best film: Edward Norton has been in fifteen (15) archiveable films and 6 (six) of them have been at the masterpiece or must-see level. Now that number is a little inflated with the three Wes Anderson collaborations (and really Norton is not a major cog in the ensemble machine there – though repeat viewings reward the work he does in Moonrise Kingdom in particular). Perhaps he is laying the groundwork here with Wes for a bigger slice of the pie so to speak in one of his films. This leaves Fight Club (1999), 25th Hour (2002) and Birdman (2014). These are heavyweight films from David Fincher, Spike Lee and Alejandro González Iñárritu – three (3) of the greatest filmmakers in contemporary cinema. Forced to select one of the three, the edge seems to belong to Fight Club.
Edward Norton in Fight Club credited simply as “narrator”. Fight Club is one of the crown jewels of the glorious cinema year that is 1999.
best performance: Performances one (1) through three (3) below on the top five (5) list are virtually tied. Norton is a possessed, tour de force in American History X but the stakes are not quite as high as the other three as the film itself does not quite measure up to Norton’s solo act (the same could be said on a slightly lower scale for 1996’s Primal Fear – Norton’s breakout film and performance). The argument against Fight Club and Birdman, though this is hardly a rule, is that he does not give the best performance in either film (that belongs to Brad Pitt and Michael Keaton respectively). Spike’s 25th Hour emerges as the victor here though he is definitely not an actor like Peter O’Toole or Joaquin Phoenix with one clear cut best performance.
Norton as Monty Brogan in Spike Lee’s 2002 film 25th Hour – one of Spike’s trademark techniques – the direct address to the camera.
stylistic innovations/traits: Edward Norton has been brilliant in three (3) masterpieces in each of the last three decades (Fight Club, 25th Hour, Birdman). He has undeniable talent and range. He seems to specialize in characters that undergo major transformations or have multiple personality disorders. He went from a shy rural Kentucky hayseed in one scene in his debut, to a manipulative murderer in one movie. From project to project he went from a lighter than air (for anyone that has seen the film) Woody Allen musical in Everyone Says I Love You to a neo-Nazi gang leader in American History X. This was all before the turn of the century (and the age of thirty – 30 for Norton). And that is part of the argument against Norton – his own magnificent start to his career. He was born in 1969 and two of his three Oscar nominations come before the age of 30. He has had a fine career since 2002, but it does not feel like he has fulfilled the promise of that outstanding start. If someone had asked in 1999 or 2002, who would have the better career, co-star Brad Pitt or Edward Norton (working together in 1999’s Fight Club of course) – the answer would have been laughter (and the acknowledgement of the absurdity of the obvious answer: Edward Norton). Ask the same question about Leonardo DiCaprio and Edward Norton – same answer. Being part of Wes Anderson’s trope is a coup for any actor – but these are not major accomplishments for Norton. During this post- 2002 down stretch, his gifts are best realized in Birdman.
American History X (1998) – a powerful film and performance from Edward Norton. His 1998 also includes Rounders – just a ridiculous stretch of work for any young actor
directors worked with: Wes Anderson (3), Woody Allen (1), Milos Forman (1), David Fincher (1), Spike Lee (1), Ridley Scott (1), Alejandro González Iñárritu (1)
top five performances:
- The 25th Hour
- Fight Club
- American History X
- Birdman
- Primal Fear
Primal Fear is known and remembered for being Edward Norton’s debut (he is in some educational anthology film before it technically) and breakout. He would go on to have a massive 1996 following this including Woody’s Everybody Says I Love You and The People Vs. Larry Flynt – but this is his best work of 1996 and the film for which the Oscars recognized him with a supporting actor nomination. Norton has one of the most promising starts to a career for any actor. Norton’s anger revelation at the 73-minute mark – he turns from a baby faced innocent. Perhaps Brad Dourif’s Billy Bibbit character from One Flew Over the Cuckoo’s Nest was inspiration (rumor is Norton added the stuttering himself). The end of the film has the big reveal, not exactly The Usual Suspects big, but Norton’s clapping hands with that violent smile undoubtedly sent many reeling.
archiveable films
| 1996- Primal Fear |
| 1996- Everyone Says I Love You |
| 1996- The People Versus Larry Flint |
| 1998- American History X |
| 1998- Rounders |
| 1999- Fight Club |
| 2002- The 25th Hour |
| 2005- Kingdom of Heaven |
| 2006- The Illusionist |
| 2012- Moonrise Kingdom |
| 2014- Birdman or (The Unexpected Virtue of Ignorance) |
| 2014- The Grand Budapest Hotel |
| 2019- Motherless Brooklyn |
| 2021- The French Dispatch |
| 2022- Glass Onion: A Knives Out Mystery |
Norton is a very talented actor. The Score(2001) is not archived here. Which is a shame. But even in minor works like Motherless Brooklyn and The Score he I think successfully pulls off characters that would be very hard for any other actor to play.
@Drake – are there examples of an actor with an amazing start to a career followed by a (mainly) dormant stretch at least as far as quality performances in quality films goes followed by a strong return to bookend a great career? I know Marlon Brando would fit this description to a certain degree. Mainly I am trying to figure out the likelihood of a strong turnaround for Norton. He was probably one of my 3 or 4 favorite actors when I was a kid/teenager. I mean 4 or his top 5 performances around from 2002 or earlier with 3 of those 4 before the year 2000. It seems crazy to me that with that level of talent he has not had a truly great performance in such a long time. And even with Birdman (2014) he’s not the lead though he does have a fair amount of screentime I believe.
@James Trapp – there are these comebacks – The McConaissance – haha- a famous one, right? Nic Cage is having a little thing the last few years. These pop up from time to time – Sean Connery had a rough stretch then went on to do The Untouchables, Indiana Jones and the Last Crusade, Hunt for Red October…. Travolta was a thing in the late 1970s and then again in 1994 post Pulp Fiction. But nope, nothing like Brando – great example there. Perhaps someone else has an example I’m missing. Anthony Hopkins was a late bloomer sort of – but that’s not what you’re talking about. You’re talking about Brando or Norton where you are one of the 2-3 best on the planet and in Brando’s case (fingers crossed on Norton) you return for a stint as one of the best on the planet
@James Trapp- Michael Keaton right there next to Norton in Birdman had that nice little splash back in 2014 and 2015 starring in back to back best picture winners. But again, not on the Norton level
@Drake – yeah he apparently is difficult to work with, I came across an article about Brad Pitt (link below) that says Pitt likes working behind the camera more in terms of the production process to acting with the main reason seemingly being he enjoys the collaborating/being part of a team. At least that’s my interpretation of the article. Great talent on its own can only go so far. I do wonder if Norton burned some bridges. He’s still had a solid career as you note above but yeah he looked like he was on the path to being a top 15 actor ever.
https://www.insider.com/brad-pitt-facts-things-you-didnt-know-2019-8#he-enjoys-producing-more-than-acting-3
@James Trapp- Yep, heard the same thing. Track the directors. That is almost always the key – after Spike, it is F. Gary Gray, Ridley Scott (ok), David Jacobson, Neil Burger, John Curran (2), Louis Leterrier, Gavin O’Connor, Tim Blake Nelson…. now hard to tell if that’s by choice (nobody else would work with him already) or not- but that’s it – you are done with that lineup.