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Battle of the Sexes – 2017 Dayton and Faris

  Published on: Oct 9, 2017  It doesn’t have the overarching formal visual pleasures of little miss sunshine- dayton and faris previous archiveable effort but it’s a return to the archives and return to form I

Three Billboards Outside Ebbing, Missouri – 2017 McDonagh

I’m archiving the film after one viewing but I had some problems with it. It’s uneven. Franky there are too many very good scenes between great actors for me to ignore and not archive but

Zama – 2017 Martel

I’m hoping Martel’s formal approach continues to grow on me with repeat viewings because she’s not really interested in narrative (which is fine on its own) and when you combine that with the largely unspecial

Mission: Impossible – Fallout – 2018 McQuarrie

More than anything I appreciate the brashness of it—from Cruise probably first and foremost and from Chris McQuarrie as well- they went for it in terms of degree of difficulty and stunt and set piece

Paths of Glory – 1957 Kubrick

It has aesthetic connective tissue with Ophuls (again The Shining) and a spirit of middle-finger cinema related to Luis Bunuel- a film of the highest artistic quality and I’m leaning towards masterpiece status (first time

The Social Network – 2010 Fincher

It’s a masterpiece that may combine the best work of both David Fincher and Aaron Sorkin Hard to top Travers: “The Social Network lights up a dim movie sky with flares of startling brilliance. Director

Atomic Blonde – 2017 Leitch

Very impressed with Leitch’s exercise in style 80’s Berlin-chic, drenched in neon in every scene—nods to Refn’s Drive Strong supporting cast but it’s Charlize Theron’s show- she’s impeccable- nods to Delon in Le Samourai and

Leave No Trace – 2018 Granik

Another very solid film from Debra Granik (Down to the Bone in 2004 and Winter’s Bone in 2010)- clearly she can create atmosphere and gets strong performances (whether it is Vera Farminga, Jennifer Lawrence or

Romeo + Juliet – 1996 Luhrmann

Cinematic opulence- Baz would do it all better in 2001’s Moulin Rouge!, his masterpiece, but this is more than just a flawed rough draft—it’s a gorgeous and inspired precursor The opening is a jaw-dropper—Luhrmann showing

Carol – 2015 Haynes

It’s one of the more beautiful 16mm films (blown up to 35) I’ve seen. It has Haynes penchant and skill for gorgeous framing, lighting, and overall mise-en-scene From Patricia Highsmith’s “price of salt” as source

The Top 100 Male Actors of All-time

Robert De Niro James Stewart Marlon Brando Humphrey Bogart Jack Nicholson Al Pacino Daniel Day-Lewis Toshiro Mifune Charlie Chaplin Cary Grant Marcello Mastroianni John Wayne Henry Fonda Paul Newman William Holden Klaus Kinski Dustin Hoffman

The Top 100 Female Actors of All-Time

  Ingrid Bergman Katharine Hepburn Meryl Streep Giulietta Masina Lillian Gish Jeanne Moreau Liv Ullman Catherine Deneuve Marlene Dietrich Barbara Stanwyck Faye Dunaway Diane Keaton Juliette Binoche Julie Christie Julianne Moore Audrey Hepburn Judy Garland

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