Arizona Dream – 1993 Kusturica

2020-09-14T18:08:33+00:00

Delightfully unpredictable-- Emir Kusturica’s English language debut is a blend of surrealism narrative stream-of-consciousness and (seemingly) improvisation Johnny Depp stars- and he’s good here, as are Faye Dunaway, Lili Taylor and Vincent Gallo (Jerry Lewis

Arizona Dream – 1993 Kusturica2020-09-14T18:08:33+00:00

Red Sun – 1971 Young

2020-09-14T13:07:11+00:00

An impressive international star-studded cast consisting of Charles Bronson (US- the clear star of the film), Mifune (Japan), Delon (France) and Ursula Andress from Dr. No (Switzerland) and directed by early Connery Bond films director

Red Sun – 1971 Young2020-09-14T13:07:11+00:00

The Andromeda Strain – 1971 Wise

2020-09-13T12:16:42+00:00

A buried treasure of a film- Robert Wise’s The Andromeda Strain is a not-so-distant cousin from Welles, Wyler and Kurosawa’s achievement in deep focus photography. Wise here uses the half convex glass attached to his

The Andromeda Strain – 1971 Wise2020-09-13T12:16:42+00:00

1927

2020-09-12T14:48:40+00:00

best film:  Sunrise by Murnau. I should mention that I still haven’t been able to track down and see Abel Gance’s Napoleon- a pretty significant omission by all accounts (it is #176 of all-time on the

19272020-09-12T14:48:40+00:00

The League of Gentleman– 1960 Dearden

2020-09-11T21:25:53+00:00

1960 may be the year of the heist film with The League of Gentleman in England and Ocean’s 11 on the other side of the pond. Basil Dearden (one of the co-directors of 1945’s Dead

The League of Gentleman– 1960 Dearden2020-09-11T21:25:53+00:00

Dreams – 1990 Kurosawa

2020-09-11T17:38:52+00:00

Like many anthology films—Kurosawa’s eight part Dreams is uneven--- the best sections are as good as anything he’s done since High and Low- but there are regrettable sections that may make you say “wow- this

Dreams – 1990 Kurosawa2020-09-11T17:38:52+00:00

1926

2020-09-11T11:02:17+00:00

best film:  The General from Buster Keaton and Clyde Bruckman A set piece high-wire act that last for nearly the entire duration of the film At age 31, Keaton has a second unassailable masterpiece between

19262020-09-11T11:02:17+00:00

Vertigo – 1958 Hitchcock

2020-09-10T15:13:59+00:00

From Saul Bass’ gorgeous opening credits with Bernard Herrmann’s score (it has to be his finest, right?)—it is clear this film is different- even for Hitchcock—both his most ambitious film, the height of his perfectionism--

Vertigo – 1958 Hitchcock2020-09-10T15:13:59+00:00

I’m Thinking of Ending Things – 2020 Charlie Kaufman

2020-09-09T12:11:47+00:00

This is an intimidating film to try to say anything about with one viewing. It is a work of almost infinite creativity (Kaufman’s skills as a writer matched by the visual artist in this effort)

I’m Thinking of Ending Things – 2020 Charlie Kaufman2020-09-09T12:11:47+00:00

An American Tragedy – 1931 von Sternberg

2020-09-06T13:11:03+00:00

It does not come close to touching von Sternberg’s all-time of a year the year before in 1930 (The Blue Angel, Morocco)—but there are still enough elements to land it (barely) into the archives Based

An American Tragedy – 1931 von Sternberg2020-09-06T13:11:03+00:00

1925

2020-09-06T03:30:03+00:00

best film:  Battleship Potemkin from Eisenstein Pure cinematic excellence, a stylistic shock wave, a masterful collage of images—Eisenstein’s Battleship Potemkin stands alone as the greatest single achievement in film editing. Murnau is important—absolutely- what he did with

19252020-09-06T03:30:03+00:00

The Window – 1949 Tetzlaff

2020-09-04T19:16:22+00:00

It is a brilliant premise- one of those films can sum up and get someone intrigued in thirty seconds—a young boy who is known for his tall tales, witnesses a murder through a window in

The Window – 1949 Tetzlaff2020-09-04T19:16:22+00:00
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