best film: Julianne Moore’s riches in this category embarrasses even other all-time great actresses. The fact that the answer is not Boogie Nights, Magnolia or The Big Lebowski is just astounding. The answer is Alfonso Cuaron’s Children of Men. Julianne Moore plays the Janet Leigh in Psycho role so to speak in Children of Men– but she is still integral. Magnolia is not far off of course. Moore’s work in Paul Thomas Anderson’s opus is just to play one of the many petals on the flower- an incredible ensemble. Moore is acting with her hair on fire- sensational- she puts her foot down and owns the scenes she is in- regardless of how many minutes she is on the screen- but more on that below.

Julianne Moore in Children of Men– few actors this side of Robert De Niro are in three of the top 100 films of all-time
best performance: Safe and Boogie Nights are close (the majority of critics would pick Far from Heaven and that is not far off either). A half hour into Safe you may not be convinced this is Moore’s best, but by the time the film concludes, Moore’s transformation will bowl you over.

Julianne Moore in Todd Haynes’ Safe– ambiguous, filled with paranoia- she is like a Lynne Ramsay vessel—retreating, frail— very physical performance.
stylistic innovations/traits: Twenty-one archiveable films and counting, four masterpieces, three top 100 films- the case for Julianne Moore on this list is strong. She can do everything in terms of range and clearly had the respect of the best auteurs of her era (see below). When thinking about Moore’s notable traits it is as much about her lighting up the screen for brief moments in films like Short Cuts, The Big Lebowski and Children of Men as much as her central performances. Julianne Moore can rightly claim to be the best actress that has emerged since the beginning of the 1990s.

Moore puts her stamp on many the best films of the 1990s regardless of the amount of screen time- here in The Big Lebowski
directors worked with: Moore is loaded here. Todd Haynes (3), Robert Altman (2), Paul Thomas Anderson (2) and then Alfonso Cuaron, David Cronenberg, Joe Wright and the Coen Brothers all once.

from Far from Heaven – Todd Haynes’ camera lingers on Moore during pivotal scenes—the film and drama of it is really a series of crushing blows for her—when Quaid’s character says he has fallen in love, the sublime train departure of Haysbert’s character.
top five performances:
- Safe
- Boogie Nights
- Far from Heaven
- Children of Men
- The Hours

Moore plays Amber Waves in Boogie Nights– this ensemble piece is a surrogate family (like Goodfellas again)—Jack’s (Burt Reynolds) house is the center, he is the surrogate father, and Moore is the surrogate mother.
archiveable films
| 1993- Short Cuts |
| 1993- The Fugitive |
| 1994- Vanya on 42nd Street |
| 1995- Safe |
| 1997- Boogie Nights |
| 1998- The Big Lebowski |
| 1999- Cookie’s Fortune |
| 1999- The End of the Affair |
| 1999- Magnolia |
| 2002- Far from Heaven |
| 2002- The Hours |
| 2006- Children of Men |
| 2007- I’m Not There |
| 2009- A Single Man |
| 2010- The Kids Are Alright |
| 2012- What Maisie Knew |
| 2014- Still Alice |
| 2014- Maps to the Stars |
| 2015- Maggie’s Plan |
| 2018- Gloria Bell |
| 2021- The Woman in the Window |
@Drake I love Moore and her filmography is nothing short of mesmerising but isn’t Children of Men is too small of a role to feature in her top 5? Stunning shot of hers in the booth and the scene in the car but nothing else of note or impact imho – to no fault of her own of course.
@Joel- perhaps- tough compare a smaller role in a film that brilliant to a larger role in a much less significant film- what would your top 5 Julianne Moore list look like?
@Drake- yes Todd Haynes is important but also Carol seems like a role Moore would excel at anyways. She has played every aspect of that character somewhere in some movie. Think of her arc in Boogie Nights and that breathtaking custody agreement scene.
Like Jude Quinn is also Todd Haynes ut Moore doesn’t have the androgynous look for that.
Also she takes vocal risks with Haynes. In Safe she did that lifeless voice and zombie like walk (Moore said that she made sure that her chin didn’t vibrate while speaking) , old school hollywood voice and demeanor in FFH , stutter in May December so this seems fitting that she would make her voice deeper, resonant and do a larger than life demeanor in a Todd Haynes film.
@Drake- one question from you
Between Hester Collyer in The Deep Blue sea and Carol Aird in Carol, which role would be fit Moore like a glove considering her overall acting style and screen persona?
Both are women in 1950s. Hester’s journey is the one of self destruction and Carol’s not self destructive. Heater’s passion is externalised while Carol’s externalized.
I think she could do both but I think Carol’s a more perfect fit for her (hits right home). Moore has played glamour many times (Boogie Nights (in a way), A Single Man, Savage Grace) , sophistication and elegance (The End of the Affair) , authority (Hunger Games films) and internalisation of inner turmoil in almost every single film.
All this combined and she’s creates such a. Character.
Also Hester is generally portrayed as an older character but in Terrence Davies’ version she’s portrayed as younger late 30-ish. And an age gap is important for Carol and Therese’s dynamic.
What do you think?
@M*A*S*H- Great break down here- I think I’m with you
@Drake- is it correct to say that Moore would fare better at capturing Carol’s composed exterior and inner turmoil than Hester’s desperation?
@M*A*S*H – I think that’s fair- I also think we’re making the connection because its Todd Haynes (frequent Julianne Moore collaborator) here with the Carol role, right?
Julianne Moore is about to star in the next Todd Haynes and Lynne Ramsay films. @Drake, How do you feel about that? If these movies turn out to be the respective directors’ superior works then will Moore move up as she has the leading roles in both of them.
P. S. What a career Moore is having!
@M*A*S*H- Exciting projects for Julianne Moore (and us) for sure
Were you able to catch May December Drake?
My personal favorite actress ever, and together with Gary Oldman my favorite performer ever.
I haven’t seen Far from Heaven, so this is my top 5 for now:
1. Safe
2. Boogie Nights
3. The Hours
4. Children of Men
5. The Big Lebowski