film There is some really nice work with some of what would come to be known as the Renoir trademarks- he does a great job doing a shot, tracking the action, reframing,

La Chienne – 1931 Renoir2017-03-29T14:59:34+00:00

Stalker – 1979 Tarkovsky

2017-03-28T14:31:48+00:00

  I’ll start here- it’s simply one of the greatest films in the history of cinema Whether you call it a sci-fi film, a religious film, parable, allegorical, philosophical, it doesn’t really matter—it’s controlling, potent--

Stalker – 1979 Tarkovsky2017-03-28T14:31:48+00:00

The Mirror – 1975 Tarkovsky

2020-07-03T10:31:42+00:00

Extremely personal “auteur” cinema but at the same time very political Features, like many of his other films, much of his fathers’ poetry There are some gorgeous shots features rain or water dripping- a reoccurring

The Mirror – 1975 Tarkovsky2020-07-03T10:31:42+00:00

Eastern Promises – 2007 Cronenberg

2017-03-27T20:37:50+00:00

It features an absolutely superb international cast: Mortensen is from the US, Watts from the UK, Mueller-Stahl from Germany, Cassel from France—all of them equally superb here and Viggo is the lead of course and

Eastern Promises – 2007 Cronenberg2017-03-27T20:37:50+00:00

The Godfather – 1972 Francis Ford Coppola

2020-07-03T10:31:42+00:00

  It’s certainly not hard to find more and more to say about the godfather even after 5-10 visits and times revisiting The opening long take is an absolute stunner and certainly not something I

The Godfather – 1972 Francis Ford Coppola2020-07-03T10:31:42+00:00

Beauty and the Beast – 1991 Trousdale and K. Wise

2020-07-03T10:31:42+00:00

  The stained glass window opening prologue is absolutely stunning Many simulated tracking shots in an out of scenes is definitely worthy of praise It’s before the advent of metacritic but still- the retroactive 95

Beauty and the Beast – 1991 Trousdale and K. Wise2020-07-03T10:31:42+00:00

Shivers – 1975 Cronenberg

2020-07-03T10:31:44+00:00

  I’m not sure it’s technically his debut- he made two earlier works but they are borderline home movies/shorts so this is generally considered to be his debut The Romero influence is heavy- but again

Shivers – 1975 Cronenberg2020-07-03T10:31:44+00:00

Solaris – 1972 Tarkovsky

2017-03-24T18:25:57+00:00

Many of the critics point this out but you really do have to get acclimated and adjusted to the pace of the film- once you do it’s very absorbing Explores, very intelligently, the mysteries of

Solaris – 1972 Tarkovsky2017-03-24T18:25:57+00:00

The Damned – 1947 Clement

2017-03-23T15:52:43+00:00

This is a ruthless ugly film showing the horrors of the Nazi’s pretty honestly, especially for a 1947 film It’s both a prison film, a war film, and a submarine film and borrows from all

The Damned – 1947 Clement2017-03-23T15:52:43+00:00
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