Night Across the Street – 2012 Ruiz

2020-07-03T10:29:24+00:00

The final film from Chilean master Raul RuizThe narrative is messy (evaluation)— surrealism, time travel, stream of consciousness (Beethoven and Long John Silver just show up) (description)- An odd heavy use of rear projection—I like

Night Across the Street – 2012 Ruiz2020-07-03T10:29:24+00:00

The 36th Best Director of All-Time: David Cronenberg

2020-07-03T10:29:24+00:00

Cronenberg. Cronenberg emerged from the creative burst the horror genre produced in the 1970’s to become one of the greatest auteurs on the planet in the modern era. Cronenberg’s great strength is the quality of

The 36th Best Director of All-Time: David Cronenberg2020-07-03T10:29:24+00:00

Down by Law – 1986 Jarmusch

2020-07-03T10:29:26+00:00

An accomplishment for its Jarmusian qualities: first and foremost a three-part structural film—New Orleans, then prison, then the escape/swamp. Shot in crisp b/w (Robby Muller is the dp from Paris, Texas- the remarkable Kings of

Down by Law – 1986 Jarmusch2020-07-03T10:29:26+00:00

Stranger Than Paradise – 1984 Jarmusch

2020-07-03T10:29:26+00:00

A stunning achievement and the announcement of Jim Jarmusch as a major force in world cinema—deadpan comedy, formal master so few films are ambitious in their structure- and I don't mean complicated the film is a

Stranger Than Paradise – 1984 Jarmusch2020-07-03T10:29:26+00:00

The Chocolate War – 1988 Gordon

2020-07-03T10:29:26+00:00

A different kind of coming of age film—you keep thinking it’s going to turn around and have the mood shift up, or even turn into a star-crossed lovers teen love story with the girl at

The Chocolate War – 1988 Gordon2020-07-03T10:29:26+00:00

The 35th Best Director of All-Time: Michael Powell

2020-07-03T10:29:26+00:00

Powell…Or Powell and Pressburger. The team of “The Archers” as they are known and proclaim (complete with their own mission statement long before von Trier and the Dogme 95). I usually only consider Powell, not

The 35th Best Director of All-Time: Michael Powell2020-07-03T10:29:26+00:00

Triple Frontier – 2019 Chandor

2020-07-03T10:29:26+00:00

It’s not Bigelow’s Hurt Locker or Zero Dark Thirty (military story, Mark Boal script) – Chandor doesn’t have Bigelow’s talents for action direction--- it’s also not Ocean’s 11 (male-heavy, star-studded heist film)—Chandor doesn’t ooze breezy

Triple Frontier – 2019 Chandor2020-07-03T10:29:26+00:00

The 34th Best Director of All-Time: Robert Altman

2020-07-03T10:29:26+00:00

Altman. It’s an incredible filmography. Altman has 16 archiveable films, 6 top 500 films, and 9 top 100 films of their respective decade. His 1970’s decade was incredible—a whopping 9 films in the archives and

The 34th Best Director of All-Time: Robert Altman2020-07-03T10:29:26+00:00

The 33rd Best Director of All-Time: David Lean

2020-07-03T10:29:26+00:00

Lean. Lean is quite a juxtaposition from the other European directors that flourished in this era (Lean’s best film was 1962 and second and third best just before and just after) like Godard, Antonioni, Truffaut

The 33rd Best Director of All-Time: David Lean2020-07-03T10:29:26+00:00

The 32nd Best Director of All-Time: Roberto Rossellini

2020-07-03T10:29:26+00:00

Rossellini. Rossellini is one half of the Truffaut/Godard of Italian Neorealism movement with De Sica and I’m not sure there’s a Bicycle Thieves without Rossellini. Rossellini is the Godfather and unofficial founder of Italian neo-realism (though realism

The 32nd Best Director of All-Time: Roberto Rossellini2020-07-03T10:29:26+00:00
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