Wolfwalkers – 2020 Moore, Ross Stewart

2020-12-29T18:55:43+00:00

This is now the third work from Tomm Moore (all of them co-directed by this is the first time with Ross Stewart) with previous works including The Secret of Kells (2009) and Song of the

Wolfwalkers – 2020 Moore, Ross Stewart2020-12-29T18:55:43+00:00

The Assistant – 2019 Green

2020-12-29T18:06:00+00:00

A remarkable feature debut from Australian-born Kitty Green. The Assistant starts with an attention to detail you’d see from a realist. Julia Garner plays Jane- the titular character and the film convers one day in

The Assistant – 2019 Green2020-12-29T18:06:00+00:00

The Hobbit – 2012-2014 Jackson

2020-12-29T18:58:47+00:00

The reunion of Tolkien and Jackson, over a decade after the start of The Lord of the Rings, fails to live up to the achievement of its predecessor (heavy lies the crown sort of thing

The Hobbit – 2012-2014 Jackson2020-12-29T18:58:47+00:00

Die Hard – 1988 McTiernan

2020-12-28T13:29:23+00:00

Like McTiernan’s 1987 entry the year before, Predator, Die Hard is an updated (and modified) western. Instead of The Magnificent Seven (Seven Samurai) it’s Shane here in many ways Clichés are clichés for a reason

Die Hard – 1988 McTiernan2020-12-28T13:29:23+00:00

The Lord of the Rings – 2001-2003 Jackson

2020-12-27T04:22:24+00:00

Peter Jackson’s magnum opus adaptation of Tolkien is one the seminal works of the 21st century. I’ve seen it a half dozen times at least—and my appreciation for it grows with each revisit. I’ll be

The Lord of the Rings – 2001-2003 Jackson2020-12-27T04:22:24+00:00

1951

2020-12-25T17:55:11+00:00

best film:  Early Summer from Ozu. The Japanese master made one of the best films of 1949 (Late Spring) and two years later he improves upon it ever so slightly (he’d do the same thing

19512020-12-25T17:55:11+00:00

1950

2020-12-23T15:55:02+00:00

best film:  Rashomon from Kurosawa.  Rashomon is a masterpiece on at least two levels: the use of deep focus photography combined with character blocking compositions (that’s one-- which rivals Citizen Kane– which is funny because Kane is also the

19502020-12-23T15:55:02+00:00

Teorema – 1968 Pasolini

2020-12-22T03:53:42+00:00

Pasolini’s sixth feature, second in the “mythical cycle” following Oedipus Rex in 1967. Along with his debut Accattone, Teorema is Pasolini’s greatest achievement thus far in his career in 1968. A very controversial film (name

Teorema – 1968 Pasolini2020-12-22T03:53:42+00:00

1949

2020-12-21T18:15:35+00:00

best film:  The Third Man from Carol Reed has so many superior elements to praise: the Ferris wheel set piece, post-war Vienna as the film’s backdrop, it is written by freaking Graham Greene, you have

19492020-12-21T18:15:35+00:00

Tenet – 2020 Nolan

2020-12-20T02:06:57+00:00

Nolan’s Tenet starts in medias res like a Bond film with the vast crowd in the opera house (Nolan has declared his love for the 1977 Roger Moore Bond The Spy Who Loved Me)

Tenet – 2020 Nolan2020-12-20T02:06:57+00:00

Oedipus Rex – 1967 Pasolini

2020-12-19T21:50:25+00:00

Provocateur Pier Paolo Pasolini officially moved away from the neorealist-leanings in his early work for his fifth feature (and first in color)- Oedipus Rex The is the first in the “mythical cycle” series (Teorema, Porcile,

Oedipus Rex – 1967 Pasolini2020-12-19T21:50:25+00:00

Ran – 1985 Kurosawa

2020-12-18T03:51:09+00:00

The pictorial beauty of Kurosawa's landscape long shots are masterpiece worthy—Kurosawa makes great use of every extra, color flourish in the frame, and set piece --whether it’s the mountains in the final climax battle, the

Ran – 1985 Kurosawa2020-12-18T03:51:09+00:00
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