1933

2020-10-01T13:09:57+00:00

best film:  King Kong. It is a weaker year at the top- I’ll get to it in the overrated section but there is no masterpiece in 1933. Still, King Kong is not a film to

19332020-10-01T13:09:57+00:00

The Scar – 1976 Kieslowski

2020-09-30T18:28:11+00:00

The feature debut for the great Krzysztof Kieslowski at age 35. He had made a ton of documentaries prior and this is certainly made with that background in mind- realism It is a study of

The Scar – 1976 Kieslowski2020-09-30T18:28:11+00:00

1932

2020-09-29T18:23:57+00:00

best film:  Love Me Tonight by Mamoulian.  It’s a storytelling innovator for sure (introducing singing in the middle of a scene—not just “performance” musical like The Jazz Singer) and first musical masterpiece. But, it’s no

19322020-09-29T18:23:57+00:00

1931

2020-09-28T18:10:49+00:00

best film:  City Lights from Chaplin. M from Lang is a fine choice as well—both would be the single best film in virtually any year in the 1930’s (outside of perhaps 1939 with Renoir’s The

19312020-09-28T18:10:49+00:00

Felicia’s Journey – 1999 Egoyan

2020-09-25T13:34:24+00:00

It is a disappointment coming off of Exotica and The Sweet Hereafter from Egoyan (and gets lost a bit in 1999’s incredible year)-- but certainly much stronger than the average film made by anyone else

Felicia’s Journey – 1999 Egoyan2020-09-25T13:34:24+00:00

The Social Network – 2010 Fincher

2020-09-24T19:12:35+00:00

It’s a film that may combine the best work of both David Fincher and Aaron Sorkin Hard to top Travers: “The Social Network lights up a dim movie sky with flares of startling brilliance. Director

The Social Network – 2010 Fincher2020-09-24T19:12:35+00:00

7th Heaven – 1927 Borzage

2020-09-23T19:32:45+00:00

One of the great romance dramas of the silent era- Frank Borzage’s 7th Heaven is indeed moving—but also features several stunning cinematic highpoints Opens on the streets of Paris just before the breakout of World

7th Heaven – 1927 Borzage2020-09-23T19:32:45+00:00

1930

2020-09-23T13:43:02+00:00

best film:  The Blue Angel from von Sternberg. Von Sternberg is as married to mise-en-scene as Renoir or Ophuls is to camera movement or Eisenstein is to montage and editing. The Blue Angel has a simple (yet

19302020-09-23T13:43:02+00:00

Young Ahmed – 2019 Dardenne

2020-09-22T13:46:23+00:00

It is a B-side, lesser work in the decade-spanning career of major auteurs – the Dardenne brothers The brothers are social realists—THE social realists of the last 20-30 years – a stripped down style, handheld

Young Ahmed – 2019 Dardenne2020-09-22T13:46:23+00:00

1929

2020-09-21T21:11:56+00:00

best film:  Pandora’s Box from G.W. Pabst Pabst’s film features an enthralling narrative and rich characterizations Louise Brooks and her tragic character, Lulu, are/were so influential to the time and to cinema lore (see films

19292020-09-21T21:11:56+00:00

Timbuktu – 2014 Sissako

2020-09-21T14:16:39+00:00

It is really a film about an occupation of a town– that’s Sissako’s message. In a way it isn’t much different from Shane or Rio Bravo (or say German films made during the occupation like

Timbuktu – 2014 Sissako2020-09-21T14:16:39+00:00

The Sweet Hereafter – 1997 Egoyan

2020-09-21T13:46:06+00:00

An emphatic follow-up to 1994’s Exotica—Egoyan proves himself to one of cinema’s finest directors during this stretch of time in the mid-1990’s—compiling now twin achievements of  pain and loss Like Exotica, this starts with a

The Sweet Hereafter – 1997 Egoyan2020-09-21T13:46:06+00:00
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