• So I thought about a comparison for watching Cuaron direct this film— it’s a very good film—but it feels a bit like watching the world’s greatest opera singer do a pop song. I was going to go with watching Michael Jordan play baseball—but I think Prisoner of Azkaban is better than that—haha. But still, as good as this film is (and it’s very good)—I can’t help but just want to watch Cuaron get back to doing opera again. He’s the best at it. The film before this was a masterpiece (Y Tu Mama Tambien), and the three films after it are as well with Children of Men, Gravity and Roma.
symmetrical and well framed- wall art that should be in a museum courtesy of Cuaron
  • Really strong stuff from Michael Sragow from the Baltimore Sun which works because they’re both the third film in the franchise- “The Prisoner of Azkaban is to Harry Potter what that other No. 3, “Goldfinger,” was to James Bond: the movie that takes the invention and gamesmanship of the series to a whole new giddy peak”
there are 10-15 shots in Azakaban– this included, that are stronger than anything in the first two films in the series- both directed by Chris Columbus
  • No Emmanuel Lubezki collaboration here with Cuaron—the only time aside from Roma
  • There’s a nice framing of Potter in the foreground, Richard Griffiths in the doorway as Aunt Marge is floating away – there’s nothing like this in the first two films from Chris Columbus—this is a major step up
  • Cuaron and the film/franchise seem to steal (smartly!) from the Mike Leigh traveling group/stable of actors: Gary Oldman (Meantime), David Thewlis (Naked), Timothy Spall (tons of work but yeah Secrets and Lies)—all in all it’s crazy the abundance of acting talent here-
Cuaron and the film/franchise seem to steal (smartly!) from the Mike Leigh traveling group/stable of actors — David Thewlis here
  • Sadly Emma Thompson isn’t given much more than a cameo— Julie Christie is entirely wasted here– mostly just hinted at—this is one of our great actresses. We actually don’t get much of Gary Oldman either- he’s in a Harry Lime Welles/Third Man role where he’s the topic of conversation the entire movie building up to him showing up but he’s not on screen much
  • The last 30-45 minutes are strong- superb storytelling—Back to the Future meets An American Werewolf in London
The last 30-45 minutes are strong- superb storytelling—Back to the Future meets An American Werewolf in London
  • Cuaron has a nice spiral staircase shot here harkens back to the stunner in his debut Sólo con Tu Pareja
  • Cuaron’s trademark green color palate is there- it’s just muted, Harry is in a green shirt and many of the night scenes have a green tint instead of the usual blue day for night or traditional black
Cuaron’s trademark green color palate is there- it’s just muted, Harry is in a green shirt and many of the night scenes have a green tint instead of the usual blue day for night or traditional black
  • Recommend but not in the top 10 of 2004