A noteworthy slow-burn arthouse horror from director Natalie Erika James – her debut film Bound to frustrate traditional genre enthusiasts with her pacing—James is far more concerned with telling a nuanced story of dementia as
A coming-of-age story and a period costume drama that could have easily been from the later cycle of films from Merchant Ivory. Dominici Guard plays “Leo”- the boy, and literally the go-between passing notes from
George Wolfe brings August Wilson’s play to life thanks to stellar lead performances from Viola Davis and the late, great Chadwick Boseman This is the final film from Boseman who tragically passed away way too
Wilder’s 1960 tragicomedy features a tremendous set design (the endless rows and rows of desk in the insurance office) and career-best work from Jack Lemmon and Shirley MacLaine Wilder was coming off Some Like it
There’s plenty of debate as to whether Steve McQueen’s Small Axe is television or cinema (he insists it is cinema, and I wholeheartedly agree), or whether it is five separate works, or one larger work
It is impossible to talk about Terry Gilliam’s The Man Who Killed Don Quixote without talking about the troubled (an understatement) production backstory. It is maybe the most storied production in cinema history. The Day
Easily the best film to date from Arnold-- and another boost for the A24 brand social commentary- "I'm the spiderman of the dumpster"- much of film is through the eyes of these troubled impoverished youth
You have to probably go back to 2000’s The Contender for something this good in Rod Lurie’s filmography. The Outpost is a sturdy entry in the 21st century war film genre- here about a group
This is now the third work from Tomm Moore (all of them co-directed by this is the first time with Ross Stewart) with previous works including The Secret of Kells (2009) and Song of the
A remarkable feature debut from Australian-born Kitty Green. The Assistant starts with an attention to detail you’d see from a realist. Julia Garner plays Jane- the titular character and the film convers one day in
The reunion of Tolkien and Jackson, over a decade after the start of The Lord of the Rings, fails to live up to the achievement of its predecessor (heavy lies the crown sort of thing
Like McTiernan’s 1987 entry the year before, Predator, Die Hard is an updated (and modified) western. Instead of The Magnificent Seven (Seven Samurai) it’s Shane here in many ways Clichés are clichés for a reason
