• An impressive blend of Hong Kong-like action choreography and a Skyfall-like focus on set-piece background visuals
  • There’s a stunner of a teal stain-glass window
  • The entire glass house section towards the end of the film (the glass skull room) is spectacular. The showdown with Ian McShane is like the squid fight scene in Skyfall
  • Why not have a knife fight in a chandelier factory? Haha—again- love the dedication to the background—there’s another standout later with the green-lit blackout fight sequence at the Continental
  • It’s world-building. The strict assassin rules, the Continental mythology, it’s raining constantly, a neon-infused not too distant future a la Blade Runner
  • Recommend