The Scar – 1976 Kieslowski

2020-09-30T18:28:11+00:00

The feature debut for the great Krzysztof Kieslowski at age 35. He had made a ton of documentaries prior and this is certainly made with that background in mind- realism It is a study of

The Scar – 1976 Kieslowski2020-09-30T18:28:11+00:00

Felicia’s Journey – 1999 Egoyan

2020-09-25T13:34:24+00:00

It is a disappointment coming off of Exotica and The Sweet Hereafter from Egoyan (and gets lost a bit in 1999’s incredible year)-- but certainly much stronger than the average film made by anyone else

Felicia’s Journey – 1999 Egoyan2020-09-25T13:34:24+00:00

The Social Network – 2010 Fincher

2020-09-24T19:12:35+00:00

It’s a film that may combine the best work of both David Fincher and Aaron Sorkin Hard to top Travers: “The Social Network lights up a dim movie sky with flares of startling brilliance. Director

The Social Network – 2010 Fincher2020-09-24T19:12:35+00:00

7th Heaven – 1927 Borzage

2020-09-23T19:32:45+00:00

One of the great romance dramas of the silent era- Frank Borzage’s 7th Heaven is indeed moving—but also features several stunning cinematic highpoints Opens on the streets of Paris just before the breakout of World

7th Heaven – 1927 Borzage2020-09-23T19:32:45+00:00

Young Ahmed – 2019 Dardenne

2020-09-22T13:46:23+00:00

It is a B-side, lesser work in the decade-spanning career of major auteurs – the Dardenne brothers The brothers are social realists—THE social realists of the last 20-30 years – a stripped down style, handheld

Young Ahmed – 2019 Dardenne2020-09-22T13:46:23+00:00

Timbuktu – 2014 Sissako

2020-09-21T14:16:39+00:00

It is really a film about an occupation of a town– that’s Sissako’s message. In a way it isn’t much different from Shane or Rio Bravo (or say German films made during the occupation like

Timbuktu – 2014 Sissako2020-09-21T14:16:39+00:00

The Sweet Hereafter – 1997 Egoyan

2020-09-21T13:46:06+00:00

An emphatic follow-up to 1994’s Exotica—Egoyan proves himself to one of cinema’s finest directors during this stretch of time in the mid-1990’s—compiling now twin achievements of  pain and loss Like Exotica, this starts with a

The Sweet Hereafter – 1997 Egoyan2020-09-21T13:46:06+00:00

Exotica – 1994 Egoyan

2020-09-20T13:49:36+00:00

Egoyan’s Exotica is Altman’s Nashville or Sayles' Matewan- except for this ensemble mosaic has a jungle “exotic”-themed strip club meeting place as its linking device instead of a city Egoyan’s Exotica is Altman’s Nashville

Exotica – 1994 Egoyan2020-09-20T13:49:36+00:00

Silver Linings Playbook – 2012 O. Russell

2020-09-20T12:28:01+00:00

One of the great love stories of the 2010’s featuring David O. Russell’s trademark rat-a-tat dialogue, the expansive, combative dysfunctional family (part actual family part surrogate), and some of the best acting of 2012.

Silver Linings Playbook – 2012 O. Russell2020-09-20T12:28:01+00:00

Calendar – 1993 Egoyan

2020-09-19T12:46:11+00:00

Egoyan’s fifth film is his greatest accomplishment in film form to date—this low-budget (he’s back to the 16mm/video oscillating like 1987’s Family Viewing), short film (74 minutes) casts a hypnotic structural spell The film bounces

Calendar – 1993 Egoyan2020-09-19T12:46:11+00:00

The Adjuster – 1991 Egoyan

2020-09-19T12:07:18+00:00

From the opening titles, this, his fourth feature, is clearly a  step-up for Canadian auteur Atom Egoyan when it comes to budget and production value (for the first time no 16mm or video here) Egoyan

The Adjuster – 1991 Egoyan2020-09-19T12:07:18+00:00

The Seventh Seal – 1957 Bergman

2020-09-18T20:03:20+00:00

Bergman’s first masterpiece—and a landmark film in 1950’s cinema A gray film- severe in tint and mood—Bergman sets the tone with the choir reigning down during the opening as we set out with the young

The Seventh Seal – 1957 Bergman2020-09-18T20:03:20+00:00
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