best film: The Godfather is Al Pacino’s best film with Part II close behind and Heat not far in the rearview either. The next tier down includes Dog Day Afternoon and then Pacino’s big 2019 with both Once Upon a Time… in Hollywood (where his contribution is very minor) and The Irishman (where his contribution is substantial). Of these six films, Dog Day Afternoon is far and away the film most dependent on Pacino to carry it. Pacino is the story arc in The Godfather and though it is the story of the entire family, Marlon Brando spends less time on screen than Pacino and the greatest display of acting in the film (there is a debate to be had here – the film is loaded with great scenes) is the close-up at dinner with the noise escalating as the intensity escalates – which belongs to Pacino of course.

Al Pacino at the age of thirty-two (32) here in The Godfather in 1972
best performance: The Godfather Part II. Three options vie for the top slot here. Dog Day Afternoon is Pacino completely unhinged (okay maybe not completely – because if this is completely unhinged – then what is Scarface?). As Sonny, Pacino is frazzled, erratic, shouting, paranoid, drained. It is a knockout performance and would be a fine choice here. In the first Godfather, it is his Michael Corleone’s transformation that is tracked. It is hard to believe (but Pacino does it) that in three hours the guy in the army uniform sitting with Diane Keaton at the wedding is the same man getting his hand kissed and slamming the door on her at the end. Ultimately though, the serpent-like performance in The Godfather Part II that gets the nod as the single best performance of Pacino’s career. He is so cold blooded and internalizes most of the movie (which is extremely rare for Pacino in his filmography) but in a few key scenes he unleashes (the “you broke my heart” kiss scene with John Cazale, the Keaton fight) to great effect.

Pacino opposite frequent collaborator John Cazale (they worked together in The Godfather, The Godfather Part II – pictured here, and Dog Day Afternoon)
stylistic innovations/traits: Pacino started his career with one of the all-time runs from 1971 to 1975. This was the peak of The New Hollywood era – a phenomenal group of actors: Dustin Hoffman, Warren Beatty, Jack Nicholson, Gene Hackman – and Pacino’s run matches or surpasses any of them. He is in six archiveable films in six years, but more than that, he gives one of the best performances of the year in… get this …1972, 1973, 1974 and 1975. He would never top that stretch for the rest of his career but there are some extraordinary collaborations with Brian De Palma (Scarface, Carlito’s Way) and Michael Mann (Heat, The Insider) yet to come. Pacino has twenty-three (23) films in the archives with far less total film credits than peers like Nicholson or De Niro. In fact, Pacino only made five (5) films total in the 1980s. The depth in his resume is there. He is superb in Christopher Nolan’s Insomnia (the man was fantastic at playing exhaustion – Serpico, Dog Day Afternoon) and Donnie Brasco – but there is no room for them in his top ten.

The Irishman in 2019 – Pacino is masterfully cast as Jimmy Hoffa. Joe Pesci’s character says in the text: “he likes to talk doesn’t he?” This is Pacino’s first film with Martin Scorsese. He is so alive here – making speeches and stubborn as a mule. It is stark contrast to Robert De Niro’s performance. If De Niro outduels Pacino in Heat, clearly Pacino is superior here.
directors worked with: Francis Ford Coppola (3), Jerry Schatzberg (2), Sidney Lumet (2), Brian De Palma (2), Michael Mann (2), William Friedkin (1), Warren Beatty (1), Christopher Nolan (1), Mike Nichols (1), Steven Soderbergh (1), Quentin Tarantino (1), Martin Scorsese (1)

Pacino is going for it in Scarface – he does not land every punch he throws but it is still, overall, a victory for him. Ebert defends it as well (in a four-star review)- “What were Pacino’s detractors hoping for? Something internal and realistic?” https://www.rogerebert.com/reviews/great-movie-scarface-1983 This from Rob Gonsalves is masterfully put as well “Pacino, of course, goes way over the top and through the floor on the other side.” https://www.efilmcritic.com/review.php?movie=1397&reviewer=416 . The cast and crew surrounding Brian De Palma matches his brazen style and undeniable talent. The film is written by Oliver Stone, scored by Giorgio Moroder (these two back from winning Oscars in 1978 working with Alan Parker on Midnight Express), and acted by Al Pacino. The film is directed, written, scored and acted to the extreme – like Tony Montana himself – glorious excess.
top ten performances:
- The Godfather Part II
- The Godfather
- Dog Day Afternoon
- Scarface
- The Irishman
- The Insider
- Serpico
- Dick Tracy
- Heat
- Scarecrow

Pacino’s brilliant high-wire act in Dog Day Afternoon – the famous “Attica! Attica!” scene
archiveable films
1971- The Panic in Needle Park |
1972- The Godfather |
1973- Scarecrow |
1973- Serpico |
1974- The Godfather Part II |
1975- Dog Day Afternoon |
1979- …And Justice for All |
1980- Cruising |
1983- Scarface |
1989- Sea of Love |
1990- Dick Tracy |
1990- The Godfather Part III |
1992- Glengarry Glen Ross |
1992- Scent of a Woman |
1993- Carlito’s Way |
1995- Heat |
1997- Donnie Brasco |
1999- The Insider |
2002- Insomnia |
2003- Angels in America |
2007- Ocean’s Thirteen |
2019- Once Upon a Time … in Hollywood |
2019- The Irishman |
Love seeing The Irishman in the top 5, that role was made for him.
Question is Pacino in GF2 superior to Brando in GF1? I think Brando’s role is more iconic, in fact it may be the most iconic performance ever. But Pacino certainly has more screen time and Carrie’s the film to a greater degree.
@James Trapp- I’ll let others chime in here- I am going to put together a ranking of the top 100 male performances similar to the female side
I’ve already made my top 50 of male performances. And in my top : Pacino in Godfather 2 > Brando in Godfather 1 > Pacino in Godfather 1. Just my opinion.
For me, definitely. But it’s of course arguable
Big 2019 for pacino and deniro which is awesome… drake i was wondering if you could let me know what the ranking of your last top 100 actors was to compare, pacino moved up a spot if im not mistaken
@Big chungus – Thanks for the comment- I put it here on De Niro’s page https://thecinemaarchives.com/2023/04/08/the-best-actor-of-all-time-robert-de-niro/
Thankyou !
Really happy with this ranking. My top 10 of his performances :
1 – The Godfather Part II
2 – The Godfather
3 – Dog Day Afternoon
4 – Scarface
5 – Carlito’s Way
6 – The Irishman
7 – Serpico
8 – Heat
9 – The Insider
10 – Dick Tracy
My favorite actor of all time. The more I get away from the first 2 Godfathers the more his career frustrates me. He has such a talent for these subtle/internal/brooding performances (I actually think him in Godfather II is THE greatest of this type of performances… for both male and female) yet he never really taps back into that for the remainder of his career. I don’t know why, his eyes are so expressive that it allows him to convey so much information and emotion while doing so little. When I first got into film, I actually saw someone refer to Pacino as “film’s greatest yeller” (I was only familiar with the Godfather films) and was really confused what they were talking about. And I guess it’s a little bit of a shame (though not too much of a shame, he’s a top 5 actor ever) that someone born with such a talent for quiet/internal roles has such a reputation for being famous for screaming lunatic roles. I don’t want to belittle his career outside of the Michael Corleone role, it is still extremely fantastic, and I do really enjoy some of the anti-Corleone type of performances like in The Irishman, Scarface, etc, but sometimes you just wish he would get away from that (it’s too much in Heat, among others) and get back to those boiling and hauntingly quiet roles
@Matthew – While the film is nowhere near the level of some of his top performances, you might want to check out Nolan’s Insomnia (2002) which is a solid film but one featuring amazing performances from both Pacino and Robin Williams. Williams is chilling in that film but Pacino has numerous scenes where he goes minutes without dialogue, in fact he has a fair amount of screen time by himself which gives him time for the subtle/internal/brooding type of performances you are referring to. He does have one of two Pacino-isms for lack of a better word. It also happens to be a solid thriller on top of all that but I would definiely check it out if you haven’t already.
I have but it’s admittedly been awhile, saw it before my cinephile journey, so it’s due for a rewatch. KidCharlemagne names some other more internal Pacino roles like in Space Needle and Cruising that I haven’t seen, so maybe I’m underestimating Pacino’s resume outside of The Godfather when it comes to these types of roles
Also @KidCharlemagne I do overall agree that Pacino is great in Heat. I was referring to a couple moments in that film where he just cuts way too loose in my opinion
I think Pacino is like Nicholson. Love overreacting. Not in a bad way. He’s more Paul Muni & James Cagney than Montgomery Clift & Marlon Brando IMHO. It’s a style. I do prefer the subtle Pacino (Godfather I & II, Needle Park, Cruising, Donnie Brasco, The Insider, Insomnia). But I love Carlito’s Way, Scarface, Heat (yes I do think that this performance is good). When the role calls for it, do it. Shout !!
I think his resume is underrated, mostly because in my opinion, he’s compared to DeNiro. But it’s unfair. He’s got 9 MP/MS, 2 of the top 20 best performances ever, collaborations with Coppola, Lumet, DePalma, Scorsese, Mann.
Pacino internalizes a lot in Carlito’s Way me thinks.
Yes it’s true. Great role in a underrated movie (it’s my favourite DePalma, not the best, my favourite).
And I don’t even mention great role in passable movie (mostly because of him) : And Justice For All, Sea of Love (great script), Glengarry Glen Ross (great « movie actors », great dialogues), Scent of a Woman, The Devil’s Advocate, Any Given Sunday. Also, great bad guy in Ocean’s Thirteen & good performances in TV Movie : You Don’t Know Jack, Phil Spector, Paterno. Love him in House of Gucci.
panic in needle park should be in top 10 performances
@Drake-You are contradicting yourself by putting Al Pacino’s performance in Serpico above Dick Tracy here. But excluding Pacino’s performance in Serpico from the 1973 best performances but giving a mention to Dick Tracy in the 1990 best performances section.
@Malith- Not at all- you are incorrect here. Pacino gets a mention on the 1973 page.
@Drake-Ah. I forgot about that. But it looks like it is half a mention for Serpico while it is a full mention for Dick Tracy.
@Malith- I’m good with the way this is written. Thank you
Can Pacino play Kit in Badlands? He doesn’t look like James Dean (we might need to change one dialogue from the film) but I think yeah.
@M*A*S*H- I like that- it would be a slightly different film for sure – but I can see it.
@Drake- I do too. It would be right after The Godfather and just before Scarecrow I guess. Pacino would have the boyish look and charm along with everything else needed.
What do you think about Bill in Kill Bill? I think that’s a possibility as well. Pacino can nail the dialogue dilevery there.
@M*A*S*H- Hard for me not to see David Carradine or Warren Beatty (who I believe Tarantino wrote the film for) in this role. What a mistake by Beatty turning this down. I have a hard time seeing Pacino here. Him being 5’6 or whatever and Uma at 6 feet tall is one reason.
Tbh I really can’t picture Beatty here. Bill is charming but also intimidating also he has a specific/ sophisticated way of talking, very interesting choice of words (great dialogue writing by QT no doubt). Beatty would nail the charm but would not have Carradine’s lurking danger in him. Beatty also wouldn’t little nuances that Carradine’s work has. I can’t explain it but i just haven’t seen Beatty operate on Carradine Kill Bill performance level. I have sure seen Pacino on that level and higher. Pacino is short, but talking of acting range Pacino can be a charming romantic lead and ofc be an intimidating killer and both at the same time as well. Pacino has a knack for dialogue dilevery, also nuances.
@M*A*S*H Well we have to have the confidence to know Tarantino is going to write it different for whomever he gets. He’s not going to write Beatty or Pacino has a kung fu type expert. Beatty has a natural style – the air of coolness that Tarantino could lean into that frankly Pacino does not have. I wouldn’t want to recast Carradine (though Beatty is the better actor) knowing the results – but Beatty is the stronger option than Pacino for sure.
Since you have just posted PSH page (an incredibly versatile actor) it reminds how versatile Pacino is. If you just look at the godfather, in the beginning he’s almost like Christopher Walken Deer Hunter role- a simple boy full of life, love , more soft and emotional surrounded by very masculine men. But by the end he’s hardened. On multiple viewings I find that in part part 2 he’s almost psychotic, emotion-less (or near that state). Pacino can fill a room with his voice, internalize on Tony Leung, J. L. Trintignant level, give you a cold icy stare like Delon, Do accents. Hide under prosthetics and completely disappear.