Uncut Gems – 2019 Safdie

2020-07-03T10:28:07+00:00

A roller-coaster, a time bomb, a heart-attack—you pick the analogy--- the Safdie brothers have confirmed their arrival as major auteurs, in a big way, with Uncut Gems. Their specific brand of narrative propulsion is their

Uncut Gems – 2019 Safdie2020-07-03T10:28:07+00:00

The 193rd Best Director of All-Time: Abel Ferrara

2020-07-03T10:28:07+00:00

Ferrara. Abel Ferrara is synonymous with New York City street cinema- gritty, violent -yes, but films that are also extremely moody, atmospheric as well—not just blunt force. His best work came in the early 1990’s

The 193rd Best Director of All-Time: Abel Ferrara2020-07-03T10:28:07+00:00

Stray Dog – 1949 Kurosawa

2020-07-03T10:28:07+00:00

Kurosawa takes De Sica’s Bicycle Thieves concept the year before, a stolen object (in this case a colt pistol) as the driving force for the narrative. At some point this film evolves into a compelling

Stray Dog – 1949 Kurosawa2020-07-03T10:28:07+00:00

Raising Cain – 1992 De Palma

2020-07-03T10:28:07+00:00

A flawed work from Brian De Palma but it’s De Palma—meaning there are some exceptional cinematic moments paired (often right alongside) some cringe-worthy storytelling/writing and pulpy pop psychologyThe psychological thriller, De Palma always the Hitchcock

Raising Cain – 1992 De Palma2020-07-03T10:28:07+00:00

The 190th Best Director of All-Time: Danny Boyle

2020-07-03T10:28:07+00:00

Boyle. Boyle’s trademark kinetic style makes him an easy-to-spot auteur. He’s often been accused throughout the years (decades) over over-directing. I don’t believe in such a thing—or if I did—it would meant as a compliment

The 190th Best Director of All-Time: Danny Boyle2020-07-03T10:28:07+00:00

The Baron of Arizona – 1950 Fuller

2020-07-03T10:28:07+00:00

A fascinating true story of forgery and deception- fits with Fuller’s obsession with exposing the sordid underbelly or ugly truthShot by James Wong Howe (Hud, Seconds – both would come later of course but Body

The Baron of Arizona – 1950 Fuller2020-07-03T10:28:07+00:00

I Shot Jesse James – 1949 Fuller

2020-07-03T10:28:07+00:00

Sam Fuller’s debut, and in typical Fuller fashion it was shot on almost no-budget in 10 days. Much of the acting in Fuller’s filmography is suspect— but John Ireland here is one of the exceptions—he’s

I Shot Jesse James – 1949 Fuller2020-07-03T10:28:07+00:00

Mustang – 2015 Ergüven

2020-07-03T10:28:07+00:00

A stellar debut from Turkish director (and shot in Turkey) Deniz Gamze Ergüven— certainly the plot is similar to Sofia Coppola’s debut in 1999- The Virgin Suicides A strong debut from Turkish director (and shot

Mustang – 2015 Ergüven2020-07-03T10:28:07+00:00

Companeros – 1970 Corbucci

2020-07-03T10:28:07+00:00

The sixth archiveable film in an incredibly fertile period for Sergio Corbucci—all westerns, another one here starring Franco Nero, with a score from Ennio MorriconeNero’s lone antihero (always out for himself here and the almighty

Companeros – 1970 Corbucci2020-07-03T10:28:07+00:00
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