best film: Shelley Winters is in Howard Hawks’ Red River for just a few seconds as an extra that has to be thrown out as far as consideration for this category goes. The same goes for her few minutes in Roman Polanski’s The Tenant – otherwise that may be the correct answer here. She is important (though not in the same stratosphere as Robert Mitchum) to The Night of the Hunter and that may be the superior work anyhow – so the 1955 Charles Laughton film is the answer to the question of Shelley Winters best film. The Night of the Hunter is much more than just the chance for Robert Mitchum to sink his teeth into the Harry Powell character – one of the all-time great screen villains – it has been described as one of the great American Gothic films. Charles Laughton described it himself as a “nightmarish sort of Mother Goose tale.”

Winters as Willa Harper opposite Robert Mitchum in 1955’s The Night of the Hunter
best performance: Like Laura Dern a few slots ago, it is more about the accumulative body of work for Shelley Winters than one, singular, bravura performance. A Place in the Sun, in the long run, lands atop Winters’ list of best performances but there are a half dozen others that are a within an arm’s length.

Winters comes away with some of the best acting moments in A Place in the Sun (as she always does) even in the shadow of the more beautiful Montgomery Clift and Elizabeth Taylor. Winters plays Alice Tripp – and the image of her alone on the boat is one of the most iconic in 1950s Hollywood cinema.
stylistic innovations/traits: Poor Shelley Winters is one of cinema’s great victims – getting knocked off in A Place in the Sun, back at the bottom of a body of water again in The Night of the Hunter and, of course, disposed of, famously, by James Mason’s Humbert Humbert in Lolita. Winters was as talented as any actor on this list – an everywoman – who often out-acted and stole scenes from bigger stars and prettier faces. Her resume, career and skill, is similar to say a Philip Seymour Hoffman (maybe comparable in the looks department, too) and she is one or two big lead performances in great films away from being in the top twenty (20) on this list. She was not afraid to chew some scenery (Alfie, Poseidon). She is in seventeen (17) archiveable films with four (4) Oscar nominations and two (2) wins.

Winters as Charlotte Haze – the mother of Lolita – in Stanley Kubrick’s 1962 film
directors worked with: George Stevens (2), Robert Wise (2), George Cukor (1), Robert Siodmak (1), Howard Hawks (1), Anthony Mann (1), Charles Laughton (1), Robert Aldrich (1), Stanley Kubrick (1), Roman Polanski (1), Jane Campion (1)
top five performances:
- A Place in the Sun
- Lolita
- The Diary of Anne Frank
- The Night of the Hunter
- A Patch of Blue
archiveable films
1947- A Double Life |
1948- Cry of the City |
1948- Red River |
1950- Winchester 73′ |
1951- A Place in the Sun |
1954- Executive Suite |
1955- The Big Knife |
1955- The Night of the Hunter |
1959- Odds Against Tomorrow |
1959- The Diary of Anne Frank |
1962- Lolita |
1965- A Patch of Blue |
1966- Alfie |
1966- Harper |
1972- The Poseidon Adventure |
1976- The Tenant |
1996- Portrait of a Lady |
@Anderson – I’ll change it from “seconds” to “minutes” but what is written above stands