best film: Two polar opposite films dominate both this category for Ralph Fiennes – and the best performance category below. On one hand, Fiennes plays Amon Goeth, commandant of the Kraków concentration camp in Steven Spielberg’s Schindler’s List (1993). Far to the other side in genre and tone – and over two decades later – Fiennes would find another once in a lifetime role as M. Gustave, the concierge of The Grand Budapest Hotel (2014) in Wes Anderson’s colorful, symmetrical world.

from Schindler’s List in 1993 – this was Ralph Fiennes’ coming out party – a haunting portrayal. Fiennes’ monster – an angel of death – Amon Goeth belongs on the all-time list of movie villain performances along with Anthony Hopkins’ Hannibal Lector and Robert Mitchum’s dueling work in Cape Fear and Night of the Hunter.
best performance: The Grand Budapest Hotel edges out his work in Schindler’s List – but they are both excellent options and there is no wrong answer between the two. The Grand Budapest is a dominant comedic lead performance in a visually spectacular auteur driven masterpiece – this achievement is incredibly rare. Fiennes is just in total command – exacting, funny, the dictation, the body language, the walk – it is all so accomplished.

Fiennes in Wes Anderson’s The Grand Budapest Hotel – certainly a prime candidate for the best performance in a Wes Anderson film – one of the most important auteurs in the world of cinema since 1996.
stylistic innovations/traits: Ralph Fiennes’ third overall performances in his film career is the scene stealing personification of horror in Spielberg’s 1993 film. Quiz Show in 1994 is a nearly 180 degree turn and a solid entry to back that breakthrough up and show off some versatility. Of course, The English Patient came along not long after in 1996 and gave Fiennes a second high quality performances in one of the year’s best films. There are often little quiet stretches in his career since, but every few years there is a Spider, In Bruges, Deathly Hallows – maybe even 2022’s The Menu belongs here in that second or third tier, that acts as reminder of Fiennes’ abilities. He is unhinged in A Bigger Splash – so verbal – he never shuts up. Yet if one looks back, Fiennes can turn around and put together a disturbing portrayal like Spider with David Cronenberg where he hardly talks at all – just mumbles and facial tics. This, combined with the samples above from his best two films and performances, is acting range. Fiennes can clearly play villains (Schindler, In Bruges, and Harry Potter), bastards (Coriolanus, A Bigger Splash), and complex (also a bit bastardly), ultimately sympathetic figures (Quiz Show, The English Patient, Constant Gardener). Fiennes is the consummate pro – and this list is not about forecasting the future, but with three archiveable films in the 2020s (giving him a very respectable twenty (20) archiveable films overall) and his skill level – he shows no signs of slowing down.

Fiennes in the now underrated best picture Oscar winner from 1996 – The English Patient
directors worked with: Kathryn Bigelow (2), Peter Greenaway (1), Steven Spielberg (1), Anthony Minghella (1), David Cronenberg (1), Fernando Meirelles (1), Sam Mendes (1), Wes Anderson (1), Luca Guadagnino (1), The Coen Brothers (1)

Fiennes in David Cronenberg’s 2002 effort Spider (a low key sublime film in the oeuvre of both Fiennes and Cronenberg). Spider is so far removed from Fiennes character in 2015’s A Bigger Splash, Harry Hawkes – it is hard to believe it is the same actor
top five performances:
- The Grand Budapest Hotel
- Schindler’s List
- The English Patient
- Spider
- A Bigger Splash
archiveable films
1993- The Baby of Macon |
1993- Schindler’s List |
1994- Quiz Show |
1995- Strange Days |
1996- The English Patient |
1999- The End of the Affair |
2002- Spider |
2005- The Constant Gardener |
2008- In Bruges |
2008- The Hurt Locker |
2008- The Reader |
2011- Coriolanus |
2011- Harry Potter and the Deathly Hallows Part 2 |
2012- Skyfall |
2014- The Grand Budapest Hotel |
2015- A Bigger Splash |
2016- Hail, Caesar! |
2021- The Dig |
2021- No Time to Die |
2022- The Menu |
I like how you don’t name “He Who Must Not Be Named”, anywhere on this entire page.
Fienes is excellent in John McDonagh’s 2021 film “The Forgiven” also shot by Larry Smith, I think that film is overlooked and very strong.
His range is more impressive than I thought but man he really does specialize as Villains. I know @Drake does not have in archives but Red Dragon (2002) is another strong Villain performance. It really is too bad and no offense to Brett Ratner but I really wish they got a better director with the crazy talent that film had; Ralph Fiennes, Ed Norton, Anthony Hopkins, Harvey Keitel, PSH, and Emily Watson.
Villains
Schindler’s List – Amon Goeth
Harry Potters – Tom Marvolo Riddle aka “He Who Must Not Be Named”
In Bruges – Harry Waters
Red Dragon – Francis Dolarhyde
@Ywen – Great catch here- thank you- fixed
“Fiennes is the consummate pro”
His range is absolutely baffling.
Can he play,
1. James Bond British suave and sophistication. (I think he’s pro at this particularly)
2. Working class unrefined Mike Leigh / Naked / David Thewlis like role
3. Repressed men say Stulbarg in A Serious Man Or Ed Norton in Fight Club or something.
Can Fiennes play Larry Gopnik in A Serious Man?
@M*A*S*H- I’m not saying he can’t- but I do not think of Fiennes here
I get it. I think Fight Club is a bad idea as well.
There’s a meekness and idiosyncrasy in Stulbarg’s portrayal and look.
Fiennes talent lies in gentleman-ly sophistication, not goofiness (More like DDL). There’s a kind of discipline in Fiennes’ dilevery and acting style. DDL definitely feels like a suitable comparison. Fiennes has played sophisticated villians and Grand Budapest is a highly sophisticated comedy. Diction is also Fiennes’ strength.
What about James Bond or Johnny in Naked. Can you see this? Considering Fiennes is British as well.
@M*A*S*H- Love the DDL comparison- both can do monomaniacal very well. Johnny is just so shaggy dog in Naked- tougher for me to see. Let me think about Bond. I see him more as a great Bond villain (funny we are talking about this as both Bond and a villain as he obviously already has a role here as M).
But that’s a physical description of Jhonny. Actors wear wigs and fake moustache all the time. (Ian McKellen wore a prosthetic nose to look like a wizard). Fiennes would have the accent, dilevery, funny intensity, villainy etc as Jhonny.
As for M, he’s perfect. He’s great at playing villians as well. But he’s also tall, handsome, sophisticated, well built, charming and funny. He can also play aloofness Or coldness (Schindler’s list) as well as extreme volatility (say In Bruges).
@M*A*S*H- It is more than a physical description for sure. I don’t think David Thewlis did any of those things (wigs, fake moustache or nose prosthetic). I’m not saying he can’t do it, but Fiennes has a lot of meticulous characters and affluence in his filmography. Not a lot of Johnny.
@Drake, two questions here
Who’s a better M, Fiennes or Dench? And
Where’d you rank his work in Skyfall in his filmography and in the film in general (considering he’s a more skilled actor than Craig, Dench and Bardem)?
@M*A*S*H- So far the answer is Dench, Fiennes’ does not have an achievement yet on par with Dench’s in Skyfall. I think Fiennes’ work in Skyfall might be outside the top ten in his own filmography