** There is a ten year moratorium on all new films – so this list does not include released from 2014 to current day
| film | director | year |
| 1. 2001: A Space Odyssey | Kubrick | 1968 |
| 2. The Searchers | Ford | 1956 |
| 3. The Passion of Joan of Arc | Dreyer | 1928 |
| 4. Apocalypse Now | F. Coppola | 1979 |
| 5. In the Mood for Love | Wong Kar-wai | 2000 |
| 6. Citizen Kane | Welles | 1941 |
| 7. Sunrise | Murnau | 1927 |
| 8. Nostalghia | Tarkovsky | 1983 |
| 9. Raging Bull | Scorsese | 1980 |
| 10. Vertigo | Hitchcock | 1958 |
| 11. Tokyo Story | Ozu | 1953 |
| 12. Stalker | Tarkovsky | 1979 |
| 13. 8 1/2 | Fellini | 1963 |
| 14. Barry Lyndon | Kubrick | 1975 |
| 15. The Godfather | F. Coppola | 1972 |
| 16. Battleship Potemkin | Eisenstein | 1925 |
| 17. The Conformist | Bertolucci | 1970 |
| 18. Intolerance | Griffith | 1916 |
| 19. Blade Runner | R. Scott | 1982 |
| 20. Bicycle Thieves | De Sica | 1948 |
| 21. Seven Samurai | Kurosawa | 1954 |
| 22. Rashomon | Kurosawa | 1950 |
| 23. Lawrence of Arabia | Lean | 1962 |
| 24. Breaking the Waves | von Trier | 1996 |
| 25. Goodfellas | Scorsese | 1990 |
| 26. La Dolce Vita | Fellini | 1960 |
| 27. Chungking Express | Wong Kar-wai | 1994 |
| 28. The Godfather Part II | F. Coppola | 1974 |
| 29. The Rules of the Game | Renoir | 1939 |
| 30. Taxi Driver | Scorsese | 1976 |
| 31. A Short Film About Killing | Kieslowski | 1988 |
| 32. Pulp Fiction | Tarantino | 1994 |
| 33. The Cabinet of Dr. Caligari | Wiene | 1920 |
| 34. Touch of Evil | Welles | 1958 |
| 35. The End of Summer | Ozu | 1961 |
| 36. Last Year at Marienbad | Resnais | 1961 |
| 37. The Cook, the Thief, His Wife & Her Lover | Greenaway | 1989 |
| 38. Jules and Jim | Truffaut | 1962 |
| 39. Breathless | Godard | 1960 |
| 40. The Tree of Life | Malick | 2011 |
| 41. The Turin Horse | Tarr | 2011 |
| 42. Days of Heaven | Malick | 1978 |
| 43. The Last Laugh | Murnau | 1924 |
| 44. The Magnificent Ambersons | Welles | 1942 |
| 45. Persona | Bergman | 1966 |
| 46. I Am Cuba | Kalatozov | 1964 |
| 47. Children of Men | Cuarón | 2006 |
| 48. Ali: Fear Eats the Soul | Fassbinder | 1974 |
| 49. The Seventh Seal | Bergman | 1957 |
| 50. Do the Right Thing | S. Lee | 1989 |
| 51. Cries & Whispers | Bergman | 1972 |
| 52. Songs from the Second Floor | Andersson | 2000 |
| 53. Red Desert | Antonioni | 1964 |
| 54. Gertrud | Dreyer | 1964 |
| 55. Melancholia | von Trier | 2011 |
| 56. Distant Voices, Still Lives | Davies | 1988 |
| 57. High and Low | Kurosawa | 1963 |
| 58. Playtime | Tati | 1967 |
| 59. The Leopard | Visconti | 1963 |
| 60. Punch-Drunk Love | P.T. Anderson | 2002 |
| 61. Sherlock Jr. | Keaton | 1924 |
| 62. A Clockwork Orange | Kubrick | 1971 |
| 63. M | Lang | 1931 |
| 64. Werckmeister Harmonies | Tarr | 2000 |
| 65. Dekalog | Kieslowski | 1989 |
| 66. The Earrings of Madame De… | Ophüls | 1953 |
| 67. The Shining | Kubrick | 1980 |
| 68. There Will Be Blood | P.T. Anderson | 2007 |
| 69. The Third Man | Reed | 1949 |
| 70. Naked | Leigh | 1993 |
| 71. Three Colours: Blue | Kieslowski | 1993 |
| 72. The Sacrifice | Tarkovsky | 1986 |
| 73. L’Argent | Bresson | 1983 |
| 74. The Pornographers | Imamura | 1966 |
| 75. Germany Year Zero | Rossellini | 1948 |
| 76. Once Upon a Time in the West | Leone | 1968 |
| 77. Black Narcissus | Powell, Pressburger | 1947 |
| 78. 2046 | Wong Kar-wai | 2004 |
| 79. Three Colours: Red | Kieslowski | 1994 |
| 80. The Master | P.T. Anderson | 2012 |
| 81. Salò, or the 120 Days of Sodom | Pasolini | 1975 |
| 82. Metropolis | Lang | 1927 |
| 83. The Wild Bunch | Peckinpah | 1969 |
| 84. The Double Life of Veronique | Kieslowski | 1991 |
| 85. Raise the Red Lantern | Yimou Zhang | 1991 |
| 86. Ikiru | Kurosawa | 1952 |
| 87. The Good, the Bad and the Ugly | Leone | 1966 |
| 88. Pierrot le Fou | Godard | 1965 |
| 89. The 400 Blows | Truffaut | 1959 |
| 90. Heat | M. Mann | 1995 |
| 91. Flowers of Shanghai | Hsiao-Hsien Hou | 1998 |
| 92. The Blue Angel | von Sternberg | 1930 |
| 93. Brazil | Gilliam | 1985 |
| 94. The Trial | Welles | 1962 |
| 95. The White Ribbon | Haneke | 2009 |
| 96. Blow Out | De Palma | 1981 |
| 97. The Graduate | M. Nichols | 1967 |
| 98. Juliet of the Spirits | Fellini | 1965 |
| 99. Hero | Yimou Zhang | 2002 |
| 100. Lola Montes | Ophüls | 1955 |
| 101. Women on the Verge of a Nervous Breakdown | Almodóvar | 1988 |
| 102. The Bad Sleep Well | Kurosawa | 1960 |
| 103. Magnolia | P.T. Anderson | 1999 |
| 104. Army of Shadows | Melville | 1969 |
| 105. Suspiria | Argento | 1977 |
| 106. Psycho | Hitchcock | 1960 |
| 107. Syndromes and a Century | Weerasethakul | 2006 |
| 108. Fanny and Alexander | Bergman | 1982 |
| 109. Early Summer | Ozu | 1951 |
| 110. Gone with the Wind | Fleming | 1939 |
| 111. Die Nibelungen | Lang | 1924 |
| 112. Paths of Glory | Kubrick | 1957 |
| 113. Shoot the Piano Player | Truffaut | 1960 |
| 114. The Cranes Are Flying | Kalatozov | 1957 |
| 115. Rome, Open City | Rossellini | 1945 |
| 116. The Age of Innocence | Scorsese | 1993 |
| 117. L’Avventura | Antonioni | 1960 |
| 118. Blue Velvet | Lynch | 1986 |
| 119. Stagecoach | Ford | 1939 |
| 120. The Passenger | Antonioni | 1975 |
| 121. Manhattan | Allen | 1979 |
| 122. Nashville | Altman | 1975 |
| 123. The Best Years of Our Lives | Wyler | 1946 |
| 124. Mulholland Drive | Lynch | 2001 |
| 125. The Discreet Charm of the Bourgeoisie | Buñuel | 1972 |
| 126. Eyes Wide Shut | Kubrick | 1999 |
| 127. Mysteries of Lisbon | Ruiz | 2010 |
| 128. Boogie Nights | P.T. Anderson | 1997 |
| 129. Contempt | Godard | 1963 |
| 130. The Story of the Last Chrysanthemums | Mizoguchi | 1939 |
| 131. A Zed & Two Noughts | Greenaway | 1985 |
| 132. Notorious | Hitchcock | 1946 |
| 133. Strike | Eisenstein | 1925 |
| 134. The Royal Tenenbaums | W. Anderson | 2001 |
| 135. Aguirre, the Wrath of God | Herzog | 1972 |
| 136. The Long Day Closes | Davies | 1992 |
| 137. La grande illusion | Renoir | 1937 |
| 138. The Thin Red Line | Malick | 1998 |
| 139. Nosferatu | Murnau | 1922 |
| 140. Dead Man | Jarmusch | 1995 |
| 141. The Assassination of Jesse James by the Coward Robert Ford | Dominik | 2007 |
| 142. All that Heaven Allows | Sirk | 1955 |
| 143. Ida | Pawlikowski | 2013 |
| 144. Chinatown | Polanski | 1974 |
| 145. It’s a Wonderful Life | Capra | 1946 |
| 146. The Phantom Carriage | Sjöström | 1921 |
| 147. Satantango | Tarr | 1994 |
| 148. Annie Hall | Allen | 1977 |
| 149. The Wizard of Oz | Fleming | 1939 |
| 150. Casablanca | Curtiz | 1942 |
| 151. The Belly of an Architect | Greenaway | 1987 |
| 152. Rosemary’s Baby | Polanski | 1968 |
| 153. Yi Yi | Yang | 2000 |
| 154. Chimes at Midnight | Welles | 1965 |
| 155. Umberto D. | De Sica | 1952 |
| 156. L’Eclisse | Antonioni | 1962 |
| 157. Rocco and His Brothers | Visconti | 1960 |
| 158. The Umbrellas of Cherbourg | Demy | 1964 |
| 159. War and Peace | Bondarchuk | 1965 |
| 160. Once Upon a Time in America | Leone | 1984 |
| 161. Andrei Rublev | Tarkovsky | 1966 |
| 162. The Music Room | S. Ray | 1958 |
| 163. Le Samouraï | Melville | 1967 |
| 164. Mean Streets | Scorsese | 1973 |
| 165. JFK | Stone | 1991 |
| 166. The Birth of a Nation | Griffith | 1915 |
| 167. You, the Living | Andersson | 2007 |
| 168. The Virgin Spring | Bergman | 1960 |
| 169. McCabe & Mrs. Miller | Altman | 1971 |
| 170. Jaws | Spielberg | 1975 |
| 171. The Tenant | Polanski | 1976 |
| 172. Possession | Zulawski | 1981 |
| 173. Rumble Fish | F. Coppola | 1983 |
| 174. Late Spring | Ozu | 1949 |
| 175. The General | Keaton, Bruckman | 1926 |
| 176. A Time to Live and a Time to Die | Hsiao-Hsien Hou | 1985 |
| 177. Stranger Than Paradise | Jarmusch | 1984 |
| 178. The Silence | Bergman | 1963 |
| 179. Sympathy for Mr. Vengeance | Park Chan-wook | 2002 |
| 180. La Terra Trema | Visconti | 1948 |
| 181. Intentions of Murder | Imamura | 1964 |
| 182. Inception | Nolan | 2010 |
| 183. Fight Club | Fincher | 1999 |
| 184. The Little Foxes | Wyler | 1941 |
| 185. 4 Months, 3 Weeks and 2 Days | Mungiu | 2007 |
| 186. The Social Network | Fincher | 2010 |
| 187. The Parallax View | Pakula | 1974 |
| 188. Black Swan | Aronofsky | 2010 |
| 189. Kill Bill | Tarantino | 2003 |
| 190. Lost in Translation | S. Coppola | 2003 |
| 191. The Lord of the Rings | Jackson | 2001 |
| 192. The Human Condition | Kobayashi | 1959 |
| 193. The New World | Malick | 2005 |
| 194. Viridiana | Buñuel | 1961 |
| 195. Y Tu Mamá También | Cuarón | 2001 |
| 196. Silent Light | Reygadas | 2007 |
| 197. Ran | Kurosawa | 1985 |
| 198. How Green Was My Valley | Ford | 1941 |
| 199. Moonrise Kingdom | W. Anderson | 2012 |
| 200. Zodiac | Fincher | 2007 |
| 201. Heaven’s Gate | Cimino | 1980 |
| 202. Pat Garrett & Billy the Kid | Peckinpah | 1973 |
| 203. The Life of Oharu | Mizoguchi | 1952 |
| 204. The Big Trail | Walsh | 1930 |
| 205. The Scarlet Empress | von Sternberg | 1934 |
| 206. Malcolm X | S. Lee | 1992 |
| 207. Unforgiven | Eastwood | 1992 |
| 208. Weekend | Godard | 1967 |
| 209. Dancer in the Dark | von Trier | 2000 |
| 210. A Woman Is a Woman | Godard | 1961 |
| 211. Winter Light | Bergman | 1963 |
| 212. Replusion | Polanski | 1965 |
| 213. Requiem for a Dream | Aronofsky | 2000 |
| 214. The Grapes of Wrath | Ford | 1940 |
| 215. Pather Panchali | S. Ray | 1955 |
| 216. Se7en | Fincher | 1995 |
| 217. Point Blank | Boorman | 1967 |
| 218. Amarcord | Fellini | 1973 |
| 219. La Pointe Courte | Varda | 1955 |
| 220. Le Plaisir | Ophüls | 1952 |
| 221. Performance | Roeg, Cammell | 1970 |
| 222. Autumn Sonata | Bergman | 1978 |
| 223. Morocco | von Sternberg | 1930 |
| 224. Harold and Maude | Ashby | 1971 |
| 225. The Andromeda Strain | Wise | 1971 |
| 226. A Special Day | Scola | 1977 |
| 227. Don’t Look Now | Roeg | 1973 |
| 228. The Ipcress File | Furie | 1965 |
| 229. Schindler’s List | Spielberg | 1993 |
| 230. City Lights | Chaplin | 1931 |
| 231. A Woman Under the Influence | Cassavetes | 1974 |
| 232. Dead Ringers | Cronenberg | 1988 |
| 233. Bringing Up Baby | Hawks | 1938 |
| 234. Harakiri | Kobayashi | 1962 |
| 235. Scarface | Hawks | 1932 |
| 236. Knife in the Water | Polanski | 1962 |
| 237. Atonement | J. Wright | 2007 |
| 238. Mon Oncle | Tati | 1958 |
| 239. Moulin Rouge! | Luhrmann | 2001 |
| 240. Johnny Guitar | N. Ray | 1954 |
| 241. Traffic | Soderbergh | 2000 |
| 242. Written on the Wind | Sirk | 1956 |
| 243. La Strada | Fellini | 1954 |
| 244. Cache | Haneke | 2005 |
| 245. The Conversation | F. Coppola | 1974 |
| 246. Rear Window | Hitchcock | 1954 |
| 247. The Matrix | Wachowski | 1999 |
| 248. A Man Escaped | Bresson | 1956 |
| 249. The Servant | Losey | 1963 |
| 250. A Matter of Life and Death | Powell, Pressburger | 1946 |
| 251. Fargo | Coen | 1996 |
| 252. A Brighter Summer’s Day | Yang | 1991 |
| 253. Come and See | Klimov | 1985 |
| 254. Inside Llewyn Davis | Coen | 2013 |
| 255. North by Northwest | Hitchcock | 1959 |
| 256. Park Row | Fuller | 1952 |
| 257. Charulata | S. Ray | 1964 |
| 258. Under the Skin | Glazer | 2013 |
| 259. Shame | McQueen | 2011 |
| 260. Days of Being Wild | Wong Kar-wai | 1990 |
| 261. Ossessione | Visconti | 1943 |
| 262. Love Me Tonight | Mamoulian | 1932 |
| 263. Modern Times | Chaplin | 1936 |
| 264. Los Olvidados | Buñuel | 1950 |
| 265. Sansho the Bailiff | Mizoguchi | 1954 |
| 266. Alien | R. Scott | 1979 |
| 267. The Silence of the Lambs | Demme | 1991 |
| 268. Sunset Boulevard | Wilder | 1950 |
| 269. My Darling Clementine | Ford | 1946 |
| 270. Double Indemnity | Wilder | 1944 |
| 271. Crash | Cronenberg | 1996 |
| 272. Midnight Cowboy | Schlesinger | 1969 |
| 273. Butch Cassidy and the Sundance Kid | Roy Hill | 1969 |
| 274. The Gold Rush | Chaplin | 1925 |
| 275. Greed | von Stroheim | 1924 |
| 276. A History of Violence | Cronenberg | 2005 |
| 277. White Heat | Walsh | 1949 |
| 278. The Crowd | K. Vidor | 1928 |
| 279. Raiders of the Lost Ark | Spielberg | 1981 |
| 280. Cool Hand Luke | Rosenberg | 1967 |
| 281. The Empire Strikes Back | Kershner | 1980 |
| 282. Hiroshima Mon Amour | Resnais | 1959 |
| 283. Pickpocket | Bresson | 1959 |
| 284. The Exorcist | Friedkin | 1973 |
| 285. Mishima: A Life in Four Chapters | Schrader | 1985 |
| 286. The Deer Hunter | Cimino | 1978 |
| 287. Eternal Sunshine of the Spotless Mind | Gondry | 2004 |
| 288. Hannah and Her Sisters | Allen | 1986 |
| 289. Bonnie and Clyde | A. Penn | 1967 |
| 290. The Dark Knight | Nolan | 2008 |
| 291. The French Connection | Friedkin | 1971 |
| 292. Tess | Polanski | 1979 |
| 293. High Noon | Zinnemann | 1952 |
| 294. Star Wars | Lucas | 1977 |
| 295. L’Atalante | Vigo | 1934 |
| 296. M*A*S*H | Altman | 1970 |
| 297. Million Dollar Baby | Eastwood | 2004 |
| 298. Red River | Hawks | 1948 |
| 299. Out of the Past | Tourneur | 1947 |
| 300. The Big Lebowski | Coen | 1998 |
| 301. Rushmore | W. Anderson | 1998 |
| 302. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Kubrick | 1964 |
| 303. No Country for Old Men | Coen | 2007 |
| 304. Great Expectations | Lean | 1946 |
| 305. The Man Who Shot Liberty Valance | Ford | 1962 |
| 306. The Life and Death of Colonel Blimp | Powell, Pressburger | 1943 |
| 307. Destiny | Lang | 1921 |
| 308. The Wind | Sjöström | 1928 |
| 309. Lost Highway | Lynch | 1997 |
| 310. The 47 Ronin | Mizoguchi | 1941 |
| 311. The Night of the Hunter | Laughton | 1955 |
| 312. Cleo from 5 to 7 | Varda | 1962 |
| 313. Mon oncle d’Amérique | Resnais | 1980 |
| 314. Casino | Scorsese | 1995 |
| 315. Kings of the Road | Wenders | 1976 |
| 316. Café Lumière | Hsiao-Hsien Hou | 2003 |
| 317. Tokyo Drifter | Suzuki | 1966 |
| 318. Blow-Up | Antonioni | 1966 |
| 319. Deep Red | Argento | 1975 |
| 320. Faust | Murnau | 1926 |
| 321. Foolish Wives | von Stroheim | 1922 |
| 322. Strangers on a Train | Hitchcock | 1951 |
| 323. Veronika Voss | Fassbinder | 1982 |
| 324. Reservoir Dogs | Tarantino | 1992 |
| 325. The Fountain | Aronofsky | 2006 |
| 326. The Last of the Mohicans | M. Mann | 1992 |
| 327. The Innocents | Clayton | 1961 |
| 328. Peeping Tom | Powell | 1960 |
| 329. Pyaasa | Dutt | 1957 |
| 330. The Devils | K. Russell | 1971 |
| 331. Dark City | Proyas | 1998 |
| 332. Marie Antoinette | S. Coppola | 2006 |
| 333. Dr. Mabuse, the Gambler | Lang | 1922 |
| 334. Trainspotting | Boyle | 1996 |
| 335. Gravity | Cuarón | 2013 |
| 336. Teorema | Pasolini | 1968 |
| 337. The King’s Speech | Tom Hooper | 2010 |
| 338. The Departed | Scorsese | 2006 |
| 339. Yojimbo | Kurosawa | 1961 |
| 340. Pan’s Labyrinth | del Toro | 2006 |
| 341. West Side Story | Wise, J. Robbins | 1961 |
| 342. Safe | Haynes | 1995 |
| 343. The Lady from Shanghai | Welles | 1947 |
| 344. 25th Hour | S. Lee | 2002 |
| 345. Amadeus | Forman | 1984 |
| 346. The City of Lost Children | Jeunet, Caro | 1995 |
| 347. Before Sunset | Linklater | 2004 |
| 348. Hunger | McQueen | 2008 |
| 349. La Notte | Antonioni | 1961 |
| 350. Klute | Pakula | 1971 |
| 351. Fitzcarraldo | Herzog | 1982 |
| 352. The Killers | Siodmak | 1946 |
| 353. Oldboy | Park Chan-wook | 2003 |
| 354. E.T. the Extra-Terrestrial | Spielberg | 1982 |
| 355. Badlands | Malick | 1973 |
| 356. Floating Weeds | Ozu | 1959 |
| 357. The Ballad of Narayama | Kinoshita | 1958 |
| 358. A Hen in the Wind | Ozu | 1948 |
| 359. Accattone | Pasolini | 1961 |
| 360. The Red and the White | Jancsó | 1967 |
| 361. A Serious Man | Coen | 2009 |
| 362. The Treasure of the Sierra Madre | Huston | 1948 |
| 363. Crimes and Misdemeanors | Allen | 1989 |
| 364. Pinocchio | Luske, Sharpsteen | 1940 |
| 365. Carnal Knowledge | M. Nichols | 1971 |
| 366. Singin’ in the Rain | Donen, Kelly | 1952 |
| 367. It Happened One Night | Capra | 1934 |
| 368. Bride of Frankenstein | Whale | 1935 |
| 369. Saving Private Ryan | Spielberg | 1998 |
| 370. Kwaidan | Kobayashi | 1964 |
| 371. Doctor Zhivago | Lean | 1965 |
| 372. Network | Lumet | 1976 |
| 373. Mystic River | Eastwood | 2003 |
| 374. Diabolique | Clouzot | 1955 |
| 375. Dog Day Afternoon | Lumet | 1975 |
| 376. Letter from an Unknown Woman | Ophüls | 1948 |
| 377. The Ballad of Narayama | Imamura | 1983 |
| 378. Uncle Boonmee Who Can Recall His Past Lives | Weerasethakul | 2010 |
| 379. Wild Strawberries | Bergman | 1957 |
| 380. Ivan the Terrilble | Eisenstein | 1944 |
| 381. Paisan | Rossellini | 1946 |
| 382. A Very Long Engagement | Jeunet | 2004 |
| 383. Memories of Murder | Bong Joon-ho | 2003 |
| 384. Damnation | Tarr | 1988 |
| 385. Three Colours: White | Kieslowski | 1994 |
| 386. Ashes and Diamonds | Wajda | 1958 |
| 387. Solaris | Tarkovsky | 1972 |
| 388. Le Bonheur | Varda | 1965 |
| 389. The Deep Blue Sea | Davies | 2011 |
| 390. The Red Shoes | Powell, Pressburger | 1948 |
| 391. Valhalla Rising | Refn | 2009 |
| 392. Alphaville | Godard | 1965 |
| 393. The Adventures of Baron Munchausen | Gilliam | 1988 |
| 394. Lola | Fassbinder | 1981 |
| 395. Three Crowns of the Sailor | Ruiz | 1983 |
| 396. Osaka Elegy | Mizoguchi | 1936 |
| 397. Inglourious Basterds | Tarantino | 2009 |
| 398. Alexander Nevsky | Eisenstein, Vasilyev | 1938 |
| 399. We Need to Talk About Kevin | Ramsay | 2011 |
| 400. Ivan’s Childhood | Tarkovsky | 1962 |
| 401. The Long Goodbye | Altman | 1973 |
| 402. The Marriage of Maria Braun | Fassbinder | 1979 |
| 403. Letter Never Sent | Kalatozov | 1960 |
| 404. Rope | Hitchcock | 1948 |
| 405. She Wore a Yellow Ribbon | Ford | 1949 |
| 406. Ordet | Dreyer | 1955 |
| 407. Despair | Fassbinder | 1978 |
| 408. Vivre Sa Vie | Godard | 1962 |
| 409. Orlando | Potter | 1992 |
| 410. The Virgin Suicides | S. Coppola | 1999 |
| 411. Pickup on South Street | Fuller | 1953 |
| 412. Othello | Welles | 1951 |
| 413. Senso | Visconti | 1954 |
| 414. Vampyr | Dreyer | 1932 |
| 415. Before Midnight | Linklater | 2013 |
| 416. The Great Beauty | Sorrentino | 2013 |
| 417. The Aviator | Scorsese | 2004 |
| 418. Bad Education | Almodóvar | 2004 |
| 419. All the President’s Men | Pakula | 1976 |
| 420. La Chienne | Renoir | 1931 |
| 421. Sanjuro | Kurosawa | 1962 |
| 422. House of Flying Daggers | Yimou Zhang | 2004 |
| 423. Mirror | Tarkovsky | 1975 |
| 424. The Son | Dardenne | 2002 |
| 425. Elevator to the Gallows | Malle | 1958 |
| 426. Talk to Her | Almodóvar | 2002 |
| 427. The Piano | Campion | 1993 |
| 428. Barton Fink | Coen | 1991 |
| 429. L’enfant | Dardenne | 2005 |
| 430. La Ronde | Ophüls | 1950 |
| 431. Amélie | Jeunet | 2001 |
| 432. Shame | Bergman | 1968 |
| 433. American Beauty | Mendes | 1999 |
| 434. 12 Monkeys | Gilliam | 1995 |
| 435. Lady Snowblood | Fujita | 1973 |
| 436. Taste of Cherry | Kiarostami | 1997 |
| 437. Samurai Rebellion | Kobayashi | 1967 |
| 438. The Insider | M. Mann | 1999 |
| 439. Interiors | Allen | 1978 |
| 440. The Navigator | Keaton, Crisp | 1924 |
| 441. An Autumn Afternoon | Ozu | 1962 |
| 442. The Damned | Visconti | 1969 |
| 443. Kes | Loach | 1969 |
| 444. Kaagaz Ke Phool | Dutt | 1959 |
| 445. Thief | M. Mann | 1981 |
| 446. The Holy Mountain | Jodorowsky | 1973 |
| 447. Le Million | Clair | 1931 |
| 448. The Exterminating Angel | Buñuel | 1962 |
| 449. 1900 | Bertolucci | 1976 |
| 450. Carrie | De Palma | 1976 |
| 451. Bright Star | Campion | 2009 |
| 452. Antichrist | von Trier | 2009 |
| 453. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | Akerman | 1975 |
| 454. Ugetsu | Mizoguchi | 1953 |
| 455. The Last Tango in Paris | Bertolucci | 1972 |
| 456. Les rendez-vous d’Anna | Akerman | 1978 |
| 457. Vengeance is Mine | Imamura | 1979 |
| 458. Rio Bravo | Hawks | 1959 |
| 459. They Live by Night | N. Ray | 1948 |
| 460. Les vampires | Feuillade | 1915 |
| 461. Day of Wrath | Dreyer | 1943 |
| 462. Out of Sight | Soderbergh | 1998 |
| 463. A Fistful of Dollars | Leone | 1964 |
| 464. Pigs and Battleships | Imamura | 1961 |
| 465. Fear and Loathing in Las Vegas | Gilliam | 1998 |
| 466. For a Few Dollars More | Leone | 1965 |
| 467. Twin Peaks: Fire Walk with Me | Lynch | 1992 |
| 468. Dogtooth | Lanthimos | 2009 |
| 469. La tête d’un homme | Duvivier | 1933 |
| 470. 7th Heaven | Borzage | 1927 |
| 471. Beauty and the Beast | Cocteau, Clément | 1946 |
| 472. The Sweet Hereafter | Egoyan | 1997 |
| 473. Track of the Cat | Wellman | 1954 |
| 474. Le notti bianche | Visconti | 1957 |
| 475. Nights of Cabiria | Fellini | 1957 |
| 476. Journey to Italy | Rossellini | 1954 |
| 477. Manhunter | M. Mann | 1986 |
| 478. Dressed to Kill | De Palma | 1980 |
| 479. The Lovers on the Bridge | Carax | 1991 |
| 480. Wild at Heart | Lynch | 1990 |
| 481. Miller’s Crossing | Coen | 1990 |
| 482. The Battle of Algiers | Pontecorvo | 1966 |
| 483. Gun Crazy | Lewis | 1950 |
| 484. Blood Simple | Coen | 1984 |
| 485. One from the Heart | F. Coppola | 1981 |
| 486. Elephant | Van Sant | 2003 |
| 487. The King of Comedy | Scorsese | 1982 |
| 488. Shadow of a Doubt | Hitchcock | 1943 |
| 489. I Vitelloni | Fellini | 1953 |
| 490. Odd Man Out | Reed | 1947 |
| 491. 12 Angry Men | Lumet | 1957 |
| 492. The Thing | Carpenter | 1982 |
| 493. Two Women | De Sica | 1960 |
| 494. The Hill | Lumet | 1965 |
| 495. Sweet Smell of Success | Mackendrick | 1957 |
| 496. Back to the Future | Zemeckis | 1985 |
| 497. His Girl Friday | Hawks | 1940 |
| 498. The Bridge on the River Kwai | Lean | 1957 |
| 499. The Manchurian Candidate | Frankenheimer | 1962 |
| 500. Cabaret | Fosse | 1972 |
| 501. The Birds | Hitchcock | 1963 |
| 502. The Man Who Fell to Earth | Roeg | 1976 |
| 503. Devi | S. Ray | 1960 |
| 504. Exotica | Egoyan | 1994 |
| 505. The Darjeeling Limited | W. Anderson | 2007 |
| 506. Aparajito | S. Ray | 1956 |
| 507. Shoeshine | De Sica | 1946 |
| 508. Fantastic Mr. Fox | W. Anderson | 2009 |
| 509. The World of Apu | S. Ray | 1959 |
| 510. Laurence Anyways | Dolan | 2012 |
| 511. The English Patient | Minghella | 1996 |
| 512. Paris, Texas | Wenders | 1984 |
| 513. The Crime of Monsieur Lange | Renoir | 1936 |
| 514. The Big Parade | K. Vidor | 1925 |
| 515. A Star is Born | Cukor | 1954 |
| 516. The Limits of Control | Jarmusch | 2009 |
| 517. The Talented Mr. Ripley | Minghella | 1999 |
| 518. Being John Malkovich | Jonze | 1999 |
| 519. Cabiria | Pastrone | 1914 |
| 520. Django Unchained | Tarantino | 2012 |
| 521. The Apartment | Wilder | 1960 |
| 522. The Man with the Golden Arm | Preminger | 1955 |
| 523. You Only Live Once | Lang | 1937 |
| 524. Memento | Nolan | 2000 |
| 525. 12 Years a Slave | McQueen | 2013 |
| 526. Made in U.S.A | Godard | 1966 |
| 527. All That Jazz | Fosse | 1979 |
| 528. The Maltese Falcon | Huston | 1941 |
| 529. Gosford Park | Altman | 2001 |
| 530. Only God Forgives | Refn | 2013 |
| 531. On the Waterfront | Kazan | 1954 |
| 532. Halloween | Carpenter | 1978 |
| 533. The Lady Eve | P. Sturges | 1941 |
| 534. Down by Law | Jarmusch | 1986 |
| 535. Scarlet Street | Lang | 1945 |
| 536. Rebecca | Hitchcock | 1940 |
| 537. The Big Sleep | Hawks | 1946 |
| 538. One Flew Over the Cuckoo’s Nest | Forman | 1975 |
| 539. Road to Perdition | Mendes | 2002 |
| 540. Far From Heaven | Haynes | 2002 |
| 541. Peppermint Candy | Lee Chang-dong | 1999 |
| 542. The Circus | Chaplin | 1928 |
| 543. Aliens | Cameron | 1986 |
| 544. A.I. Artificial Intelligence | Spielberg | 2001 |
| 545. The Piano Teacher | Haneke | 2001 |
| 546. The Haunting | Wise | 1963 |
| 547. Mystery Train | Jarmusch | 1989 |
| 548. Lola | Demy | 1961 |
| 549. The Big Heat | Lang | 1953 |
| 550. David Golder | Duvivier | 1931 |
| 551. Wings | Wellman | 1927 |
| 552. Stromboli | Rossellini | 1950 |
| 553. Enemy | Villeneuve | 2013 |
| 554. The Dark Knight Rises | Nolan | 2012 |
| 555. The Fisher King | Gilliam | 1991 |
| 556. Naked Lunch | Cronenberg | 1991 |
| 557. City of God | Meirelles, Lund | 2002 |
| 558. Él | Buñuel | 1953 |
| 559. Bob le Flambeur | Melville | 1956 |
| 560. Run Lola Run | Tykwer | 1998 |
| 561. Lincoln | Spielberg | 2012 |
| 562. The Children’s Hour | Wyler | 1961 |
| 563. Sid and Nancy | Cox | 1986 |
| 564. Broken Flowers | Jarmusch | 2005 |
| 565. Full Metal Jacket | Kubrick | 1987 |
| 566. Groundhog Day | Ramis | 1993 |
| 567. Dirty Harry | Siegel | 1971 |
| 568. Star Trek: The Motion Picture | Wise | 1979 |
| 569. Laura | Preminger | 1944 |
| 570. A Story of Floating Weeds | Ozu | 1934 |
| 571. I Killed My Mother | Dolan | 2009 |
| 572. Pennies from Heaven | H. Ross | 1981 |
| 573. American Psycho | Harron | 2000 |
| 574. The Fly | Cronenberg | 1986 |
| 575. Amores Perros | Iñárritu | 2000 |
| 576. Fallen Angel | Preminger | 1945 |
| 577. Code Unknown | Haneke | 2000 |
| 578. The Shawshank Redemption | Darabont | 1994 |
| 579. Rebel Without a Cause | N. Ray | 1955 |
| 580. Spirited Away | Miyazaki | 2001 |
| 581. O Brother, Where Art Thou? | Coen | 2000 |
| 582. Happy Together | Wong Kar-wai | 1997 |
| 583. In a Lonely Place | N. Ray | 1950 |
| 584. Crouching Tiger, Hidden Dragon | A. Lee | 2000 |
| 585. Gigi | Minnelli | 1958 |
| 586. Pale Flower | Shinoda | 1964 |
| 587. Belle de Jour | Buñuel | 1967 |
| 588. Oktyabr | Eisenstein, Aleksandrov | 1927 |
| 589. Reds | Beatty | 1981 |
| 590. La haine | Kassovitz | 1995 |
| 591. The Gospel According to St. Matthew | Pasolini | 1964 |
| 592. Marnie | Hitchcock | 1964 |
| 593. Children of Paradise | Carne | 1945 |
| 594. La Bête Humaine | Renoir | 1938 |
| 595. Body Heat | Kasdan | 1981 |
| 596. The Celebration | Vinterberg | 1998 |
| 597. Toni | Renoir | 1935 |
| 598. The Threepenny Opera | Pabst | 1931 |
| 599. Videodrome | Cronenberg | 1983 |
| 600. Dick Tracy | Beatty | 1990 |
| 601. Detective Story | Wyler | 1951 |
| 602. The Wages of Fear | Clouzot | 1953 |
| 603. To Catch a Thief | Hitchcock | 1955 |
| 604. The Big Country | Wyler | 1958 |
| 605. Ashes of Time | Wong Kar-wai | 1994 |
| 606. The Ghost Writer | Polanski | 2010 |
| 607. Pride & Prejudice | J. Wright | 2005 |
| 608. Brokeback Mountain | A. Lee | 2005 |
| 609. Purple Noon | Clément | 1960 |
| 610. Terminator 2: Judgment Day | Cameron | 1991 |
| 611. Tom Jones | Richardson | 1963 |
| 612. Sullivan’s Travels | P. Sturges | 1941 |
| 613. Avatar | Cameron | 2009 |
| 614. Scarface | De Palma | 1983 |
| 615. Scenes from a Marriage | Bergman | 1973 |
| 616. The 39 Steps | Hitchcock | 1935 |
| 617. The Palm Beach Story | P. Sturges | 1942 |
| 618. A Man There Was | Sjöström | 1917 |
| 619. Picnic at Hanging Rock | Weir | 1975 |
| 620. Frankenstein | Whale | 1931 |
| 621. Meet Me in St. Louis | Minnelli | 1944 |
| 622. Brief Encounter | Lean | 1945 |
| 623. Die Hard | McTiernan | 1988 |
| 624. Blue Valentine | Cianfrance | 2010 |
| 625. Drive | Refn | 2011 |
| 626. Detour | Ulmer | 1945 |
| 627. The Miracle of Morgan’s Creek | P. Sturges | 1943 |
| 628. Slacker | Linklater | 1990 |
| 629. The Purple Rose of Cairo | Allen | 1985 |
| 630. The Quiet Man | Ford | 1952 |
| 631. There Was a Father | Ozu | 1942 |
| 632. My Night at Maud’s | Rohmer | 1969 |
| 633. The Last Picture Show | Bogdanovich | 1971 |
| 634. The Elephant Man | Lynch | 1980 |
| 635. Henry V | Olivier | 1944 |
| 636. The Only Son | Ozu | 1936 |
| 637. Shane | Stevens | 1953 |
| 638. Ben-Hur | Wyler | 1959 |
| 639. Broadway Danny Rose | Allen | 1984 |
| 640. Day for Night | Truffaut | 1973 |
| 641. Island of Lost Souls | Kenton | 1932 |
| 642. Le Jour Se Leve | Carné | 1939 |
| 643. Easy Rider | Hopper | 1969 |
| 644. À nous la liberté | Clair | 1931 |
| 645. The Bourne Ultimatum | Greengrass | 2007 |
| 646. Speed Racer | Wachowski | 2008 |
| 647. Five Easy Pieces | Rafelson | 1970 |
| 648. Berlin Alexanderplatz | Fassbinder | 1980 |
| 649. Stardust Memories | Allen | 1980 |
| 650. The Terminator | Cameron | 1984 |
| 651. King Kong | Cooper, Schoedsack | 1933 |
| 652. The Usual Suspects | Singer | 1995 |
| 653. The Wild Child | Truffaut | 1970 |
| 654. My Fair Lady | Cukor | 1964 |
| 655. Imitation of Life | Sirk | 1959 |
| 656. All About Eve | Mankiewicz | 1950 |
| 657. Snowpiercer | Bong Joon-ho | 2013 |
| 658. The Philadelphia Story | Cukor | 1940 |
| 659. Out of Africa | Pollack | 1985 |
| 660. A Streetcar Named Desire | Kazan | 1951 |
| 661. Who’s Afraid of Virginia Woolf? | M. Nichols | 1966 |
| 662. Dawn of the Dead | Romero | 1978 |
| 663. Zéro de conduite | Vigo | 1933 |
| 664. The Reckless Moment | Ophüls | 1949 |
| 665. To Have and Have Not | Hawks | 1944 |
| 666. Lenny | Fosse | 1974 |
| 667. Mr. Smith Goes to Washington | Capra | 1939 |
| 668. The Hustler | Rossen | 1961 |
| 669. L.A. Confidential | Hanson | 1997 |
| 670. Two English Girls | Truffaut | 1971 |
| 671. Winchester ’73 | A. Mann | 1950 |
| 672. Who Framed Roger Rabbit | Zemeckis | 1988 |
| 673. Trouble in Paradise | Lubitsch | 1932 |
| 674. Quai des Orfèvres | Clouzot | 1947 |
| 675. The Roaring Twenties | Walsh | 1939 |
| 676. The Road Warrior | G. Miller | 1981 |
| 677. Gunga Din | Stevens | 1939 |
| 678. Platoon | Stone | 1986 |
| 679. The Shop Around the Corner | Lubitsch | 1940 |
| 680. Duel in the Sun | K. Vidor | 1946 |
| 681. Patton | Schaffner | 1970 |
| 682. Placido | Berlanga | 1961 |
| 683. Bullitt | P. Yates | 1968 |
| 684. Little Miss Sunshine | Dayton, Faris | 2006 |
| 685. All Quiet on the Western Front | Milestone | 1930 |
| 686. All the King’s Men | Rossen | 1949 |
| 687. The Outlaw Josey Wales | Eastwood | 1976 |
| 688. Little Big Man | A. Penn | 1970 |
| 689. Orpheus | Cocteau | 1950 |
| 690. Monsieur Hulot’s Holiday | Tati | 1953 |
| 691. Anatomy of a Murder | Preminger | 1959 |
| 692. Seven Chances | Keaton | 1925 |
| 693. Throne of Blood | Kurosawa | 1957 |
| 694. The Portrait of a Lady | Campion | 1996 |
| 695. 3 Women | Altman | 1977 |
| 696. Stray Dog | Kurosawa | 1949 |
| 697. Branded to Kill | Suzuki | 1967 |
| 698. Le Havre | Kaurismäki | 2011 |
| 699. Spies | Lang | 1928 |
| 700. Wings of Desire | Wenders | 1987 |
| 701. Two Lovers | Gray | 2008 |
| 702. Delicatessen | Jeunet, Caro | 1991 |
| 703. Wendy and Lucy | Reichardt | 2008 |
| 704. Flight of the Red Balloon | Hsiao-Hsien Hou | 2007 |
| 705. Close Encounters of the Third Kind | Spielberg | 1977 |
| 706. Our Hospitality | Keaton, Blystone | 1923 |
| 707. Pandora’s Box | Pabst | 1929 |
| 708. Pi | Aronofsky | 1998 |
| 709. Hour of the Wolf | Bergman | 1968 |
| 710. The Last Emperor | Bertolucci | 1987 |
| 711. Spring Breakers | Korine | 2012 |
| 712. The Woman in the Fifth | Pawlikowski | 2011 |
| 713. A Dangerous Method | Cronenberg | 2011 |
| 714. Sisters of the Gion | Mizoguchi | 1936 |
| 715. The Player | Altman | 1992 |
| 716. Die Austernprinzessin | Lubitsch | 1919 |
| 717. Platform | Jia Zhangke | 2000 |
| 718. Champagne | Hitchcock | 1928 |
| 719. What Time is it There? | Ming-liang Tsai | 2001 |
| 720. Irreversible | Noé | 2002 |
| 721. Spring, Summer, Fall, Winter… and Spring | Kim Ki-duk | 2003 |
| 722. Sleepy Hollow | Burton | 1999 |
| 723. Carlito’s Way | De Palma | 1993 |
| 724. The Tin Star | A. Mann | 1957 |
| 725. Cape Fear | Scorsese | 1991 |
| 726. A Separation | Farhadi | 2011 |
| 727. Broken Embraces | Almodóvar | 2009 |
| 728. Rosetta | Dardenne | 1999 |
| 729. The Untouchables | De Palma | 1987 |
| 730. The Naked Spur | A. Mann | 1953 |
| 731. Some Came Running | Minnelli | 1958 |
| 732. The Matrix Reloaded | Wachowski | 2003 |
| 733. Natural Born Killers | Stone | 1994 |
| 734. Archipelago | Hogg | 2010 |
| 735. Through a Glass Darkly | Bergman | 1961 |
| 736. Faces | Cassavetes | 1968 |
| 737. Dazed and Confused | Linklater | 1993 |
| 738. Enter the Void | Noé | 2009 |
| 739. Jackie Brown | Tarantino | 1997 |
| 740. Beyond the Hills | Mungiu | 2012 |
| 741. Before Sunrise | Linklater | 1995 |
| 742. Nosferatu the Vampyre | Herzog | 1979 |
| 743. Waxworks | Leni, Birinsky | 1924 |
| 744. D.O.A. | Maté | 1949 |
| 745. The Cotton Club | F. Coppola | 1984 |
| 746. Millennium Actress | Kon | 2001 |
| 747. The American Friend | Wenders | 1977 |
| 748. THX 1138 | Lucas | 1971 |
| 749. Duelle | Rivette | 1976 |
| 750. King of New York | Ferrara | 1990 |
| 751. My Own Private Idaho | Van Sant | 1991 |
| 752. Death in Venice | Visconti | 1971 |
| 753. True Grit | Coen | 2010 |
| 754. Grave of the Fireflies | Takahata | 1988 |
| 755. Ludwig | Visconti | 1973 |
| 756. American Graffiti | Lucas | 1973 |
| 757. The Tree of Wooden Clogs | Olmi | 1978 |
| 758. The Curious Case of Benjamin Button | Fincher | 2008 |
| 759. Fallen Angels | Wong Kar-wai | 1995 |
| 760. Heavenly Creatures | Jackson | 1994 |
| 761. All About My Mother | Almodóvar | 1999 |
| 762. Steamboat Bill, Jr. | Keaton, Reisner | 1928 |
| 763. The Masque of the Red Death | Corman | 1964 |
| 764. Shadows of Forgotten Ancestors | Parajanov | 1965 |
| 765. Il Grido | Antonioni | 1957 |
| 766. Le cercle rouge | Melville | 1970 |
| 767. Hell’s Angels | Hughes | 1930 |
| 768. Images | Altman | 1972 |
| 769. Zabriskie Point | Antonioni | 1970 |
| 770. Blind Husbands | von Stroheim | 1919 |
| 771. Aar-Paar | Dutt | 1954 |
| 772. Mauvais sang | Carax | 1986 |
| 773. Mr. Klein | Losey | 1976 |
| 774. Black Sunday | Bava | 1960 |
| 775. Rififi | Dassin | 1955 |
| 776. The Man Without a Past | Kaurismäki | 2002 |
| 777. The Lodger | Hitchcock | 1927 |
| 778. La promesse | Dardenne | 1996 |
| 779. Short Cuts | Altman | 1993 |
| 780. Eraserhead | Lynch | 1977 |
| 781. Synecdoche, New York | C. Kaufman | 2008 |
| 782. Perfect Blue | Kon | 1997 |
| 783. Dames | Berkeley, Enright | 1934 |
| 784. Snow White and the Seven Dwarfs | Hand | 1937 |
| 785. The Fall | Singh | 2006 |
| 786. Blue is the Warmest Colour | Kechiche | 2013 |
| 787. Diner | Levinson | 1982 |
| 788. Something Wild | Demme | 1986 |
| 789. Sin City | F. Miller, Rodriguez | 2005 |
| 790. The Testament of Dr. Mabuse | Lang | 1933 |
| 791. Kiss Me Deadly | Aldrich | 1955 |
| 792. Russian Ark | Sokurov | 2002 |
| 793. Band of Outsiders | Godard | 1964 |
| 794. Spider | Cronenberg | 2002 |
| 795. Sawdust and Tinsel | Bergman | 1953 |
| 796. A Little Princess | Cuarón | 1995 |
| 797. Lady in the Lake | Montgomery | 1946 |
| 798. Matewan | Sayles | 1987 |
| 799. The Immigrant | Gray | 2013 |
| 800. The Killing of a Chinese Bookie | Cassavetes | 1976 |
| 801. Her | Jonze | 2013 |
| 802. Escape from New York | Carpenter | 1981 |
| 803. American Gigolo | Schrader | 1980 |
| 804. Some Like it Hot | Wilder | 1959 |
| 805. Bound | Wachowski | 1996 |
| 806. All These Women | Bergman | 1964 |
| 807. Fort Apache | Ford | 1948 |
| 808. Gate of Flesh | Suzuki | 1964 |
| 809. A Farewell to Arms | Borzage | 1932 |
| 810. Jezebel | Wyler | 1938 |
| 811. Election | Payne | 1999 |
| 812. The Nightmare Before Christmas | Selick | 1993 |
| 813. 21 Grams | Iñárritu | 2003 |
| 814. Lady Vengeance | Park Chan-wook | 2005 |
| 815. Diary of a Country Priest | Bresson | 1951 |
| 816. The Asphalt Jungle | Huston | 1950 |
| 817. Summer with Monika | Bergman | 1953 |
| 818. Forty Guns | Fuller | 1957 |
| 819. Bad Day at Black Rock | J. Sturges | 1955 |
| 820. Deliverance | Boorman | 1972 |
| 821. Scott Pilgrim vs. the World | E. Wright | 2010 |
| 822. East of Eden | Kazan | 1955 |
| 823. The Lion King | Allers, Minkoff | 1994 |
| 824. Night of the Living Dead | Romero | 1968 |
| 825. Cat People | Tourneur | 1942 |
| 826. My Dinner with Andre | Malle | 1981 |
| 827. Titanic | Cameron | 1997 |
| 828. Only Angels Have Wings | Hawks | 1939 |
| 829. Submarine | Ayoade | 2010 |
| 830. Red Sorghum | Yimou Zhang | 1988 |
| 831. I Know Where I’m Going! | Powell, Pressburger | 1945 |
| 832. Master and Commander: The Far Side of the World | Weir | 2003 |
| 833. At Close Range | Foley | 1986 |
| 834. Withnail & I | Robinson | 1987 |
| 835. Ride Lonesome | Boetticher | 1959 |
| 836. American Hustle | O. Russell | 2013 |
| 837. Drunken Angel | Kurosawa | 1948 |
| 838. New York, New York | Scorsese | 1977 |
| 839. Duck Soup | McCarey. | 1933 |
| 840. The Sting | Roy Hill | 1973 |
| 841. Howards End | Ivory | 1992 |
| 842. Mamma Roma | Pasolini | 1962 |
| 843. The Letter | Wyler | 1940 |
| 844. Jurassic Park | Spielberg | 1993 |
| 845. Donnie Darko | R. Kelly | 2001 |
| 846. Attack | Aldrich | 1956 |
| 847. 24 Hour Party People | Winterbottom | 2002 |
| 848. The Man Who Would Be King | Huston | 1975 |
| 849. A Day in the Country | Renoir | 1936 |
| 850. Kind Hearts and Coronets | Hamer | 1949 |
| 851. Broken Blossoms | Griffith | 1919 |
| 852. Somewhere | S. Coppola | 2010 |
| 853. A Place in the Sun | Stevens | 1951 |
| 854. Frances Ha | Baumbach | 2012 |
| 855. Dead End | Wyler | 1937 |
| 856. Morvern Callar | Ramsay | 2002 |
| 857. Lost Horizon | Capra | 1937 |
| 858. Porcile | Pasolini | 1969 |
| 859. The Razor’s Edge | Goulding | 1946 |
| 860. Stella Dallas | K. Vidor | 1937 |
| 861. Ratcatcher | Ramsay | 1999 |
| 862. My Neighbor Totoro | Miyazaki | 1988 |
| 863. World on a Wire | Fassbinder | 1973 |
| 864. The Killer | Woo | 1989 |
| 865. Where Is the Friend’s House? | Kiarostami | 1987 |
| 866. A Man and a Woman | Lelouch | 1966 |
| 867. The Duellists | R. Scott | 1977 |
| 868. Häxan | Christensen | 1922 |
| 869. Blood and Black Lace | Bava | 1964 |
| 870. The Match Factory Girl | Kaurismäki | 1990 |
| 871. Goodbye, Dragon Inn | Ming-liang Tsai | 2003 |
| 872. Au hasard Balthazar | Bresson | 1966 |
| 873. Vera Drake | Leigh | 2004 |
| 874. Hard Boiled | Woo | 1992 |
| 875. Equinox Flower | Ozu | 1958 |
| 876. Liebelei | Ophüls | 1933 |
| 877. The Devil’s Backbone | del Toro | 2001 |
| 878. Eyes Without a Face | Franju | 1960 |
| 879. The Pawnbroker | Lumet | 1964 |
| 880. He Got Game | S. Lee | 1998 |
| 881. Ryan’s Daughter | Lean | 1970 |
| 882. Tristana | Buñuel | 1970 |
| 883. Great Expectations | Cuarón | 1998 |
| 884. Skyfall | Mendes | 2012 |
| 885. Three Kings | O. Russell | 1999 |
| 886. Dangerous Liaisons | Frears | 1988 |
| 887. Take Shelter | J. Nichols | 2011 |
| 888. Scarecrow | Schatzberg | 1973 |
| 889. Jarhead | Mendes | 2005 |
| 890. Good Will Hunting | Van Sant | 1997 |
| 891. Forbidden Games | Clément | 1952 |
| 892. The Hurt Locker | Bigelow | 2008 |
| 893. The Grandmaster | Wong Kar-wai | 2013 |
| 894. Forrest Gump | Zemeckis | 1994 |
| 895. Night of the Demon | Tourneur | 1957 |
| 896. Under the Roofs of Paris | Clair | 1930 |
| 897. Goldfinger | Hamilton | 1964 |
| 898. Torn Curtain | Hitchcock | 1966 |
| 899. Red Beard | Kurosawa | 1965 |
| 900. Funny Face | Donen | 1957 |
| 901. Bad Lieutenant | Ferrara | 1992 |
| 902. Light Sleeper | Schrader | 1992 |
| 903. Brute Force | Dassin | 1947 |
| 904. Moonrise | Borzage | 1948 |
| 905. Insect Woman | Imamura | 1963 |
| 906. Walkabout | Roeg | 1971 |
| 907. Waking Life | Linklater | 2001 |
| 908. Murder! | Hitchcock | 1930 |
| 909. An Angel at My Table | Campion | 1990 |
| 910. Fellini Satyricon | Fellini | 1969 |
| 911. Smiles of a Summer Night | Bergman | 1955 |
| 912. Lilith | Rossen | 1964 |
| 913. Pépé le Moko | Duvivier | 1937 |
| 914. We Own the Night | Gray | 2007 |
| 915. Mother | Bong Joon-ho | 2009 |
| 916. A Room with a View | Ivory | 1985 |
| 917. Batman | Burton | 1989 |
| 918. Django | Corbucci | 1966 |
| 919. The Squid and the Whale | Baumbach | 2005 |
| 920. Sweetie | Campion | 1989 |
| 921. The Nun | Rivette | 1966 |
| 922. Horror of Dracula | Fisher | 1958 |
| 923. Panique | Duvivier | 1946 |
| 924. Three Days of the Condor | Pollack | 1975 |
| 925. Seconds | Frankenheimer | 1966 |
| 926. Sólo con Tu Pareja | Cuarón | 1991 |
| 927. Drugstore Cowboy | Van Sant | 1989 |
| 928. Eastern Promises | Cronenberg | 2007 |
| 929. Shadows | Cassavetes | 1958 |
| 930. Way Down East | Griffith | 1920 |
| 931. The Man From London | Tarr | 2007 |
| 932. Jean de Florette | Berri | 1986 |
| 933. Fat City | Huston | 1972 |
| 934. The Music Lovers | K. Russell | 1971 |
| 935. Touchez Pas au Grisbi | Becker | 1954 |
| 936. Ace in the Hole | Wilder | 1951 |
| 937. Crimson Gold | Panahi | 2003 |
| 938. The Band Wagon | Minnelli | 1953 |
| 939. I Am a Fugitive from a Chain Gang | LeRoy | 1932 |
| 940. Julius Caesar | Mankiewicz | 1953 |
| 941. The Kid With a Bike | Dardenne | 2011 |
| 942. After Hours | Scorsese | 1985 |
| 943. Blackmail | Hitchcock | 1929 |
| 944. Closely Watched Trains | Menzel | 1966 |
| 945. Far from the Madding Crowd | Schlesinger | 1967 |
| 946. Calendar | Egoyan | 1993 |
| 947. The Color of Pomegranates | Parajanov | 1969 |
| 948. Dead of Night | Calvalcanti, Crichton, Dearden, Hamer | 1945 |
| 949. Kameradschaft | Pabst | 1931 |
| 950. Charade | Donen | 1963 |
| 951. Walker | Cox | 1987 |
| 952. Crooklyn | S. Lee | 1994 |
| 953. The Great Silence | Corbucci | 1968 |
| 954. Midnight Express | Parker | 1978 |
| 955. Mahanagar | S. Ray | 1963 |
| 956. That Obscure Object of Desire | Buñuel | 1977 |
| 957. Career Girls | Leigh | 1997 |
| 958. Excalibur | Boorman | 1981 |
| 959. La roue | Gance | 1923 |
| 960. Force of Evil | Polonsky | 1948 |
| 961. Conversation Piece | Visconti | 1974 |
| 962. Birth | Glazer | 2004 |
| 963. Bound for Glory | Ashby | 1976 |
| 964. The Student Prince in Old Heidelberg | Lubitsch | 1927 |
| 965. Nixon | Stone | 1995 |
| 966. Freaks | Browning | 1932 |
| 967. Port of Shadows | Carné | 1938 |
| 968. California Split | Altman | 1974 |
| 969. Prince of the City | Lumet | 1981 |
| 970. Mildred Pierce | Curtiz | 1945 |
| 971. Fellini’s Casanova | Fellini | 1976 |
| 972. No Blood Relation | Naruse | 1932 |
| 973. Sexy Beast | Glazer | 2000 |
| 974. Woman in the Dunes | Teshigahara | 1964 |
| 975. Shutter Island | Scorsese | 2010 |
| 976. Women in Love | K. Russell | 1969 |
| 977. The Entertainer | Richardson | 1960 |
| 978. Bad Timing | Roeg | 1980 |
| 979. Fox and His Friends | Fassbinder | 1975 |
| 980. Body Double | De Palma | 1984 |
| 981. Street Angel | Borzage | 1928 |
| 982. The Long Good Friday | Mackenzie | 1980 |
| 983. Harry Potter and the Half-Blood Prince | D. Yates | 2009 |
| 984. The Outlaw and His Wife | Sjöström | 1918 |
| 985. Magnificent Obsession | Sirk | 1954 |
| 986. Kagemusha | Kurosawa | 1980 |
| 987. Memories of Underdevelopment | Gutiérrez Alea | 1968 |
| 988. Mother | Pudovkin | 1926 |
| 989. Tie Me Up! Tie Me Down! | Almodóvar | 1989 |
| 990. Chariots of Fire | Hudson | 1981 |
| 991. Underworld | von Sternberg | 1927 |
| 992. Dodsworth | Wyler | 1936 |
| 993. I Don’t Want to Sleep Alone | Ming-liang Tsai | 2006 |
| 994. The Skin I Live In | Almodóvar | 2011 |
| 995. Beau travail | Denis | 1999 |
| 996. Invasion of Body Snatchers | Siegel | 1956 |
| 997. The Draughtman’s Contract | Greenaway | 1982 |
| 998. The Man Who Knew Too Much | Hitchcock | 1956 |
| 999. The Last Detail | Ashby | 1973 |
| 1000. Das Boot | Peterson | 1981 |
Didn’t WALL.E make this list?
@Lionel it did not – still a fine film of course- lots of fine films left off the list to make room for the others
Jurassic Park went from #355 to #844 (Down 489)
Titanic went from #466 to #827(Down 361)
Damn.
There are a couple of very noticeable hot takes here. One being Only God Forgives is rated higher than Drive. The other being Heaven’s Gate is rated higher than The Deer Hunter. Would have to be a brave person to make this suggestion when they were released. And all the critical drubbing.
@Lionel – haha spot on with the release and critical drubbing – pretty sure the evidence on the screen holds for both of these though
@Lionel – I was happy to see Heaven’s Gate above The Deer Hunter and Only God Forgives above Drive. They are visually superior.
@Drake – Seeing Germany Year Zero in the top 100 and passing Rome, Open City is a welcome surprise and a well-deserved leap from around the #200 spot it was on the 2019 list.
Films included in the top 1000 which were not in the archives, had a R (Recommend) grade previously or had no grade after the yearly updates:
1.Die Nibelungen(1924)-Lang-MP-(Not in the archives)
2.War and Peace(1965)-Bondarchuk-MP-(Not in the archives)
3.Possession(1981)-Zulawski-MP-(Not in the archives)
4.The Human Condition(1959)-Kobayashi-MP(-Not in the archives)
5.Silent Light(2007)-Reygadas-MP-(Not in the archives)
6.The Big Trail(1930)-Walsh-MP-(Not in the archives)
7.A Special Day(1977)-Scola-MP-(No grade)
8.Tess(1979)-Polanski-MP-(R-Recommend)
9.Tokyo Drifter(1966)-Suzuki-MS/MP-(Not in the archives)
10.Pyaasa(1957)-Dutt-MS/MP-(Not in the archives)
11.The Killers(1946)-Siodmak-MS/MP-(R-Recommend)
12.The Red and the White(1967)-Jancsó-MS/MP-(Not in the archives)
13.The Ballad of Narayama(1958)-Kinoshita-MS/MP-(Not in the archives)
14.Alphaville(1965)-Godard-MS-(R-Recommend)
15.Three Crowns of the Sailor(1983)-Ruiz-MS-(Not in the archives)
16.Despair(1978)-Fassbinder-MS-(Not in the archives)
17.The Damned(1969)-Visconti-MS-(No grade)
18.Kaagaz Ke Phool(1959)-Dutt-MS-(Not in the archives)
19.Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles(1975)-Akerman-MS-(Not in the archives)
20.Les Rendez-vous d’Anna(1975)-Akerman-MS-(R-Recommend)
21.La tête d’un homme(1933)-Duvivier-MS-(Not in the archives)
22.Track of the Cat(1954)-Wellman-MS-(R-Recommend)
23.Devi(1960)-S.Ray-MS(Not in the archives)
24.Les vampires(1915)-Feuillade-MS-(Not in the archives)
25.Made in U.S.A (1966)-Godard-MS-(Not in the archives)
26.David Golder(1931)-Duvivier-MS-(Not in the archives)
27.The Children’s Hour(1961)-Wyler-MS-(Not in the archives)
28.Star Trek: The Motion Picture(1979)-Wise-MS-(Not in the archives)
29.Happy Together(1997)-Kar-wai-MS-(R-Recommend)
30.Pale Flower(1964)-Shinoda-MS-(-Not in the archives)
31.The Threepenny Opera(1931)-Pabst-MS-(Not in the archives)
32.The Big Country(1958)-Wyler-MS-(R-Recommend)
33.Ashes of Time(1994)-Kar-wai-MS-(R-Recommend)
34.A Man There Was(1917)-Sjöström-MS-(Not in the archives)
35.The Miracle of Morgan’s Creek(1943)-P.Sturges-MS-(Not in the archives)
36.Speed Racer(2008)-Wachowski-MS-(R-Recommend)
37.Quai des Orfèvres-Clouzot-MS-(Not in the archives)
38.Placido(1961)-Berlanga-MS-(Not in the archives)
39.Branded to Kill(1967)-Suzuki-MS-(Not in the archives)
40.Die Austernprinzessin(1919)-Lubitsch-HR/MS-(Not in the archives)
41.Waxworks(1924)-Leni, Birinsky-HR/MS-(Not in the archives)
42.My Own Private Idaho(1991)-van Sant-HR/MS-(No grade)
43.Ludwig(1973)-Visconti-HR/MS-(R-Recommend)
44.THX 1138(1971)-Lucas-HR/MS-(R-Recommend)
45.The Masque of the Red Death(1964)-Corman-HR/MS-(Not in the archives)
46.Shadows of Forgotten Ancestors(1965)-Parajanov-HR/MS-(Not in the archives)
47.Aar-Paar(1954)-Dutt-HR/MS-(Not in the archives)
48.Mr. Klein(1976)-Losey-HR/MS-(Not in the archives)
49.The Lodger(1927)-Hitchcock-HR/MS-(R-Recommend)
50.Lady Vengeance(2005)-Chan-wook-HR/MS-(Not in the archives)
51.All These Women(1964)-Bergman-HR/MS-(Not in the archives)
52.Attack(1956)-Aldrich-HR/MS-(R-Recommend)
53.Gate of Flesh(1964)-Suzuki-HR/MS-(Not in the archives)
54.The Nightmare Before Christmas-Selick-HR/MS-(R-Recommend)
55.Porcile(1969)-Pasolini-HR/MS-(Not in the archives)
56.The Grandmaster(2013)-Kar-wai-HR/MS-(R-Recommend)
57.The Man Who Knew Too Much(1956)-Hitchcock-HR-(No grade)
58.Moonrise(1948)-Borzage-HR/MS-(Not in the archives)
59.Lilith(1964)-Rossen-HR-(R-Recommend)
60.Panique(1946)-Duvivier-HR-(Not in the archives)
61.The Music Lovers(1971)-K.Russell-HR-(Not in the archives)
62.Walker(1987)-Cox-HR-(No grade)
63.Crooklyn(1994)-S.Lee-HR-(Not in the archives)
64.Excalibur(1981)-Boorman-HR-(No grade)
65.No Blood Relation (1932)-Naruse-HR-(Not in the archives)
66.Women in Love(1969)-K.Russell-(Not in the archives)
67.Body Double(1984)-De Palma-(Not in the archives)
68.The Outlaw and His Wife(1918)-Sjöström-HR-(Not in the archives)
69.Das Boot(1981)-Petersen-HR-(No grade)
Did you actually do a Polanski study or got to some of these randomly? He now has 6 films in the top 300. With The Tenant, Tess and Knife in the Water all getting big upgrades. Have you had another look at say Macbeth, The Pianist or managed to watch Bitter Moon, Based on a True Story and an Officer and a Spy?
@Malith- a study, but not a full study. More updates coming on the Polanski page down the road here not too long from now hopefully
Is Knife in the Water one of the best debuts in film history?
@Malith- only question would be how many to count in “one of the best”
I’m seeing these – you can check my work – might be missing one
Performance – Roeg
Strike – Eisenstein
The 400 Blows – Truffaut
Distance Voices, Still Lives – Davies
Breathless – Godard
Citizen Kane – Welles
I see Orson Welles’ Citizen Kane. Probably the ultimate one. Are there any others that are rated higher than Knife in the Water? Mann’s Thief is brilliant. But rated below here.
Pather Panchali, which would probably be my pick for the greatest film debut of all time.
@Malith – agreed that Polanski is one of the bigger winners of the new list which I love. Once Drake talked about revisiting Tess I figured MS was the worst case scenario with MP being more likely. MacBeth and An Office and a Spy are both really strong in my opinion probably MS for both and I would love to revist the ladder soon.
Chimes at Midnight upgraded from MS to MP and a near top 150 film, along with The Lady from Shanghai getting an upgrade from MS to MS/MP seems significant for Welles.
@LeBronSmith – I noticed this as well and am a fan of these changes. Plus Welles other major films all retained their previous positions almost exactly
Didn’t Bergman’s Face to Face make this list?
@Lionel- another one that was pulled late until I get another visit- the formatting on the page makes it tough, but may still make some changes to the list if I can rewatch a few here shortly. But maybe not- these lists are always a work in progress
William Wyler is a genius.
@Malith- thank you for the cleanup on The Gospel According to St. Matthew– and James Whale as well. Should be fixed
I’m interested to see how far Kieślowski jumps on the directors list since you now have him with 5 top 100 films. I think I agree with that. In early 2022, I wrote in my Kieślowski notes: “Potentially 5 top 100 films with Killing, Dekalog, Veronique, Blue, Red?”
@Ian- Good notes there in 2022– yes, I’m interested to see how high Kieslowski jumps as well
I remember I asked about it a long time ago but did you ever get around to watching Querelle? If you did I’d be shocked if it missed the 1000, as I find it to be among the top of Fassbinder’s oeuvre.
@Ce- Good question- not yet, I had grand ambitions for a big Fassbinder study here in late 2023 and other films have sort of pushed it back for not. Very excited to get to it.
The Big Sleep from #100 to #537. Wow!
Cool to see The Conformist and Barry Lyndon jumping to the top 20. I’m long overdue for another viewing of them. You putting them in the top 20 just vaulted them to the top of my watch list haha
One Flew Over the Cuckoo’s Nest from #157 to #538.
Rio Bravo from #111 to #458
On the Waterfront from #239 to #531
@LeBron Smith- Great- yes both The Conformist and Barry Lyndon are so relentlessly jaw-dropping – have to separate them even from other masterpieces.
Great List! Thank you so much for all you do. Quick question , if you don’t mind. What’s the logic for putting a Short Film About Killing above Dekalog? I guess I would think Dekalog would almost by default be higher than what are effectively it’s composite parts.
@Matthew Moore – Thank you for the kind words on the list— and good question. Sort of discussed it a bit here on these pages and comments https://thecinemaarchives.com/2020/10/15/a-short-film-about-killing-1988-kieslowski/ https://thecinemaarchives.com/2020/10/17/dekalog-1989-kieslowski/
Declan May 23, 2022 at 12:12 pm – Edit – Reply
Hi Drake, when it comes to measuring up the Dekalog and A Short Film About Killing, which do you believe is better? As you mention ASFAK is the best part of the Dekalog and as such is greater on a per-minute basis, but the Dekalog contains ASFAK plus a lot of other great stuff on top of that, and thus beats it out in terms of pure quantity of highlights. Is this tricky for you to reconcile or do you find it pretty clear-cut?
Drake May 23, 2022 at 9:43 pm – Edit – Reply
@Declan- Great question. What do you think? I tried to buy myself some time on answering this question by saying I wanted some distance from the Kieslowski study but time flies and it has been a year and a half now. I’ll say I’m glad we have both versions– the Dekalog as this massive, ambitious project– and the lean, crisp and harsh perfection of ASFAK. Gun to my head I think ASFAK will be listed first on my top 500/1000 all-time list when I update it… but I’m also the guy who watches every television series or mini series and says “there’s a really good 90 minute film in here”
The big one! Great stuff here @Drake, glanced over the list last night and haven’t had the time to really analyze until right now and I’ve got to say I agree with this list more than the last, love seeing the massive jump for Playtime especially! It’s great to see that the site is growing and keeps getting better, thank you for all the hard work you put into making it so amazing. Can’t wait for the directors list.
@Chase – So nice of you to write this Chase- thank you!
Some additional thoughts, so much to take in
Finally got around to Last Year at Marienbad, watched twice in last week, and agree it’s a MP although I will need addition viewings to pinpoint where it belongs in respect to other MP. This also means that it is the most highly ranked film of The French New Wave. There are 6 French New Wave films in the top 100 with Shoot the Piano Player just missing the cut at # 113. This is a good indicator of how great that era/movement truly was
Last Year at Marienbad # 36
Jules and Jim # 38
Breathless # 39
Playtime (1967) # 58
Pierrot le Fou # 88
The 400 Blows # 89
Personally, I still view The Jules and Jim and The 400 Blows as the two best films of The French New Wave. However, even if someone wants to put Last Year at Marienbad as the best of these 6 films, I still think Breathless, Jules and Jim, and the 400 Blows are all more quintessential French New Waves Films. Sort of like how Double Indemnity is THE FILM NOIR, even if someone wants to rank say Touch of Evil above it due to it being more cinematic
I have not broken it down by country but at a glance I would guess there is a lower percentage of American films in the top 1000. And I say % since the old list was 500 and this is 1000. I feel like
Chinatown fell about 50 spots, for me its # 9 all-time but I have had multiple back and forth conversations on this site about this so not surprised and not much new ground to cover here. On the other hand, Polanski went from 3 MP to 6 MP which puts him in super elite territory. There is not much of a gap between Chinatown and Rosemary’s Baby. The Knife in the Water upgrade was a surprise, a good surprise that is.
The Thin Red Line (1998) is a terrific film and clear cut MP but I like its current placement much better, I thought # 43 was too high. I’ve recently come to believe The New World is a top 3 Malick film
WKW case continues to grow, now with a top 10 film and 2 others in the top 100 so a total of 3 top 100 films plus another MP in Days of Being Wild which I love to see, it is a great film and for me WKW third best
@James Trapp – Thank you for sharing more of your thoughts here. I’m happy to talk Chinatown and have a friendly debate if you ever want to.
I’d think I’d push back on Playtime being called a French New Wave film – not that it is that big of a deal. Maybe others include him that movement but I can’t imagine the argument for putting Tati in there.
Agreed on Playtime not being French New Wave – it occupies a strange sort of bubble outside that movement which Tati had made for himself in the 1950s with Monsieur Hulot’s Holiday, or even the 40s if you’re going back to Jour de Fete.
The broad shape of his style remains virtually the same over those years, but he just keeps expanding and refining it. He also isn’t exactly innovating new techniques and pushing the artform into the future like Godard and Truffaut were, so much as he is calling back to cinema’s past and combining it with more modern sensibilities.
@DeclanG- Yep, he’s from a different generation – there’s a case for La Pointe Courte and Varda in the French New Wave and I know the New Wave crew adored Melville and viewed him as a sort of Godfather to the New Wave- but Tati’s orbit is outside of the New Wave
@Drake – for sure, I want to watch it again with notes, will keep you updated.
Regarding Playtime, I have actually not seen it and I actually did think there was a possibility that it is not considered New Wave but I was not sure either way so I figured better safe than sorry. The year of its release was part of why I thought this.
Didn’t Masaki Kobayashi’s The Inheritance(1962) make this list?
@Lionel- wanted another look at it first – have a few that are in a similar spot
A momentous list! Probably the best one I’ve ever seen.
I have a question. Can you give me a rough idea about which are MP, MS/MP, MS, HR/MS and HR films?
According to my understanding;
1) 1 to 306 are MP level films, Colonel blimp being the last MP film
2) 307 to 376 are MS/MP level films, letters from an unknown woman being last
3) 377 to 691 are MS level films, anatomy of a murder being last MS film
and so on.
@M*A*S*H- Thank you for saying that – happy to hear you think so on the list. Yeah that’s close- I put in all in order like that first and then used this opportunity to hopefully right some wrongs and move some things around. Some of the films on the border of each will move a half grade or so to put them where they really should have been all along
Congratulations for the list. I’m a fan since 3/4 years already, great to see the site grows, you deserve it.
@KidCharlemagne- Appreciate it- I always look forward to your comments
Great work, Drake! Pumped to see a lot of the changes, and shocked by others. Mostly I’m thrilled just to have more movies to add to my watchlist. Congratulations on getting it done, and looking forward to all that remains.
@Bullweather- very much appreciate it – thank you.
Ahhhhhhhhhhhhhhhhh…. Im so excited to read this ahhhh thankyou bro!!!!! Amazing amazing
So many changes but im in love!!!
@Big chungus- haha happy to hear it – thank you!
Fascinating list! Was very happy to see a new one, and I think a lot of the changes are really good!
– Your 2000s favourites now look a lot more like mine, as I think my top 5 are Children of Men, In the Mood for Love, Yi Yi, Hero, and Songs From The Second Floor in some order. Always happy to see some of my favourites rising 🙂
– Crazy but well-deserved Kieslowski rise, such a unique and boundary-pushing talent. I rewatched Red and Blue in cinemas last year and that really elevated both, so I’ll probably try and sit down with his other big hitters soon to see how they fare.
– Renoir didn’t do terribly well, had a few works drop out of the top 500… sad to see.
– Playtime was a surprise but a cool one! Uses its sets so brilliantly at virtually every point.
– Both 80s Tarkovskys in the top 100 is a viewpoint I’d definitely share. I personally think that his skills as a director just basically kept increasing throughout his career, and by the 80s he was the biggest and brightest talent working.
– Acts as a good reminder that I still have to get around to watching the works of Truffaut (other than 400 Blows), Sirk, Herzog, and a few other really big directors
@ga- Appreciate you sharing your thoughts and impressions here – thank you
Re: Herzog, make sure to watch the documentaries as well.
So The Andromeda Strain, Star Trek: The Motion Picture and The Speed Racer are some of the best sci-fi films of all-time? I have to say none of them have the greatest of reputation.
@Lionel- Always tough with sci-fi or any genre definitions – but yes, feel like the evidence for their mastery is up there on the screen regardless of their reputations
Was Abrams’ Star Trek film close to making this list?
@Lionel- not terribly close
Monumental work here. Thank you!
@Yaared- thank you- appreciate you coming to the site and
Nobody seems to have noticed Lynch being shut out of the top 100…
@Remy- I noticed the same thing afterwards as well – still one hell of a filmmaker – he isn’t alone being shut out of the top 100
Directors with two or more archivable films in the top 1000:
19-Alfred Hitchcock
16-Ingmar Bergman
13-Martin Scorsese, Akira Kurosawa
11-Yazujiro Ozu
10-Luchino Visconti, William Wyler, Fritz Lang, Robert Altman, Coen Brothers
9-Federico Fellini, Steven Spielberg, David Cronenberg, John Ford, Jean-Luc Godard
8-Stanley Kubrick, Wong Kar-wai, Andrei Tarkovsky, Rainer Werner Fassbinder, Michelangelo Antonioni, Luis Bunuel, Woody Allen, Howard Hawks
7-Roman Polanski, Francis Ford Coppola, Orson Welles, Brian de Palma, Pedro Almodovar, David Lynch
6-David Lean, Jean Renoir, Krysztof Kieslowski, Quentin Tarantino, Francois Truffaut, Buster Keaton, Shohei Imamura, Michael Powell, Pier Paolo Pasolini, Max Ophuls, Jim Jarmusch, Richard Linklater, Sidney Lumet, Satyajit Ray, Kenji Mizoguchi, Alfonso Cuaron
5-Carl Theoder Drayer, Sergei Einstein, Terrence Malick, Bela Tarr, Spike Lee, Paul Thomas Anderson, Robert Bresson, Roberto Rossellini, Sergio Leone, Michael Mann, Terry Gilliam, Billy Wilder, John Huston, Dardenne Brothers, Jane Campion, James Cameron, Nicolas Roeg
4-F.W Murnau, Bernardo Bertolucci, D.W Griffith, Lars von Trier, Alain Resnais, Peter Greenaway, Yimou Zhang, Hou Hsiao-Hsien, Josef von Sternberg, Jean-Pierre Melville, Michael Haneke, Douglas Sirk, Frank Capra, Victor Sjostrom, Oliver Stone, Christopher Nolan, David Fincher, Darren Aronofsky, Sofia Coppola, Masaki Kobayashi, Clint Eastwood, Charlie Chaplin, John Cassavetes, Robert Wise, Nicholas Ray, The Wachowskis, King Vidor, Wim Wenders, Jean-Pierre Jeunet, Sam Mendes, Julian Duvivier, Frank Borzage, Gus van Sant, Otto Preminger, Preston Sturges, Vincente Minelli, Ernst Lubitsch
3-Ridley Scott, Vittorio De Sica, Mikhail Kalatozov, Terrence Davies, Jaques Tati, Mike Nichols, Mike Leigh, Wes Anderson, Werner Herzog, Park Chan-wook, Alan Pakula, Raoul Walsh, John Boorman, Agnes Varda, Hal Ashby, Samuel Fuller, Eric von Stroheim, Paul Schrader, George Lucas, Jacques Torneur, Jonathan Glazer, Steve McQueen, Seijun Suzuki, Guru Dutt, Ken Russell, Bong Joon-ho, Henri-Georges Clouzot, Nicolas Winding Refn, Lynne Ramsay, Atom Egoyan, John Carpenter, Robert Zemeckis, Bob Fosse, Elia Kazan, Marcel Carné, George Stevens, Aki Kaurismaki, James Gray, Ming-liang Tsai, George Cukor, Anthony Mann, Stanley Donen, René Clair, Robert Rossen, G. W. Pabst
2-Roy Andersson, Carol Reed, Sam Peckinpah, Dario Argento, Arpichtpong Weerasethakul, Victor Fleming, Raul Ruiz, Pawel Pawlikowski, Michael Curtis, Edward Yang, Jaques Demy, Michael Cimino, Peter Jackson, Cristian Mungiu, Joe Wright, Steven Soderbergh, Joseph Losey, Jonathan Demme, John Schlesinger, George Roy Hill, William Friedkin, Arthur Penn, Guillermo del Toro, Todd Haynes, Milos Forman, Louis Malle, Abbas Kiarostami, Chantel Akerman, Jean Cocteau, William A. Wellman, John Frankenheimer, Leos Carax, Xavier Dolan, Anthony Minghella, Spike Jonze, Don Siegel, Alejandro Gonzalez Inarritu, Hayao Miyazaki, Ang Lee, Warren Beatty, Rene Clement, Ralph Richardson, Peter Weir, Sydney Pollack, George A. Romero, Joseph L. Mankiewicz, Alex Cox, Abel Ferrara, Jacques Rivette, Mario Bava, Robert Aldrich, David O. Russell, James Ivory, John Woo, Sergio Corbucci, Gaspar Noe, Tim Burton, Satoshi Kon, Noah Baumbach, Sergei Parajanov, Robert Hamer, Jean Vigo
@Malith- This is some heavy lifting – thank you for putting in all this work
Sergei Parajanov has two films as well
Bergman actually has 17 films. James Whale has 2.