• It features typically spectacular visuals form Welles and a poignant narrative
  • Welles use of natural light has rarely, if ever, been better. There are shots of the sun pouring into the castle that are amongst the best thing cinema has produced
  • Welles actual performance as the jovial Falstaff is amongst his best work (up there with Kane and Touch of Evil and that scene in the third man)
  • True melancholy and loneliness (even in a sea of people)—the king killed his heart in a devastating finale
  • There are some soundtrack issues even though the bluray cleaned it up— many of the problems are part of the production (low budget, shot on location in spain, heavy dubbing) so no bluray overall is going to clean it up—more to that some of the editing cutaways aren’t razor sharp
  • Wonderful staging and framing of Welles fat face
  • Multiple examples of depth of field framing conversations with two characters, at different depths, facing the camera and having dialogue
  • Love the woods loaded with trees—it would be formally mirrored by the wall of spears and polls for the flags in the final march and coronation of the King (and Welles’ Falstaff’s heart removal)
  • The beginning is so playful to mirror the narrative—Welles is funny—has a rummy’s nose for sure as well playing the drunk—he’s a rascal and profane
  • Welles trademark Low angles galore
  • A surprisingly involved and detailed long fast-motion action sequences
  • John Gielgud is superb- he’s not in enough of the film to my liking but I can’t remember him being better
  • Welles, smartly, shows the full ceiling of the castle in the interior sequences. His trademark low-angles. It’s a pleasure to watch- ornate. It’s a great juxtaposition with Falstaff’s den (again showing off the ceiling work as part of the mise-en-scene)
  • There are long patches of narrative and acting which is unlike Welles best work otherwise this would be right there
  • A meditation on disloyalty and abandonment
  • Must-See film (second viewing)