best film: As 2012 gets smaller in rearview mirror, it becomes clearer that The Master is one of the best films of the 21st century. It is easily the best film Amy Adams has been a part of. The closest contenders (and there is some distance here) are Spike Jonze’s Her and David O. Russell’s American Hustle.
Adams plays Peggy Dodd in Paul Thomas Anderson’s masterpiece. She plays the wife of Philip Seymour Hoffman’s Lancaster. She is not given as much space to work as PSH (or Joaquin Phoenix of course) but hers is a crucial supporting part – and it is a 180% turn from her trademark naïve sweetheart role – so this gives her some range padding as well.
best performance: American Hustle and this is highly debatable with her work in Arrival, The Fighter The Master and even Junebug which was her big coming out in 2005 (after stealing some scenes from Leo in Catch Me If You Can in 2002). Her role in American Hustle is complex – a showcase role. She is pairing accents with a character going through changes and being dishonest with other characters for large parts of the film. This is her one lead nomination among her many.
American Hustle – Amy Adams (her best work – and she is one of the best of her generation) takes the baton for the voice over from Christian Bale (David O. Russell is doing Scorsese – and doing it well here outdueling Scorsese in 2013). Russell has a Welsh actor (Bale) doing an American accent, and an American actor (Adams) doing a British accent. This film is about crime, uses multicharacter voice over narration, and it has an extensive needle-drop pop/rock soundtrack. This is Goodfellas, Casino, Boogie Nights, or The Wolf of Wall Street (also 2013). Russell even freezes on Louis C.K.’s Stoddard Thorsen character in one scene.
stylistic innovations/traits: Many of her roles/films feature her trademark wide-eyed optimism or naiveté. This is warranted and she is superb at playing this type of character (Doubt, Enchanted, Junebug, Catch Me If You Can) but she can show her versatility by playing against type as well just fine (The Fighter, American Hustle, Nocturnal Animals). She certainly has the respect of the academy with six Oscar nominations. Her depth is a strength here. One could easily argue any number of a half dozen other performances (Her stands out as another worth praising outside of her top five- and this one came in her best single year : 2013) belong on that top five list below. She has fourteen (14) archiveable films already.
directors worked with: David O. Russell (2), Adam McKay (2), and then once with Steven Spielberg (1), Paul Thomas Anderson (1), Mike Nichols (1), Spike Jonze (1), Denis Villeneuve (1) and Joe Wright (1)
Adams here in The Fighter from 2010 – one of her two important collaborations with David O. Russell
top five performances:
- American Hustle
- Junebug
- The Fighter
- Arrival
- The Master
archiveable films
| 2002- Catch Me If You Can |
| 2005- Junebug |
| 2006- Talladega Nights: The Ballad of Ricky Bobby |
| 2007- Charlie Wilson’s War |
| 2007- Enchanted |
| 2008- Doubt |
| 2010- The Fighter |
| 2012- The Master |
| 2013- American Hustle |
| 2013- Her |
| 2016- Arrival |
| 2016- Nocturnal Animals |
| 2018- Vice |
| 2021- The Woman in the Window |
@Drake- Have you managed to catch the miniseries she did with Jean-Marc Vallee(Wild, Dallas Buyers Club), Sharp Objects (2018)? This is Vallee’s last work and he died in his 50’s.
@Malith- I did watch Sharp Objects- yes
Amy’s next movies are with Kornel (Pieces of a Woman) and Taika. Hopefully will be a return to form for her after a rather quiet period since Vice
Since Arrival, Nocturnal Animals I would say. Vice is a small role.
@Drake-Did you upgrade Junebug (2005)? Or is it still a simple recommend? I’m surprised it is ranked above her performances in The Master, The Fighter and Arrival. Given you don’t care much about performances in lower rated movies. For example DDL in My Left Foot. Which is an incredible performance in a pretty ordinary film. You aren’t convincing me his work in The Age of Innocence is stronger just going by pure acting on display not taking into account the quality of the film.
@Anderson- Adams is strong in The Master- but it is very slight performance – she has just a few minutes to work. Junebug, as a film, is closer to The Fighter and Arrival than say My Left Foot is to The Age of Innocence. And I think you’re underrating his subtle performance in The Age of Innocence. But someone wouldn’t get a long argument from me if they had his work in My Left Foot over his work in The Age of Innocence.
Did something happen with the rankings here?
Did you upgrade Junebug and The Fighter ?
@M*A*S*H- Yes, made some small changes to the Amy Adams rankings- most pages do have some changes from the last update 5 years ago.