Kundun – 1997 Scorsese

2020-07-03T10:28:47+00:00

As just a film, it’s a fine effort, certainly in the archives, handsomely mounted with some nice photography and soft elliptical editing that matches material. However, as a Scorsese film—it’s a disappointment. It seems aggressively

Kundun – 1997 Scorsese2020-07-03T10:28:47+00:00

The Lighthouse – 2019 Eggers

2020-07-03T10:28:47+00:00

A confirmation of Eggers’ prodigious gifts and his auteur standing after the 2015 debut- The WitchHypnotically beautiful to look at (and listen to) but more than that really: distinctive, meticulous – I called The Witch

The Lighthouse – 2019 Eggers2020-07-03T10:28:47+00:00

Force of Evil – 1948 Polonsky

2020-07-03T10:28:49+00:00

Part film noir, part political allegory buried in a crime genre movie --- Abraham Polonsky’s debut film (background as a screenwriter- Body and Soul with Garfield in 1947) has strong performances, visuals and writing79 perfectly

Force of Evil – 1948 Polonsky2020-07-03T10:28:49+00:00

Unrelated – 2007 Hogg

2020-07-03T10:28:49+00:00

It’s a rough sketch, Joanna Hogg’s first feature film, and just a faint indicator of her future brilliance (notably in her follow-up sophomore effort the 2010 film Archipelago)Being transparent—I saw this before Archipelago and didn’t

Unrelated – 2007 Hogg2020-07-03T10:28:49+00:00

Archipelago – 2010 Hogg

2020-07-03T10:28:49+00:00

An announcement of a burgeoning auteur- Joanna Hogg- it is her second film after 2007’s Unrelated Archipelago is much prettier than the crassly shot debut—much more attractive in its photography and decidedly more poised in

Archipelago – 2010 Hogg2020-07-03T10:28:49+00:00

Loro – 2018 Sorrentino

2020-07-03T10:28:49+00:00

Is there an auteur that makes a better first 15 minutes of his/her films? Il Divo, The Great Beauty-- both explode out of the gates. Loro is no exception, the spectacle (both in gaudy content

Loro – 2018 Sorrentino2020-07-03T10:28:49+00:00

The Witch – 2015 Eggers

2020-07-03T10:28:49+00:00

A debut brimming with self-assurance and specificityThe specificity is two-fold-- the detail in the production design (Eggers background) and the vernacular. The corn stalks are real. The dialect is clearly authentic- the “thee’s” and “thou’s”.

The Witch – 2015 Eggers2020-07-03T10:28:49+00:00

The 110th Best Director of All-Time: Elia Kazan

2020-07-03T10:28:49+00:00

Kazan. Kazan’s strength is his unparalleled work with actors and that just gets eclipsed by so many auteurs with a superior cinematic style. That said- his filmography and impact on naturalism and acting is still

The 110th Best Director of All-Time: Elia Kazan2020-07-03T10:28:49+00:00

The Aviator – 2004 Scorsese

2020-07-03T10:28:49+00:00

Scorsese’s The Aviator is stunning to look at, it moves with an incredible speed (it’s an easy a 170-minute watch as there is), and it features DiCaprio giving us a tour-de-force lead performance (debatably his

The Aviator – 2004 Scorsese2020-07-03T10:28:49+00:00

Farewell My Concubine – 1993 Kaige Chen

2020-07-03T10:28:49+00:00

A handsomely-mounted, classically told biopic/drama epic with political backdrop the opening- magnificently beautiful use of lighting from Kaige Chen Apparently Miramax mangled it a bit and there’s a shorter cut out there but I was

Farewell My Concubine – 1993 Kaige Chen2020-07-03T10:28:49+00:00
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