Mean Streets – 1973 Scorsese

2020-07-03T10:29:06+00:00

March 2017Opens wondrously with the voice over, pop soundtrack, and the triple- editing technique (same image zoomed in with short ellipsis) that Scorsese would keep doing for the next 40 yearsThe rock/pop soundtrack is really

Mean Streets – 1973 Scorsese2020-07-03T10:29:06+00:00

The 84th Best Director of All-Time: George Cukor

2020-07-03T10:29:06+00:00

Cukor. Cukor. Even without any credit for Gone With the Wind Cukor’s filmography alone is deserving of this slot. He’s not a style-plus director and his contribution to Gone With the Wind is of much debate (it’s clear

The 84th Best Director of All-Time: George Cukor2020-07-03T10:29:06+00:00

The Goonies – 1985 Donner

2020-07-03T10:29:06+00:00

With Richard Donner directing, Spielberg producing, and Chris Columbus writing—it’s a hell of a blockbustery/populist talent combination behind it—you put that with a gifted young cast of kids and you have a worthy film hereThe

The Goonies – 1985 Donner2020-07-03T10:29:06+00:00

The 82nd Best Director of All-Time: Frank Capra

2020-07-03T10:29:06+00:00

Capra. Capra is a style-minus director but has a brilliant filmography (his filmography grades out to be ranked 60th as a director) and unlike others like Huston or Curtiz or some others his great films

The 82nd Best Director of All-Time: Frank Capra2020-07-03T10:29:06+00:00

The Hateful Eight – 2015 Tarantino

2020-07-03T10:29:06+00:00

Much to praise here even if it’s Tarantino’s weakest since Death Proof in 2007 and second weakest as an auteur overall great doorway wall-art photography here The 70mm photography by QT and his DP Robert

The Hateful Eight – 2015 Tarantino2020-07-03T10:29:06+00:00

Sweet Country – 2017 Warwick Thornton

2020-07-03T10:29:06+00:00

An impressive Western- violent, starkThere’s a real evil here—both the character and setting—brutal and uncivilizedThornton has a talent for making you feel the open space of Australia—lots of wide shots Reminds me of The Three

Sweet Country – 2017 Warwick Thornton2020-07-03T10:29:06+00:00

Annie Hall – 1977 Allen

2020-07-03T10:29:06+00:00

Allen is absolutely flexing here – flouting narrative conventions and brimming with creativity Gordon Willis’ work here from a photographical standpoint isn’t quite the achievement it is in The Godfather films or his work with

Annie Hall – 1977 Allen2020-07-03T10:29:06+00:00

Saboteur – 1942 Hitchcock

2020-07-03T10:29:10+00:00

Unmistakably Hitchcockian—another one of his mistaken-identity thrillers--- similar to The 39 Steps, North By NorthwestMinor Hitchcock or a B-side if you will Most notable for the set piece finale—instead of the Golden Gate bridge or

Saboteur – 1942 Hitchcock2020-07-03T10:29:10+00:00

Who’s That Knocking at My Door – 1967 Scorsese

2020-07-03T10:29:10+00:00

Scorsese’s debut—a rough draft for Mean StreetsIt’s pretty ugly to look (16mm) at – shot crudely—but the talent is there behind the camera is clear- such energy and creativity Ebert--- “Announcing the arrival of an

Who’s That Knocking at My Door – 1967 Scorsese2020-07-03T10:29:10+00:00
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