There are three short films or episodes intercut- there’s a Zelig-like fake documentary, a 50’s B Sci-Fi film and a prison film—it’s connected to DW Griffith’s Intolerance and this style would be used again in
best film: Inception. Inception is one of the great films of the decade thus far—a sonic-boom of a filmmaking achievement from Christopher Nolan. I’ve cooled on The Departed a little in the last decade but
best film: The Seventh Seal. Wild Strawberries is a film many critics argue is superior to The Seventh Seal but I on team Seventh Seal for the time being at least. The Exorcist is also
best film: Out of the Past. Most would say Night of the Hunter but I still find some weaknesses in Charles Laughton’s only film as director that I can’t find in Out of the Past.
Davies is timeless- this movie could’ve come out in 1935, 1955 or 1985. Shot in Kodak 65--- interiors shot digitally—apparently Davies had been wanting to make it for 18 years— The narrative surrounds one woman’s
I’ve watched each of their films several times now and A Night at the Opera is their second best effort- behind only 1933’s Duck Soup- this is the film directly following so clearly they were
best film: The Tree of Life. I’ve seen it twice. I was mesmerized but perplexed the first time and then blown away the second time. It has some of the greatest imagery in the art
best film: Magnolia. While recent viewings of Punch-Drunk Love and The Master have complicated things I’m not yet ready to yield the mantle of best PT Anderson film to either of them (the closest contender
best film: The Leopard and The Sweet Smell of Success are 1-2 in both of the big categories. I ended up, untentionally splitting them. Lancaster is very close to equal in both, but Mackendrick’s wonderfully
best film: Breathless is the 16th best film of all-time and Pierrot le Fou is currently at #55 on my list. They’re the two highest rated Godard films and certainly more than worthy to be
best film: The General is still the best Keaton film even if Sherlock Jr. may have the best singular Keaton moment with the changing landscape background sequence. The General is Keaton standing way back—and making
best film: Red River is an all-time great western and all-time great Howard Hawks film so that’s enough in it of itself. However, I also think it’s an all-time great and landmark film as far
