The 133rd Best Director of All-Time: Pier Paolo Pasolini
Pasolini. I’ll be the first to admit that there is work to be done here on my end regarding Pasolini. I’ve seen six Pasolini films, once a piece, between the years 2004-2006. That certainly doesn’t make me an expert (hoping to dig in further soon). As far as his resume, the 1 film in the top 500 of all-time isn’t the problem—it’s the 1 film in the top 100 of the decade that hurts his case (though Salo is very close). The strength of Pasolini’s case is level of authorship in his films. Accattone has hinds of neorealism, as