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The Lobster – 2015 Lanthimos
- Lanthimos is a master world builder. The lobster is a great film in a vacuum but it was important to prove that dogtooth was no fluke.
- Part Bunuel, HG Wells, Kafka, Wes Anderson (that deadpan)—and wholly Lanthimos—he’s very big on a world with strict rules. Absurd rules
- Great opening with a woman driving and shooting animal in the face. Sets the tone
- Love Farrell’s big belly and dedication to this character I hesitate to say it’s his best (he’s in the new world after all) but it’s up there.
- The use of Beethoven and the procedural way they check into this world/resort/location reminds me of a clockwork orange
- A satire on marriage, ritual
- Gorgeous slow-motion photography galore- 4-5 very solid sequences
- “on my last night I’d like to watch stand by me”
- The Barry Lyndon music- voice-over, absurdity of the voice over by Rachel Weisz—it’s very similar to the sarcastic and kind of condescending voice over of john hurt’s in dogville as well
- The film is broken into two halves- the resort (forcing people trying to be couples) and the woods (forcing people apart)—the loners in the woods have strict rules too
- Great scene of the loners dancing to their own music and random animals walking by in the woods
- Idea of marriage is “we’re both shortsighted”, or “both of us get nose bleeds”- haha
- Intermittently jarring scenes of cruelty—dead dog and suicidal woman
- “How much do you lover her on a scale of 1-15? “ “14” “14 is a really impressive score”
- The critiques from Lanthimos are crisp and painful
- Back half of the top 10 quality film
- Highly Recommend
Drake2017-11-17T14:23:10+00:00
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