1934

2020-07-03T10:31:34+00:00

best film:  the scarlet express. It doesn’t have the artistic peaks of the blue angel but it’s von sternberg’s most consistently brilliant film and best narrative not to mention being jam pack filled with a

19342020-07-03T10:31:34+00:00

1933

2020-07-03T10:31:34+00:00

best film:  Duck Soup. King Kong is a fine choice as well. Both are genre staples. I’d give the edge to duck soup for its all-out comic assault and just about as good as a

19332020-07-03T10:31:34+00:00

1932

2020-07-03T10:31:37+00:00

best film:  love me tonight is my solid #1 film from 1932. It’s a stylistic innovator for sure (introducing singing in the middle of a scene) and first musical masterpiece. But, it’s no stodgy “first”

19322020-07-03T10:31:37+00:00

1931

2020-07-03T10:31:37+00:00

best film:  City Lights. This is a tough year because Fritz Lang’s M is a worthy “best film” of the year. I have city lights as Chaplin’s best film and one of the best silent

19312020-07-03T10:31:37+00:00

Arrival – 2016 Villeneuve

2017-06-26T20:32:38+00:00

There’s much to chew on here that still can’t be fully accomplished in two viewings What I noticed on the second viewing is how straight-forward the voice-over prologue is by Adams—it’s laying out the ending

Arrival – 2016 Villeneuve2017-06-26T20:32:38+00:00

I, Daniel Blake – 2016 Loach

2020-07-03T10:31:37+00:00

This social political drama won the Palme d'Or Reminded me of Kurosawa’s ikiru- a damnation of Japanese bureaucracy Ellipsis editing- lack of music—it’s in the vain of cinema’s realism or neo realism (or neo neo-realism)

I, Daniel Blake – 2016 Loach2020-07-03T10:31:37+00:00

1930

2020-07-03T10:31:37+00:00

best film:  The Blue Angel. I think Von Sternberg is as married to mise-en-scene as murnau is to camera movement or Eisenstein is to montage and editing. The Blue Angel has a simple narrative but

19302020-07-03T10:31:37+00:00

The Man Who Wasn’t There – 2001 Coen

2020-07-03T10:31:37+00:00

This is far from the Coen’s best work but it’s a tribute to their depth of filmography just how good this “b-side” film is Certainly is fully a coen brothers film- but also pays tribute

The Man Who Wasn’t There – 2001 Coen2020-07-03T10:31:37+00:00

1929

2020-07-03T10:31:37+00:00

best film:  Pandora’s Box is the best film of the year but It’s a very weak year- the weakest of the decade. most overrated:  I guess I’d pick Pandora’s box here. I need to see

19292020-07-03T10:31:37+00:00

Interstellar – 2014 Nolan

2017-06-21T17:32:31+00:00

There is such economy in the screenplay- the word “ghosts” is mentioned like 4 times in the first 8 minutes—I think Nolan is the far superior filmmaker (and writer) but I do see similarities with

Interstellar – 2014 Nolan2017-06-21T17:32:31+00:00

Basic Instinct – 1992 Verhoeven

2020-07-03T10:31:37+00:00

Like many of Verhoeven films it was severely underrated by critics but if you dig into the reviews- they admire Verhoeven’s style (at least a lot of them do) but cringe at the sleaziness of

Basic Instinct – 1992 Verhoeven2020-07-03T10:31:37+00:00

Gran Torino – 2008 Eastwood

2017-06-19T14:36:24+00:00

It’s a fringe recommendation for me but despite the clichés and bad acting from the supporting players (boy does this film have some flaws) I think the sincerely in the relationships and characters are formally

Gran Torino – 2008 Eastwood2017-06-19T14:36:24+00:00
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