best film: There are a treasure trove of best film options for Joe Pesci. Pesci is on his list because of his work helmed by Martin Scorsese so one has to start there – in quality and chronological order: Raging Bull (1980), Goodfellas (1990), Casino (1995) and The Irishman (2019). Both Raging Bull and Goodfellas, in particular, have a very strong argument to be called the best film of their respective decade. But there are two other films here to consider at least. Pesci is not a main cog in wheel of Sergio Leone’s crime epic Once Upon a time in America (1984) – but it has to mentioned here – it is a masterpiece. Pesci, is a major piece in Oliver Stone’s JFK (1991). As David Ferrie, Pesci is spellbinding – mimicking a hummingbird’s movements – he zips around his apartment in a drug-infused rant.
best performance: Goodfellas is the answer without much hesitation but each of Joe Pesci’s top four (4) performances are among the best of their respective year, so if the choice here is really no choice at all, it is because of just how good he is in the 1990 gangster saga. Pesci’s Tommy DeVito is a magnetic sociopath. Pesci won the Oscar for his work here and rightly so. He outdoes the great Robert De Niro and delivers an absolute tour de force performance. His “funny how?” sequence is a justifiably classic scene and it is brilliant because of Pesci’s acting – not Scorsese’s or even Ray Liotta’s contribution to the scene really. One could pick out any number of other scenes in the film (the sadistic scene with Spider, the shine box scene with frequent sparring partner Frank Vincent). Pesci masterly weaves a tapestry of comedy and dread – quite often in the same scene.
stylistic innovations/traits: Joe Pesci has nine (9) films in the archives and there is strong evidence to support that six (6) of them are masterpieces. This per-film ratio is enough to make Daniel Day-Lewis jealous in some ways (and Pesci only has roughly 30 film credits overall). Pesci is close to John Cazale’s superior 1970s run of quality films – but Cazale does not have a Goodfellas (Cazale’s Fredo would probably be closer to Pesci’s Joey from Raging Bull achievement). If Pesci, Scorsese and De Niro are The Beatles (and they are not – the director is far more important than any one Beatle) – then Pesci is definitely George Harrison – but that is a compliment. The knock on Pesci’s resume is certainly that lack of depth (there are fine actors with twenty to thirty archiveable films and some big staggering performances – still left off this list) and that criticism is fair and should be recognized. We all wish we had more Pesci (it felt like a gift to get the late 2019 The Irishman turn). Pesci was late bloomer (not quite Anthony Hopkins late) getting his first archiveable performance at thirty-seven (37) and his big year (1990 – a box office smash in Home Alone and an Oscar win for Goodfellas) comes at the age of forty-seven (47) and it made him a legit Hollywood player and star for a few years in the 1990s (some big lead roles in this strech and roughly 12 of his 30 total films happen in that six year period). One last thought here, if De Niro is the best actor of all-time (and he is) – how about Pesci outdueling him (not that it is a contest) in potentially three of the four big Scorsese collaborations (the irrefutable De Niro win would be for Raging Bull)? That makes for a compelling case for Pesci.
directors worked with: Martin Scorsese (4), Sergio Leone (1), Olivier Stone (1). Those collaborations with Scorsese obviously make Pesci’s career. However, he is part of a Christmas tradition film (Home Alone) showing off some comedy range and of course JFK is so important to his case – proving he clearly has the chops even without Scorsese. Plus, subtracting a director from an actor (whether it is Anna Karina, Toshiro Mifune or Klaus Kinski) is just an impossible game to play.
top five performances:
- Raging Bull
- The Irishman
|1980- Raging Bull|
|1984- Once Upon a Time in America|
|1990- Home Alone|
|1992- My Cousin Vinny|
|1993- A Bronx Tale|
|2019- The Irishman|
I love this. For someone to be ranked # 30 with just 9 films in the archives, the majority of which he’s not the lead actor and with A Bronx Tale its a small part; shows how ridiculous the quality of the films and performances truly are. I love the rivalry with Frank Vincent:
Goodfellas, Pesci’s Tommy kills Vincent’s Billy Batts for taunting him,”get your shinebox”
Raging Bull, Pesci’s Joey gives humiliating beat down to Vincent’s Salvy in club then slams car door on his face over and over
Casino, Vincent’s Frank Marino and the crew beat Pesci’s Nicky Santaro and his brother Dominick to death in a corn field then buried alive
I agree with @Drake on The Irishman (2019) being an important role as Pesci not only gives one of the best performances of the Year but shows impressive range playing against type
“If Pesci, Scorsese and De Niro are The Beatles (and they are not – the director is far more important than any one Beatle) – then Pesci is definitely George Harrison”
Drake, when are we getting the Music Archives?
@Matthew- Haha – nicely done. If I told you how much time I spend listening to music you’d, rightly, ask where I find the time for all of this.
Glad you got a laugh out of that! And yea I don’t doubt it, you reference and make comparisons to music quite often on the site. I’m into it quite a bit, but I treat it much much more casually I do with film. This is ultimately the main passion of mine for sure
@Matthew- Same here for sure – much more of a novice
@Matthew – I love this clip
@James Trapp- I do as well – someone on spotify put together a black album playlist – not bad
Great scene! I haven’t seen Boyhood so thanks for sharing
@Matthew – It’s an impressive film, I have always loved the work Ethan Hawke does. Patricia Arquette is excellent here too. I don’t think Richard Linklater gets enough credit from a lot of Cinephiles, including myself for a while.