** There is a ten year moratorium on all new films – so this list does not include released from 2014 to current day
| film | director | year |
| 1. 2001: A Space Odyssey | Kubrick | 1968 |
| 2. The Searchers | Ford | 1956 |
| 3. The Passion of Joan of Arc | Dreyer | 1928 |
| 4. Apocalypse Now | F. Coppola | 1979 |
| 5. In the Mood for Love | Wong Kar-wai | 2000 |
| 6. Citizen Kane | Welles | 1941 |
| 7. Sunrise | Murnau | 1927 |
| 8. Nostalghia | Tarkovsky | 1983 |
| 9. Raging Bull | Scorsese | 1980 |
| 10. Vertigo | Hitchcock | 1958 |
| 11. Tokyo Story | Ozu | 1953 |
| 12. Stalker | Tarkovsky | 1979 |
| 13. 8 1/2 | Fellini | 1963 |
| 14. Barry Lyndon | Kubrick | 1975 |
| 15. The Godfather | F. Coppola | 1972 |
| 16. Battleship Potemkin | Eisenstein | 1925 |
| 17. The Conformist | Bertolucci | 1970 |
| 18. Intolerance | Griffith | 1916 |
| 19. Blade Runner | R. Scott | 1982 |
| 20. Bicycle Thieves | De Sica | 1948 |
| 21. Seven Samurai | Kurosawa | 1954 |
| 22. Rashomon | Kurosawa | 1950 |
| 23. Lawrence of Arabia | Lean | 1962 |
| 24. Breaking the Waves | von Trier | 1996 |
| 25. Goodfellas | Scorsese | 1990 |
| 26. La Dolce Vita | Fellini | 1960 |
| 27. Chungking Express | Wong Kar-wai | 1994 |
| 28. The Godfather Part II | F. Coppola | 1974 |
| 29. The Rules of the Game | Renoir | 1939 |
| 30. Taxi Driver | Scorsese | 1976 |
| 31. A Short Film About Killing | Kieslowski | 1988 |
| 32. Pulp Fiction | Tarantino | 1994 |
| 33. The Cabinet of Dr. Caligari | Wiene | 1920 |
| 34. Touch of Evil | Welles | 1958 |
| 35. The End of Summer | Ozu | 1961 |
| 36. Last Year at Marienbad | Resnais | 1961 |
| 37. The Cook, the Thief, His Wife & Her Lover | Greenaway | 1989 |
| 38. Jules and Jim | Truffaut | 1962 |
| 39. Breathless | Godard | 1960 |
| 40. The Tree of Life | Malick | 2011 |
| 41. The Turin Horse | Tarr | 2011 |
| 42. Days of Heaven | Malick | 1978 |
| 43. The Last Laugh | Murnau | 1924 |
| 44. The Magnificent Ambersons | Welles | 1942 |
| 45. Persona | Bergman | 1966 |
| 46. I Am Cuba | Kalatozov | 1964 |
| 47. Children of Men | Cuarón | 2006 |
| 48. Ali: Fear Eats the Soul | Fassbinder | 1974 |
| 49. The Seventh Seal | Bergman | 1957 |
| 50. Do the Right Thing | S. Lee | 1989 |
| 51. Cries & Whispers | Bergman | 1972 |
| 52. Songs from the Second Floor | Andersson | 2000 |
| 53. Red Desert | Antonioni | 1964 |
| 54. Gertrud | Dreyer | 1964 |
| 55. Melancholia | von Trier | 2011 |
| 56. Distant Voices, Still Lives | Davies | 1988 |
| 57. High and Low | Kurosawa | 1963 |
| 58. Playtime | Tati | 1967 |
| 59. The Leopard | Visconti | 1963 |
| 60. Punch-Drunk Love | P.T. Anderson | 2002 |
| 61. Sherlock Jr. | Keaton | 1924 |
| 62. A Clockwork Orange | Kubrick | 1971 |
| 63. M | Lang | 1931 |
| 64. Werckmeister Harmonies | Tarr | 2000 |
| 65. Dekalog | Kieslowski | 1989 |
| 66. The Earrings of Madame De… | Ophüls | 1953 |
| 67. The Shining | Kubrick | 1980 |
| 68. There Will Be Blood | P.T. Anderson | 2007 |
| 69. The Third Man | Reed | 1949 |
| 70. Naked | Leigh | 1993 |
| 71. Three Colours: Blue | Kieslowski | 1993 |
| 72. The Sacrifice | Tarkovsky | 1986 |
| 73. L’Argent | Bresson | 1983 |
| 74. The Pornographers | Imamura | 1966 |
| 75. Germany Year Zero | Rossellini | 1948 |
| 76. Once Upon a Time in the West | Leone | 1968 |
| 77. Black Narcissus | Powell, Pressburger | 1947 |
| 78. 2046 | Wong Kar-wai | 2004 |
| 79. Three Colours: Red | Kieslowski | 1994 |
| 80. The Master | P.T. Anderson | 2012 |
| 81. Salò, or the 120 Days of Sodom | Pasolini | 1975 |
| 82. Metropolis | Lang | 1927 |
| 83. The Wild Bunch | Peckinpah | 1969 |
| 84. The Double Life of Veronique | Kieslowski | 1991 |
| 85. Raise the Red Lantern | Yimou Zhang | 1991 |
| 86. Ikiru | Kurosawa | 1952 |
| 87. The Good, the Bad and the Ugly | Leone | 1966 |
| 88. Pierrot le Fou | Godard | 1965 |
| 89. The 400 Blows | Truffaut | 1959 |
| 90. Heat | M. Mann | 1995 |
| 91. Flowers of Shanghai | Hsiao-Hsien Hou | 1998 |
| 92. The Blue Angel | von Sternberg | 1930 |
| 93. Brazil | Gilliam | 1985 |
| 94. The Trial | Welles | 1962 |
| 95. The White Ribbon | Haneke | 2009 |
| 96. Blow Out | De Palma | 1981 |
| 97. The Graduate | M. Nichols | 1967 |
| 98. Juliet of the Spirits | Fellini | 1965 |
| 99. Hero | Yimou Zhang | 2002 |
| 100. Lola Montes | Ophüls | 1955 |
| 101. Women on the Verge of a Nervous Breakdown | Almodóvar | 1988 |
| 102. The Bad Sleep Well | Kurosawa | 1960 |
| 103. Magnolia | P.T. Anderson | 1999 |
| 104. Army of Shadows | Melville | 1969 |
| 105. Suspiria | Argento | 1977 |
| 106. Psycho | Hitchcock | 1960 |
| 107. Syndromes and a Century | Weerasethakul | 2006 |
| 108. Fanny and Alexander | Bergman | 1982 |
| 109. Early Summer | Ozu | 1951 |
| 110. Gone with the Wind | Fleming | 1939 |
| 111. Die Nibelungen | Lang | 1924 |
| 112. Paths of Glory | Kubrick | 1957 |
| 113. Shoot the Piano Player | Truffaut | 1960 |
| 114. The Cranes Are Flying | Kalatozov | 1957 |
| 115. Rome, Open City | Rossellini | 1945 |
| 116. The Age of Innocence | Scorsese | 1993 |
| 117. L’Avventura | Antonioni | 1960 |
| 118. Blue Velvet | Lynch | 1986 |
| 119. Stagecoach | Ford | 1939 |
| 120. The Passenger | Antonioni | 1975 |
| 121. Manhattan | Allen | 1979 |
| 122. Nashville | Altman | 1975 |
| 123. The Best Years of Our Lives | Wyler | 1946 |
| 124. Mulholland Drive | Lynch | 2001 |
| 125. The Discreet Charm of the Bourgeoisie | Buñuel | 1972 |
| 126. Eyes Wide Shut | Kubrick | 1999 |
| 127. Mysteries of Lisbon | Ruiz | 2010 |
| 128. Boogie Nights | P.T. Anderson | 1997 |
| 129. Contempt | Godard | 1963 |
| 130. The Story of the Last Chrysanthemums | Mizoguchi | 1939 |
| 131. A Zed & Two Noughts | Greenaway | 1985 |
| 132. Notorious | Hitchcock | 1946 |
| 133. Strike | Eisenstein | 1925 |
| 134. The Royal Tenenbaums | W. Anderson | 2001 |
| 135. Aguirre, the Wrath of God | Herzog | 1972 |
| 136. The Long Day Closes | Davies | 1992 |
| 137. La grande illusion | Renoir | 1937 |
| 138. The Thin Red Line | Malick | 1998 |
| 139. Nosferatu | Murnau | 1922 |
| 140. Dead Man | Jarmusch | 1995 |
| 141. The Assassination of Jesse James by the Coward Robert Ford | Dominik | 2007 |
| 142. All that Heaven Allows | Sirk | 1955 |
| 143. Ida | Pawlikowski | 2013 |
| 144. Chinatown | Polanski | 1974 |
| 145. It’s a Wonderful Life | Capra | 1946 |
| 146. The Phantom Carriage | Sjöström | 1921 |
| 147. Satantango | Tarr | 1994 |
| 148. Annie Hall | Allen | 1977 |
| 149. The Wizard of Oz | Fleming | 1939 |
| 150. Casablanca | Curtiz | 1942 |
| 151. The Belly of an Architect | Greenaway | 1987 |
| 152. Rosemary’s Baby | Polanski | 1968 |
| 153. Yi Yi | Yang | 2000 |
| 154. Chimes at Midnight | Welles | 1965 |
| 155. Umberto D. | De Sica | 1952 |
| 156. L’Eclisse | Antonioni | 1962 |
| 157. Rocco and His Brothers | Visconti | 1960 |
| 158. The Umbrellas of Cherbourg | Demy | 1964 |
| 159. War and Peace | Bondarchuk | 1965 |
| 160. Once Upon a Time in America | Leone | 1984 |
| 161. Andrei Rublev | Tarkovsky | 1966 |
| 162. The Music Room | S. Ray | 1958 |
| 163. Le Samouraï | Melville | 1967 |
| 164. Mean Streets | Scorsese | 1973 |
| 165. JFK | Stone | 1991 |
| 166. The Birth of a Nation | Griffith | 1915 |
| 167. You, the Living | Andersson | 2007 |
| 168. The Virgin Spring | Bergman | 1960 |
| 169. McCabe & Mrs. Miller | Altman | 1971 |
| 170. Jaws | Spielberg | 1975 |
| 171. The Tenant | Polanski | 1976 |
| 172. Possession | Zulawski | 1981 |
| 173. Rumble Fish | F. Coppola | 1983 |
| 174. Late Spring | Ozu | 1949 |
| 175. The General | Keaton, Bruckman | 1926 |
| 176. A Time to Live and a Time to Die | Hsiao-Hsien Hou | 1985 |
| 177. Stranger Than Paradise | Jarmusch | 1984 |
| 178. The Silence | Bergman | 1963 |
| 179. Sympathy for Mr. Vengeance | Park Chan-wook | 2002 |
| 180. La Terra Trema | Visconti | 1948 |
| 181. Intentions of Murder | Imamura | 1964 |
| 182. Inception | Nolan | 2010 |
| 183. Fight Club | Fincher | 1999 |
| 184. The Little Foxes | Wyler | 1941 |
| 185. 4 Months, 3 Weeks and 2 Days | Mungiu | 2007 |
| 186. The Social Network | Fincher | 2010 |
| 187. The Parallax View | Pakula | 1974 |
| 188. Black Swan | Aronofsky | 2010 |
| 189. Kill Bill | Tarantino | 2003 |
| 190. Lost in Translation | S. Coppola | 2003 |
| 191. The Lord of the Rings | Jackson | 2001 |
| 192. The Human Condition | Kobayashi | 1959 |
| 193. The New World | Malick | 2005 |
| 194. Viridiana | Buñuel | 1961 |
| 195. Y Tu Mamá También | Cuarón | 2001 |
| 196. Silent Light | Reygadas | 2007 |
| 197. Ran | Kurosawa | 1985 |
| 198. How Green Was My Valley | Ford | 1941 |
| 199. Moonrise Kingdom | W. Anderson | 2012 |
| 200. Zodiac | Fincher | 2007 |
| 201. Heaven’s Gate | Cimino | 1980 |
| 202. Pat Garrett & Billy the Kid | Peckinpah | 1973 |
| 203. The Life of Oharu | Mizoguchi | 1952 |
| 204. The Big Trail | Walsh | 1930 |
| 205. The Scarlet Empress | von Sternberg | 1934 |
| 206. Malcolm X | S. Lee | 1992 |
| 207. Unforgiven | Eastwood | 1992 |
| 208. Weekend | Godard | 1967 |
| 209. Dancer in the Dark | von Trier | 2000 |
| 210. A Woman Is a Woman | Godard | 1961 |
| 211. Winter Light | Bergman | 1963 |
| 212. Replusion | Polanski | 1965 |
| 213. Requiem for a Dream | Aronofsky | 2000 |
| 214. The Grapes of Wrath | Ford | 1940 |
| 215. Pather Panchali | S. Ray | 1955 |
| 216. Se7en | Fincher | 1995 |
| 217. Point Blank | Boorman | 1967 |
| 218. Amarcord | Fellini | 1973 |
| 219. La Pointe Courte | Varda | 1955 |
| 220. Le Plaisir | Ophüls | 1952 |
| 221. Performance | Roeg, Cammell | 1970 |
| 222. Autumn Sonata | Bergman | 1978 |
| 223. Morocco | von Sternberg | 1930 |
| 224. Harold and Maude | Ashby | 1971 |
| 225. The Andromeda Strain | Wise | 1971 |
| 226. A Special Day | Scola | 1977 |
| 227. Don’t Look Now | Roeg | 1973 |
| 228. The Ipcress File | Furie | 1965 |
| 229. Schindler’s List | Spielberg | 1993 |
| 230. City Lights | Chaplin | 1931 |
| 231. A Woman Under the Influence | Cassavetes | 1974 |
| 232. Dead Ringers | Cronenberg | 1988 |
| 233. Bringing Up Baby | Hawks | 1938 |
| 234. Harakiri | Kobayashi | 1962 |
| 235. Scarface | Hawks | 1932 |
| 236. Knife in the Water | Polanski | 1962 |
| 237. Atonement | J. Wright | 2007 |
| 238. Mon Oncle | Tati | 1958 |
| 239. Moulin Rouge! | Luhrmann | 2001 |
| 240. Johnny Guitar | N. Ray | 1954 |
| 241. Traffic | Soderbergh | 2000 |
| 242. Written on the Wind | Sirk | 1956 |
| 243. La Strada | Fellini | 1954 |
| 244. Cache | Haneke | 2005 |
| 245. The Conversation | F. Coppola | 1974 |
| 246. Rear Window | Hitchcock | 1954 |
| 247. The Matrix | Wachowski | 1999 |
| 248. A Man Escaped | Bresson | 1956 |
| 249. The Servant | Losey | 1963 |
| 250. A Matter of Life and Death | Powell, Pressburger | 1946 |
| 251. Fargo | Coen | 1996 |
| 252. A Brighter Summer’s Day | Yang | 1991 |
| 253. Come and See | Klimov | 1985 |
| 254. Inside Llewyn Davis | Coen | 2013 |
| 255. North by Northwest | Hitchcock | 1959 |
| 256. Park Row | Fuller | 1952 |
| 257. Charulata | S. Ray | 1964 |
| 258. Under the Skin | Glazer | 2013 |
| 259. Shame | McQueen | 2011 |
| 260. Days of Being Wild | Wong Kar-wai | 1990 |
| 261. Ossessione | Visconti | 1943 |
| 262. Love Me Tonight | Mamoulian | 1932 |
| 263. Modern Times | Chaplin | 1936 |
| 264. Los Olvidados | Buñuel | 1950 |
| 265. Sansho the Bailiff | Mizoguchi | 1954 |
| 266. Alien | R. Scott | 1979 |
| 267. The Silence of the Lambs | Demme | 1991 |
| 268. Sunset Boulevard | Wilder | 1950 |
| 269. My Darling Clementine | Ford | 1946 |
| 270. Double Indemnity | Wilder | 1944 |
| 271. Crash | Cronenberg | 1996 |
| 272. Midnight Cowboy | Schlesinger | 1969 |
| 273. Butch Cassidy and the Sundance Kid | Roy Hill | 1969 |
| 274. The Gold Rush | Chaplin | 1925 |
| 275. Greed | von Stroheim | 1924 |
| 276. A History of Violence | Cronenberg | 2005 |
| 277. White Heat | Walsh | 1949 |
| 278. The Crowd | K. Vidor | 1928 |
| 279. Raiders of the Lost Ark | Spielberg | 1981 |
| 280. Cool Hand Luke | Rosenberg | 1967 |
| 281. The Empire Strikes Back | Kershner | 1980 |
| 282. Hiroshima Mon Amour | Resnais | 1959 |
| 283. Pickpocket | Bresson | 1959 |
| 284. The Exorcist | Friedkin | 1973 |
| 285. Mishima: A Life in Four Chapters | Schrader | 1985 |
| 286. The Deer Hunter | Cimino | 1978 |
| 287. Eternal Sunshine of the Spotless Mind | Gondry | 2004 |
| 288. Hannah and Her Sisters | Allen | 1986 |
| 289. Bonnie and Clyde | A. Penn | 1967 |
| 290. The Dark Knight | Nolan | 2008 |
| 291. The French Connection | Friedkin | 1971 |
| 292. Tess | Polanski | 1979 |
| 293. High Noon | Zinnemann | 1952 |
| 294. Star Wars | Lucas | 1977 |
| 295. L’Atalante | Vigo | 1934 |
| 296. M*A*S*H | Altman | 1970 |
| 297. Million Dollar Baby | Eastwood | 2004 |
| 298. Red River | Hawks | 1948 |
| 299. Out of the Past | Tourneur | 1947 |
| 300. The Big Lebowski | Coen | 1998 |
| 301. Rushmore | W. Anderson | 1998 |
| 302. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Kubrick | 1964 |
| 303. No Country for Old Men | Coen | 2007 |
| 304. Great Expectations | Lean | 1946 |
| 305. The Man Who Shot Liberty Valance | Ford | 1962 |
| 306. The Life and Death of Colonel Blimp | Powell, Pressburger | 1943 |
| 307. Destiny | Lang | 1921 |
| 308. The Wind | Sjöström | 1928 |
| 309. Lost Highway | Lynch | 1997 |
| 310. The 47 Ronin | Mizoguchi | 1941 |
| 311. The Night of the Hunter | Laughton | 1955 |
| 312. Cleo from 5 to 7 | Varda | 1962 |
| 313. Mon oncle d’Amérique | Resnais | 1980 |
| 314. Casino | Scorsese | 1995 |
| 315. Kings of the Road | Wenders | 1976 |
| 316. Café Lumière | Hsiao-Hsien Hou | 2003 |
| 317. Tokyo Drifter | Suzuki | 1966 |
| 318. Blow-Up | Antonioni | 1966 |
| 319. Deep Red | Argento | 1975 |
| 320. Faust | Murnau | 1926 |
| 321. Foolish Wives | von Stroheim | 1922 |
| 322. Strangers on a Train | Hitchcock | 1951 |
| 323. Veronika Voss | Fassbinder | 1982 |
| 324. Reservoir Dogs | Tarantino | 1992 |
| 325. The Fountain | Aronofsky | 2006 |
| 326. The Last of the Mohicans | M. Mann | 1992 |
| 327. The Innocents | Clayton | 1961 |
| 328. Peeping Tom | Powell | 1960 |
| 329. Pyaasa | Dutt | 1957 |
| 330. The Devils | K. Russell | 1971 |
| 331. Dark City | Proyas | 1998 |
| 332. Marie Antoinette | S. Coppola | 2006 |
| 333. Dr. Mabuse, the Gambler | Lang | 1922 |
| 334. Trainspotting | Boyle | 1996 |
| 335. Gravity | Cuarón | 2013 |
| 336. Teorema | Pasolini | 1968 |
| 337. The King’s Speech | Tom Hooper | 2010 |
| 338. The Departed | Scorsese | 2006 |
| 339. Yojimbo | Kurosawa | 1961 |
| 340. Pan’s Labyrinth | del Toro | 2006 |
| 341. West Side Story | Wise, J. Robbins | 1961 |
| 342. Safe | Haynes | 1995 |
| 343. The Lady from Shanghai | Welles | 1947 |
| 344. 25th Hour | S. Lee | 2002 |
| 345. Amadeus | Forman | 1984 |
| 346. The City of Lost Children | Jeunet, Caro | 1995 |
| 347. Before Sunset | Linklater | 2004 |
| 348. Hunger | McQueen | 2008 |
| 349. La Notte | Antonioni | 1961 |
| 350. Klute | Pakula | 1971 |
| 351. Fitzcarraldo | Herzog | 1982 |
| 352. The Killers | Siodmak | 1946 |
| 353. Oldboy | Park Chan-wook | 2003 |
| 354. E.T. the Extra-Terrestrial | Spielberg | 1982 |
| 355. Badlands | Malick | 1973 |
| 356. Floating Weeds | Ozu | 1959 |
| 357. The Ballad of Narayama | Kinoshita | 1958 |
| 358. A Hen in the Wind | Ozu | 1948 |
| 359. Accattone | Pasolini | 1961 |
| 360. The Red and the White | Jancsó | 1967 |
| 361. A Serious Man | Coen | 2009 |
| 362. The Treasure of the Sierra Madre | Huston | 1948 |
| 363. Crimes and Misdemeanors | Allen | 1989 |
| 364. Pinocchio | Luske, Sharpsteen | 1940 |
| 365. Carnal Knowledge | M. Nichols | 1971 |
| 366. Singin’ in the Rain | Donen, Kelly | 1952 |
| 367. It Happened One Night | Capra | 1934 |
| 368. Bride of Frankenstein | Whale | 1935 |
| 369. Saving Private Ryan | Spielberg | 1998 |
| 370. Kwaidan | Kobayashi | 1964 |
| 371. Doctor Zhivago | Lean | 1965 |
| 372. Network | Lumet | 1976 |
| 373. Mystic River | Eastwood | 2003 |
| 374. Diabolique | Clouzot | 1955 |
| 375. Dog Day Afternoon | Lumet | 1975 |
| 376. Letter from an Unknown Woman | Ophüls | 1948 |
| 377. The Ballad of Narayama | Imamura | 1983 |
| 378. Uncle Boonmee Who Can Recall His Past Lives | Weerasethakul | 2010 |
| 379. Wild Strawberries | Bergman | 1957 |
| 380. Ivan the Terrilble | Eisenstein | 1944 |
| 381. Paisan | Rossellini | 1946 |
| 382. A Very Long Engagement | Jeunet | 2004 |
| 383. Memories of Murder | Bong Joon-ho | 2003 |
| 384. Damnation | Tarr | 1988 |
| 385. Three Colours: White | Kieslowski | 1994 |
| 386. Ashes and Diamonds | Wajda | 1958 |
| 387. Solaris | Tarkovsky | 1972 |
| 388. Le Bonheur | Varda | 1965 |
| 389. The Deep Blue Sea | Davies | 2011 |
| 390. The Red Shoes | Powell, Pressburger | 1948 |
| 391. Valhalla Rising | Refn | 2009 |
| 392. Alphaville | Godard | 1965 |
| 393. The Adventures of Baron Munchausen | Gilliam | 1988 |
| 394. Lola | Fassbinder | 1981 |
| 395. Three Crowns of the Sailor | Ruiz | 1983 |
| 396. Osaka Elegy | Mizoguchi | 1936 |
| 397. Inglourious Basterds | Tarantino | 2009 |
| 398. Alexander Nevsky | Eisenstein, Vasilyev | 1938 |
| 399. We Need to Talk About Kevin | Ramsay | 2011 |
| 400. Ivan’s Childhood | Tarkovsky | 1962 |
| 401. The Long Goodbye | Altman | 1973 |
| 402. The Marriage of Maria Braun | Fassbinder | 1979 |
| 403. Letter Never Sent | Kalatozov | 1960 |
| 404. Rope | Hitchcock | 1948 |
| 405. She Wore a Yellow Ribbon | Ford | 1949 |
| 406. Ordet | Dreyer | 1955 |
| 407. Despair | Fassbinder | 1978 |
| 408. Vivre Sa Vie | Godard | 1962 |
| 409. Orlando | Potter | 1992 |
| 410. The Virgin Suicides | S. Coppola | 1999 |
| 411. Pickup on South Street | Fuller | 1953 |
| 412. Othello | Welles | 1951 |
| 413. Senso | Visconti | 1954 |
| 414. Vampyr | Dreyer | 1932 |
| 415. Before Midnight | Linklater | 2013 |
| 416. The Great Beauty | Sorrentino | 2013 |
| 417. The Aviator | Scorsese | 2004 |
| 418. Bad Education | Almodóvar | 2004 |
| 419. All the President’s Men | Pakula | 1976 |
| 420. La Chienne | Renoir | 1931 |
| 421. Sanjuro | Kurosawa | 1962 |
| 422. House of Flying Daggers | Yimou Zhang | 2004 |
| 423. Mirror | Tarkovsky | 1975 |
| 424. The Son | Dardenne | 2002 |
| 425. Elevator to the Gallows | Malle | 1958 |
| 426. Talk to Her | Almodóvar | 2002 |
| 427. The Piano | Campion | 1993 |
| 428. Barton Fink | Coen | 1991 |
| 429. L’enfant | Dardenne | 2005 |
| 430. La Ronde | Ophüls | 1950 |
| 431. Amélie | Jeunet | 2001 |
| 432. Shame | Bergman | 1968 |
| 433. American Beauty | Mendes | 1999 |
| 434. 12 Monkeys | Gilliam | 1995 |
| 435. Lady Snowblood | Fujita | 1973 |
| 436. Taste of Cherry | Kiarostami | 1997 |
| 437. Samurai Rebellion | Kobayashi | 1967 |
| 438. The Insider | M. Mann | 1999 |
| 439. Interiors | Allen | 1978 |
| 440. The Navigator | Keaton, Crisp | 1924 |
| 441. An Autumn Afternoon | Ozu | 1962 |
| 442. The Damned | Visconti | 1969 |
| 443. Kes | Loach | 1969 |
| 444. Kaagaz Ke Phool | Dutt | 1959 |
| 445. Thief | M. Mann | 1981 |
| 446. The Holy Mountain | Jodorowsky | 1973 |
| 447. Le Million | Clair | 1931 |
| 448. The Exterminating Angel | Buñuel | 1962 |
| 449. 1900 | Bertolucci | 1976 |
| 450. Carrie | De Palma | 1976 |
| 451. Bright Star | Campion | 2009 |
| 452. Antichrist | von Trier | 2009 |
| 453. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | Akerman | 1975 |
| 454. Ugetsu | Mizoguchi | 1953 |
| 455. The Last Tango in Paris | Bertolucci | 1972 |
| 456. Les rendez-vous d’Anna | Akerman | 1978 |
| 457. Vengeance is Mine | Imamura | 1979 |
| 458. Rio Bravo | Hawks | 1959 |
| 459. They Live by Night | N. Ray | 1948 |
| 460. Les vampires | Feuillade | 1915 |
| 461. Day of Wrath | Dreyer | 1943 |
| 462. Out of Sight | Soderbergh | 1998 |
| 463. A Fistful of Dollars | Leone | 1964 |
| 464. Pigs and Battleships | Imamura | 1961 |
| 465. Fear and Loathing in Las Vegas | Gilliam | 1998 |
| 466. For a Few Dollars More | Leone | 1965 |
| 467. Twin Peaks: Fire Walk with Me | Lynch | 1992 |
| 468. Dogtooth | Lanthimos | 2009 |
| 469. La tête d’un homme | Duvivier | 1933 |
| 470. 7th Heaven | Borzage | 1927 |
| 471. Beauty and the Beast | Cocteau, Clément | 1946 |
| 472. The Sweet Hereafter | Egoyan | 1997 |
| 473. Track of the Cat | Wellman | 1954 |
| 474. Le notti bianche | Visconti | 1957 |
| 475. Nights of Cabiria | Fellini | 1957 |
| 476. Journey to Italy | Rossellini | 1954 |
| 477. Manhunter | M. Mann | 1986 |
| 478. Dressed to Kill | De Palma | 1980 |
| 479. The Lovers on the Bridge | Carax | 1991 |
| 480. Wild at Heart | Lynch | 1990 |
| 481. Miller’s Crossing | Coen | 1990 |
| 482. The Battle of Algiers | Pontecorvo | 1966 |
| 483. Gun Crazy | Lewis | 1950 |
| 484. Blood Simple | Coen | 1984 |
| 485. One from the Heart | F. Coppola | 1981 |
| 486. Elephant | Van Sant | 2003 |
| 487. The King of Comedy | Scorsese | 1982 |
| 488. Shadow of a Doubt | Hitchcock | 1943 |
| 489. I Vitelloni | Fellini | 1953 |
| 490. Odd Man Out | Reed | 1947 |
| 491. 12 Angry Men | Lumet | 1957 |
| 492. The Thing | Carpenter | 1982 |
| 493. Two Women | De Sica | 1960 |
| 494. The Hill | Lumet | 1965 |
| 495. Sweet Smell of Success | Mackendrick | 1957 |
| 496. Back to the Future | Zemeckis | 1985 |
| 497. His Girl Friday | Hawks | 1940 |
| 498. The Bridge on the River Kwai | Lean | 1957 |
| 499. The Manchurian Candidate | Frankenheimer | 1962 |
| 500. Cabaret | Fosse | 1972 |
| 501. The Birds | Hitchcock | 1963 |
| 502. The Man Who Fell to Earth | Roeg | 1976 |
| 503. Devi | S. Ray | 1960 |
| 504. Exotica | Egoyan | 1994 |
| 505. The Darjeeling Limited | W. Anderson | 2007 |
| 506. Aparajito | S. Ray | 1956 |
| 507. Shoeshine | De Sica | 1946 |
| 508. Fantastic Mr. Fox | W. Anderson | 2009 |
| 509. The World of Apu | S. Ray | 1959 |
| 510. Laurence Anyways | Dolan | 2012 |
| 511. The English Patient | Minghella | 1996 |
| 512. Paris, Texas | Wenders | 1984 |
| 513. The Crime of Monsieur Lange | Renoir | 1936 |
| 514. The Big Parade | K. Vidor | 1925 |
| 515. A Star is Born | Cukor | 1954 |
| 516. The Limits of Control | Jarmusch | 2009 |
| 517. The Talented Mr. Ripley | Minghella | 1999 |
| 518. Being John Malkovich | Jonze | 1999 |
| 519. Cabiria | Pastrone | 1914 |
| 520. Django Unchained | Tarantino | 2012 |
| 521. The Apartment | Wilder | 1960 |
| 522. The Man with the Golden Arm | Preminger | 1955 |
| 523. You Only Live Once | Lang | 1937 |
| 524. Memento | Nolan | 2000 |
| 525. 12 Years a Slave | McQueen | 2013 |
| 526. Made in U.S.A | Godard | 1966 |
| 527. All That Jazz | Fosse | 1979 |
| 528. The Maltese Falcon | Huston | 1941 |
| 529. Gosford Park | Altman | 2001 |
| 530. Only God Forgives | Refn | 2013 |
| 531. On the Waterfront | Kazan | 1954 |
| 532. Halloween | Carpenter | 1978 |
| 533. The Lady Eve | P. Sturges | 1941 |
| 534. Down by Law | Jarmusch | 1986 |
| 535. Scarlet Street | Lang | 1945 |
| 536. Rebecca | Hitchcock | 1940 |
| 537. The Big Sleep | Hawks | 1946 |
| 538. One Flew Over the Cuckoo’s Nest | Forman | 1975 |
| 539. Road to Perdition | Mendes | 2002 |
| 540. Far From Heaven | Haynes | 2002 |
| 541. Peppermint Candy | Lee Chang-dong | 1999 |
| 542. The Circus | Chaplin | 1928 |
| 543. Aliens | Cameron | 1986 |
| 544. A.I. Artificial Intelligence | Spielberg | 2001 |
| 545. The Piano Teacher | Haneke | 2001 |
| 546. The Haunting | Wise | 1963 |
| 547. Mystery Train | Jarmusch | 1989 |
| 548. Lola | Demy | 1961 |
| 549. The Big Heat | Lang | 1953 |
| 550. David Golder | Duvivier | 1931 |
| 551. Wings | Wellman | 1927 |
| 552. Stromboli | Rossellini | 1950 |
| 553. Enemy | Villeneuve | 2013 |
| 554. The Dark Knight Rises | Nolan | 2012 |
| 555. The Fisher King | Gilliam | 1991 |
| 556. Naked Lunch | Cronenberg | 1991 |
| 557. City of God | Meirelles, Lund | 2002 |
| 558. Él | Buñuel | 1953 |
| 559. Bob le Flambeur | Melville | 1956 |
| 560. Run Lola Run | Tykwer | 1998 |
| 561. Lincoln | Spielberg | 2012 |
| 562. The Children’s Hour | Wyler | 1961 |
| 563. Sid and Nancy | Cox | 1986 |
| 564. Broken Flowers | Jarmusch | 2005 |
| 565. Full Metal Jacket | Kubrick | 1987 |
| 566. Groundhog Day | Ramis | 1993 |
| 567. Dirty Harry | Siegel | 1971 |
| 568. Star Trek: The Motion Picture | Wise | 1979 |
| 569. Laura | Preminger | 1944 |
| 570. A Story of Floating Weeds | Ozu | 1934 |
| 571. I Killed My Mother | Dolan | 2009 |
| 572. Pennies from Heaven | H. Ross | 1981 |
| 573. American Psycho | Harron | 2000 |
| 574. The Fly | Cronenberg | 1986 |
| 575. Amores Perros | Iñárritu | 2000 |
| 576. Fallen Angel | Preminger | 1945 |
| 577. Code Unknown | Haneke | 2000 |
| 578. The Shawshank Redemption | Darabont | 1994 |
| 579. Rebel Without a Cause | N. Ray | 1955 |
| 580. Spirited Away | Miyazaki | 2001 |
| 581. O Brother, Where Art Thou? | Coen | 2000 |
| 582. Happy Together | Wong Kar-wai | 1997 |
| 583. In a Lonely Place | N. Ray | 1950 |
| 584. Crouching Tiger, Hidden Dragon | A. Lee | 2000 |
| 585. Gigi | Minnelli | 1958 |
| 586. Pale Flower | Shinoda | 1964 |
| 587. Belle de Jour | Buñuel | 1967 |
| 588. Oktyabr | Eisenstein, Aleksandrov | 1927 |
| 589. Reds | Beatty | 1981 |
| 590. La haine | Kassovitz | 1995 |
| 591. The Gospel According to St. Matthew | Pasolini | 1964 |
| 592. Marnie | Hitchcock | 1964 |
| 593. Children of Paradise | Carne | 1945 |
| 594. La Bête Humaine | Renoir | 1938 |
| 595. Body Heat | Kasdan | 1981 |
| 596. The Celebration | Vinterberg | 1998 |
| 597. Toni | Renoir | 1935 |
| 598. The Threepenny Opera | Pabst | 1931 |
| 599. Videodrome | Cronenberg | 1983 |
| 600. Dick Tracy | Beatty | 1990 |
| 601. Detective Story | Wyler | 1951 |
| 602. The Wages of Fear | Clouzot | 1953 |
| 603. To Catch a Thief | Hitchcock | 1955 |
| 604. The Big Country | Wyler | 1958 |
| 605. Ashes of Time | Wong Kar-wai | 1994 |
| 606. The Ghost Writer | Polanski | 2010 |
| 607. Pride & Prejudice | J. Wright | 2005 |
| 608. Brokeback Mountain | A. Lee | 2005 |
| 609. Purple Noon | Clément | 1960 |
| 610. Terminator 2: Judgment Day | Cameron | 1991 |
| 611. Tom Jones | Richardson | 1963 |
| 612. Sullivan’s Travels | P. Sturges | 1941 |
| 613. Avatar | Cameron | 2009 |
| 614. Scarface | De Palma | 1983 |
| 615. Scenes from a Marriage | Bergman | 1973 |
| 616. The 39 Steps | Hitchcock | 1935 |
| 617. The Palm Beach Story | P. Sturges | 1942 |
| 618. A Man There Was | Sjöström | 1917 |
| 619. Picnic at Hanging Rock | Weir | 1975 |
| 620. Frankenstein | Whale | 1931 |
| 621. Meet Me in St. Louis | Minnelli | 1944 |
| 622. Brief Encounter | Lean | 1945 |
| 623. Die Hard | McTiernan | 1988 |
| 624. Blue Valentine | Cianfrance | 2010 |
| 625. Drive | Refn | 2011 |
| 626. Detour | Ulmer | 1945 |
| 627. The Miracle of Morgan’s Creek | P. Sturges | 1943 |
| 628. Slacker | Linklater | 1990 |
| 629. The Purple Rose of Cairo | Allen | 1985 |
| 630. The Quiet Man | Ford | 1952 |
| 631. There Was a Father | Ozu | 1942 |
| 632. My Night at Maud’s | Rohmer | 1969 |
| 633. The Last Picture Show | Bogdanovich | 1971 |
| 634. The Elephant Man | Lynch | 1980 |
| 635. Henry V | Olivier | 1944 |
| 636. The Only Son | Ozu | 1936 |
| 637. Shane | Stevens | 1953 |
| 638. Ben-Hur | Wyler | 1959 |
| 639. Broadway Danny Rose | Allen | 1984 |
| 640. Day for Night | Truffaut | 1973 |
| 641. Island of Lost Souls | Kenton | 1932 |
| 642. Le Jour Se Leve | Carné | 1939 |
| 643. Easy Rider | Hopper | 1969 |
| 644. À nous la liberté | Clair | 1931 |
| 645. The Bourne Ultimatum | Greengrass | 2007 |
| 646. Speed Racer | Wachowski | 2008 |
| 647. Five Easy Pieces | Rafelson | 1970 |
| 648. Berlin Alexanderplatz | Fassbinder | 1980 |
| 649. Stardust Memories | Allen | 1980 |
| 650. The Terminator | Cameron | 1984 |
| 651. King Kong | Cooper, Schoedsack | 1933 |
| 652. The Usual Suspects | Singer | 1995 |
| 653. The Wild Child | Truffaut | 1970 |
| 654. My Fair Lady | Cukor | 1964 |
| 655. Imitation of Life | Sirk | 1959 |
| 656. All About Eve | Mankiewicz | 1950 |
| 657. Snowpiercer | Bong Joon-ho | 2013 |
| 658. The Philadelphia Story | Cukor | 1940 |
| 659. Out of Africa | Pollack | 1985 |
| 660. A Streetcar Named Desire | Kazan | 1951 |
| 661. Who’s Afraid of Virginia Woolf? | M. Nichols | 1966 |
| 662. Dawn of the Dead | Romero | 1978 |
| 663. Zéro de conduite | Vigo | 1933 |
| 664. The Reckless Moment | Ophüls | 1949 |
| 665. To Have and Have Not | Hawks | 1944 |
| 666. Lenny | Fosse | 1974 |
| 667. Mr. Smith Goes to Washington | Capra | 1939 |
| 668. The Hustler | Rossen | 1961 |
| 669. L.A. Confidential | Hanson | 1997 |
| 670. Two English Girls | Truffaut | 1971 |
| 671. Winchester ’73 | A. Mann | 1950 |
| 672. Who Framed Roger Rabbit | Zemeckis | 1988 |
| 673. Trouble in Paradise | Lubitsch | 1932 |
| 674. Quai des Orfèvres | Clouzot | 1947 |
| 675. The Roaring Twenties | Walsh | 1939 |
| 676. The Road Warrior | G. Miller | 1981 |
| 677. Gunga Din | Stevens | 1939 |
| 678. Platoon | Stone | 1986 |
| 679. The Shop Around the Corner | Lubitsch | 1940 |
| 680. Duel in the Sun | K. Vidor | 1946 |
| 681. Patton | Schaffner | 1970 |
| 682. Placido | Berlanga | 1961 |
| 683. Bullitt | P. Yates | 1968 |
| 684. Little Miss Sunshine | Dayton, Faris | 2006 |
| 685. All Quiet on the Western Front | Milestone | 1930 |
| 686. All the King’s Men | Rossen | 1949 |
| 687. The Outlaw Josey Wales | Eastwood | 1976 |
| 688. Little Big Man | A. Penn | 1970 |
| 689. Orpheus | Cocteau | 1950 |
| 690. Monsieur Hulot’s Holiday | Tati | 1953 |
| 691. Anatomy of a Murder | Preminger | 1959 |
| 692. Seven Chances | Keaton | 1925 |
| 693. Throne of Blood | Kurosawa | 1957 |
| 694. The Portrait of a Lady | Campion | 1996 |
| 695. 3 Women | Altman | 1977 |
| 696. Stray Dog | Kurosawa | 1949 |
| 697. Branded to Kill | Suzuki | 1967 |
| 698. Le Havre | Kaurismäki | 2011 |
| 699. Spies | Lang | 1928 |
| 700. Wings of Desire | Wenders | 1987 |
| 701. Two Lovers | Gray | 2008 |
| 702. Delicatessen | Jeunet, Caro | 1991 |
| 703. Wendy and Lucy | Reichardt | 2008 |
| 704. Flight of the Red Balloon | Hsiao-Hsien Hou | 2007 |
| 705. Close Encounters of the Third Kind | Spielberg | 1977 |
| 706. Our Hospitality | Keaton, Blystone | 1923 |
| 707. Pandora’s Box | Pabst | 1929 |
| 708. Pi | Aronofsky | 1998 |
| 709. Hour of the Wolf | Bergman | 1968 |
| 710. The Last Emperor | Bertolucci | 1987 |
| 711. Spring Breakers | Korine | 2012 |
| 712. The Woman in the Fifth | Pawlikowski | 2011 |
| 713. A Dangerous Method | Cronenberg | 2011 |
| 714. Sisters of the Gion | Mizoguchi | 1936 |
| 715. The Player | Altman | 1992 |
| 716. Die Austernprinzessin | Lubitsch | 1919 |
| 717. Platform | Jia Zhangke | 2000 |
| 718. Champagne | Hitchcock | 1928 |
| 719. What Time is it There? | Ming-liang Tsai | 2001 |
| 720. Irreversible | Noé | 2002 |
| 721. Spring, Summer, Fall, Winter… and Spring | Kim Ki-duk | 2003 |
| 722. Sleepy Hollow | Burton | 1999 |
| 723. Carlito’s Way | De Palma | 1993 |
| 724. The Tin Star | A. Mann | 1957 |
| 725. Cape Fear | Scorsese | 1991 |
| 726. A Separation | Farhadi | 2011 |
| 727. Broken Embraces | Almodóvar | 2009 |
| 728. Rosetta | Dardenne | 1999 |
| 729. The Untouchables | De Palma | 1987 |
| 730. The Naked Spur | A. Mann | 1953 |
| 731. Some Came Running | Minnelli | 1958 |
| 732. The Matrix Reloaded | Wachowski | 2003 |
| 733. Natural Born Killers | Stone | 1994 |
| 734. Archipelago | Hogg | 2010 |
| 735. Through a Glass Darkly | Bergman | 1961 |
| 736. Faces | Cassavetes | 1968 |
| 737. Dazed and Confused | Linklater | 1993 |
| 738. Enter the Void | Noé | 2009 |
| 739. Jackie Brown | Tarantino | 1997 |
| 740. Beyond the Hills | Mungiu | 2012 |
| 741. Before Sunrise | Linklater | 1995 |
| 742. Nosferatu the Vampyre | Herzog | 1979 |
| 743. Waxworks | Leni, Birinsky | 1924 |
| 744. D.O.A. | Maté | 1949 |
| 745. The Cotton Club | F. Coppola | 1984 |
| 746. Millennium Actress | Kon | 2001 |
| 747. The American Friend | Wenders | 1977 |
| 748. THX 1138 | Lucas | 1971 |
| 749. Duelle | Rivette | 1976 |
| 750. King of New York | Ferrara | 1990 |
| 751. My Own Private Idaho | Van Sant | 1991 |
| 752. Death in Venice | Visconti | 1971 |
| 753. True Grit | Coen | 2010 |
| 754. Grave of the Fireflies | Takahata | 1988 |
| 755. Ludwig | Visconti | 1973 |
| 756. American Graffiti | Lucas | 1973 |
| 757. The Tree of Wooden Clogs | Olmi | 1978 |
| 758. The Curious Case of Benjamin Button | Fincher | 2008 |
| 759. Fallen Angels | Wong Kar-wai | 1995 |
| 760. Heavenly Creatures | Jackson | 1994 |
| 761. All About My Mother | Almodóvar | 1999 |
| 762. Steamboat Bill, Jr. | Keaton, Reisner | 1928 |
| 763. The Masque of the Red Death | Corman | 1964 |
| 764. Shadows of Forgotten Ancestors | Parajanov | 1965 |
| 765. Il Grido | Antonioni | 1957 |
| 766. Le cercle rouge | Melville | 1970 |
| 767. Hell’s Angels | Hughes | 1930 |
| 768. Images | Altman | 1972 |
| 769. Zabriskie Point | Antonioni | 1970 |
| 770. Blind Husbands | von Stroheim | 1919 |
| 771. Aar-Paar | Dutt | 1954 |
| 772. Mauvais sang | Carax | 1986 |
| 773. Mr. Klein | Losey | 1976 |
| 774. Black Sunday | Bava | 1960 |
| 775. Rififi | Dassin | 1955 |
| 776. The Man Without a Past | Kaurismäki | 2002 |
| 777. The Lodger | Hitchcock | 1927 |
| 778. La promesse | Dardenne | 1996 |
| 779. Short Cuts | Altman | 1993 |
| 780. Eraserhead | Lynch | 1977 |
| 781. Synecdoche, New York | C. Kaufman | 2008 |
| 782. Perfect Blue | Kon | 1997 |
| 783. Dames | Berkeley, Enright | 1934 |
| 784. Snow White and the Seven Dwarfs | Hand | 1937 |
| 785. The Fall | Singh | 2006 |
| 786. Blue is the Warmest Colour | Kechiche | 2013 |
| 787. Diner | Levinson | 1982 |
| 788. Something Wild | Demme | 1986 |
| 789. Sin City | F. Miller, Rodriguez | 2005 |
| 790. The Testament of Dr. Mabuse | Lang | 1933 |
| 791. Kiss Me Deadly | Aldrich | 1955 |
| 792. Russian Ark | Sokurov | 2002 |
| 793. Band of Outsiders | Godard | 1964 |
| 794. Spider | Cronenberg | 2002 |
| 795. Sawdust and Tinsel | Bergman | 1953 |
| 796. A Little Princess | Cuarón | 1995 |
| 797. Lady in the Lake | Montgomery | 1946 |
| 798. Matewan | Sayles | 1987 |
| 799. The Immigrant | Gray | 2013 |
| 800. The Killing of a Chinese Bookie | Cassavetes | 1976 |
| 801. Her | Jonze | 2013 |
| 802. Escape from New York | Carpenter | 1981 |
| 803. American Gigolo | Schrader | 1980 |
| 804. Some Like it Hot | Wilder | 1959 |
| 805. Bound | Wachowski | 1996 |
| 806. All These Women | Bergman | 1964 |
| 807. Fort Apache | Ford | 1948 |
| 808. Gate of Flesh | Suzuki | 1964 |
| 809. A Farewell to Arms | Borzage | 1932 |
| 810. Jezebel | Wyler | 1938 |
| 811. Election | Payne | 1999 |
| 812. The Nightmare Before Christmas | Selick | 1993 |
| 813. 21 Grams | Iñárritu | 2003 |
| 814. Lady Vengeance | Park Chan-wook | 2005 |
| 815. Diary of a Country Priest | Bresson | 1951 |
| 816. The Asphalt Jungle | Huston | 1950 |
| 817. Summer with Monika | Bergman | 1953 |
| 818. Forty Guns | Fuller | 1957 |
| 819. Bad Day at Black Rock | J. Sturges | 1955 |
| 820. Deliverance | Boorman | 1972 |
| 821. Scott Pilgrim vs. the World | E. Wright | 2010 |
| 822. East of Eden | Kazan | 1955 |
| 823. The Lion King | Allers, Minkoff | 1994 |
| 824. Night of the Living Dead | Romero | 1968 |
| 825. Cat People | Tourneur | 1942 |
| 826. My Dinner with Andre | Malle | 1981 |
| 827. Titanic | Cameron | 1997 |
| 828. Only Angels Have Wings | Hawks | 1939 |
| 829. Submarine | Ayoade | 2010 |
| 830. Red Sorghum | Yimou Zhang | 1988 |
| 831. I Know Where I’m Going! | Powell, Pressburger | 1945 |
| 832. Master and Commander: The Far Side of the World | Weir | 2003 |
| 833. At Close Range | Foley | 1986 |
| 834. Withnail & I | Robinson | 1987 |
| 835. Ride Lonesome | Boetticher | 1959 |
| 836. American Hustle | O. Russell | 2013 |
| 837. Drunken Angel | Kurosawa | 1948 |
| 838. New York, New York | Scorsese | 1977 |
| 839. Duck Soup | McCarey. | 1933 |
| 840. The Sting | Roy Hill | 1973 |
| 841. Howards End | Ivory | 1992 |
| 842. Mamma Roma | Pasolini | 1962 |
| 843. The Letter | Wyler | 1940 |
| 844. Jurassic Park | Spielberg | 1993 |
| 845. Donnie Darko | R. Kelly | 2001 |
| 846. Attack | Aldrich | 1956 |
| 847. 24 Hour Party People | Winterbottom | 2002 |
| 848. The Man Who Would Be King | Huston | 1975 |
| 849. A Day in the Country | Renoir | 1936 |
| 850. Kind Hearts and Coronets | Hamer | 1949 |
| 851. Broken Blossoms | Griffith | 1919 |
| 852. Somewhere | S. Coppola | 2010 |
| 853. A Place in the Sun | Stevens | 1951 |
| 854. Frances Ha | Baumbach | 2012 |
| 855. Dead End | Wyler | 1937 |
| 856. Morvern Callar | Ramsay | 2002 |
| 857. Lost Horizon | Capra | 1937 |
| 858. Porcile | Pasolini | 1969 |
| 859. The Razor’s Edge | Goulding | 1946 |
| 860. Stella Dallas | K. Vidor | 1937 |
| 861. Ratcatcher | Ramsay | 1999 |
| 862. My Neighbor Totoro | Miyazaki | 1988 |
| 863. World on a Wire | Fassbinder | 1973 |
| 864. The Killer | Woo | 1989 |
| 865. Where Is the Friend’s House? | Kiarostami | 1987 |
| 866. A Man and a Woman | Lelouch | 1966 |
| 867. The Duellists | R. Scott | 1977 |
| 868. Häxan | Christensen | 1922 |
| 869. Blood and Black Lace | Bava | 1964 |
| 870. The Match Factory Girl | Kaurismäki | 1990 |
| 871. Goodbye, Dragon Inn | Ming-liang Tsai | 2003 |
| 872. Au hasard Balthazar | Bresson | 1966 |
| 873. Vera Drake | Leigh | 2004 |
| 874. Hard Boiled | Woo | 1992 |
| 875. Equinox Flower | Ozu | 1958 |
| 876. Liebelei | Ophüls | 1933 |
| 877. The Devil’s Backbone | del Toro | 2001 |
| 878. Eyes Without a Face | Franju | 1960 |
| 879. The Pawnbroker | Lumet | 1964 |
| 880. He Got Game | S. Lee | 1998 |
| 881. Ryan’s Daughter | Lean | 1970 |
| 882. Tristana | Buñuel | 1970 |
| 883. Great Expectations | Cuarón | 1998 |
| 884. Skyfall | Mendes | 2012 |
| 885. Three Kings | O. Russell | 1999 |
| 886. Dangerous Liaisons | Frears | 1988 |
| 887. Take Shelter | J. Nichols | 2011 |
| 888. Scarecrow | Schatzberg | 1973 |
| 889. Jarhead | Mendes | 2005 |
| 890. Good Will Hunting | Van Sant | 1997 |
| 891. Forbidden Games | Clément | 1952 |
| 892. The Hurt Locker | Bigelow | 2008 |
| 893. The Grandmaster | Wong Kar-wai | 2013 |
| 894. Forrest Gump | Zemeckis | 1994 |
| 895. Night of the Demon | Tourneur | 1957 |
| 896. Under the Roofs of Paris | Clair | 1930 |
| 897. Goldfinger | Hamilton | 1964 |
| 898. Torn Curtain | Hitchcock | 1966 |
| 899. Red Beard | Kurosawa | 1965 |
| 900. Funny Face | Donen | 1957 |
| 901. Bad Lieutenant | Ferrara | 1992 |
| 902. Light Sleeper | Schrader | 1992 |
| 903. Brute Force | Dassin | 1947 |
| 904. Moonrise | Borzage | 1948 |
| 905. Insect Woman | Imamura | 1963 |
| 906. Walkabout | Roeg | 1971 |
| 907. Waking Life | Linklater | 2001 |
| 908. Murder! | Hitchcock | 1930 |
| 909. An Angel at My Table | Campion | 1990 |
| 910. Fellini Satyricon | Fellini | 1969 |
| 911. Smiles of a Summer Night | Bergman | 1955 |
| 912. Lilith | Rossen | 1964 |
| 913. Pépé le Moko | Duvivier | 1937 |
| 914. We Own the Night | Gray | 2007 |
| 915. Mother | Bong Joon-ho | 2009 |
| 916. A Room with a View | Ivory | 1985 |
| 917. Batman | Burton | 1989 |
| 918. Django | Corbucci | 1966 |
| 919. The Squid and the Whale | Baumbach | 2005 |
| 920. Sweetie | Campion | 1989 |
| 921. The Nun | Rivette | 1966 |
| 922. Horror of Dracula | Fisher | 1958 |
| 923. Panique | Duvivier | 1946 |
| 924. Three Days of the Condor | Pollack | 1975 |
| 925. Seconds | Frankenheimer | 1966 |
| 926. Sólo con Tu Pareja | Cuarón | 1991 |
| 927. Drugstore Cowboy | Van Sant | 1989 |
| 928. Eastern Promises | Cronenberg | 2007 |
| 929. Shadows | Cassavetes | 1958 |
| 930. Way Down East | Griffith | 1920 |
| 931. The Man From London | Tarr | 2007 |
| 932. Jean de Florette | Berri | 1986 |
| 933. Fat City | Huston | 1972 |
| 934. The Music Lovers | K. Russell | 1971 |
| 935. Touchez Pas au Grisbi | Becker | 1954 |
| 936. Ace in the Hole | Wilder | 1951 |
| 937. Crimson Gold | Panahi | 2003 |
| 938. The Band Wagon | Minnelli | 1953 |
| 939. I Am a Fugitive from a Chain Gang | LeRoy | 1932 |
| 940. Julius Caesar | Mankiewicz | 1953 |
| 941. The Kid With a Bike | Dardenne | 2011 |
| 942. After Hours | Scorsese | 1985 |
| 943. Blackmail | Hitchcock | 1929 |
| 944. Closely Watched Trains | Menzel | 1966 |
| 945. Far from the Madding Crowd | Schlesinger | 1967 |
| 946. Calendar | Egoyan | 1993 |
| 947. The Color of Pomegranates | Parajanov | 1969 |
| 948. Dead of Night | Calvalcanti, Crichton, Dearden, Hamer | 1945 |
| 949. Kameradschaft | Pabst | 1931 |
| 950. Charade | Donen | 1963 |
| 951. Walker | Cox | 1987 |
| 952. Crooklyn | S. Lee | 1994 |
| 953. The Great Silence | Corbucci | 1968 |
| 954. Midnight Express | Parker | 1978 |
| 955. Mahanagar | S. Ray | 1963 |
| 956. That Obscure Object of Desire | Buñuel | 1977 |
| 957. Career Girls | Leigh | 1997 |
| 958. Excalibur | Boorman | 1981 |
| 959. La roue | Gance | 1923 |
| 960. Force of Evil | Polonsky | 1948 |
| 961. Conversation Piece | Visconti | 1974 |
| 962. Birth | Glazer | 2004 |
| 963. Bound for Glory | Ashby | 1976 |
| 964. The Student Prince in Old Heidelberg | Lubitsch | 1927 |
| 965. Nixon | Stone | 1995 |
| 966. Freaks | Browning | 1932 |
| 967. Port of Shadows | Carné | 1938 |
| 968. California Split | Altman | 1974 |
| 969. Prince of the City | Lumet | 1981 |
| 970. Mildred Pierce | Curtiz | 1945 |
| 971. Fellini’s Casanova | Fellini | 1976 |
| 972. No Blood Relation | Naruse | 1932 |
| 973. Sexy Beast | Glazer | 2000 |
| 974. Woman in the Dunes | Teshigahara | 1964 |
| 975. Shutter Island | Scorsese | 2010 |
| 976. Women in Love | K. Russell | 1969 |
| 977. The Entertainer | Richardson | 1960 |
| 978. Bad Timing | Roeg | 1980 |
| 979. Fox and His Friends | Fassbinder | 1975 |
| 980. Body Double | De Palma | 1984 |
| 981. Street Angel | Borzage | 1928 |
| 982. The Long Good Friday | Mackenzie | 1980 |
| 983. Harry Potter and the Half-Blood Prince | D. Yates | 2009 |
| 984. The Outlaw and His Wife | Sjöström | 1918 |
| 985. Magnificent Obsession | Sirk | 1954 |
| 986. Kagemusha | Kurosawa | 1980 |
| 987. Memories of Underdevelopment | Gutiérrez Alea | 1968 |
| 988. Mother | Pudovkin | 1926 |
| 989. Tie Me Up! Tie Me Down! | Almodóvar | 1989 |
| 990. Chariots of Fire | Hudson | 1981 |
| 991. Underworld | von Sternberg | 1927 |
| 992. Dodsworth | Wyler | 1936 |
| 993. I Don’t Want to Sleep Alone | Ming-liang Tsai | 2006 |
| 994. The Skin I Live In | Almodóvar | 2011 |
| 995. Beau travail | Denis | 1999 |
| 996. Invasion of Body Snatchers | Siegel | 1956 |
| 997. The Draughtman’s Contract | Greenaway | 1982 |
| 998. The Man Who Knew Too Much | Hitchcock | 1956 |
| 999. The Last Detail | Ashby | 1973 |
| 1000. Das Boot | Peterson | 1981 |
@Drake- These pages are not working.
* Hero (2002)
* School Daze (1988)
* Minari (2020)
* 1917 (2019)
* Joker (2019)
@Malith- thank you- I’ll try to fix these
@Drake- These pages are not working.
* Ikimono no kiroku/I Live in Fear (1955)
* The Death of Dick Long (2019)
* The Flower of My Secret (1995)
* Cruella (2021)
* School Daze (1988)
* Executive Suite (1954)
@Malith- thanks- should be fixed
Happy New Year Drake
@Malith- thank you- to you as well
@Drake- What are the Ken Russell films do you have in the archives now?
@Malith- unvettted:
1967- Billion Dollar Brain
1969- Women in Love
1971- The Devils
1971- The Music Lovers
1974- Mahler
1975- Lisztomania
1975- Tommy
1984- Crimes of Passion
1986- Gothic
@Drake- Did you manage to catch his 1971 film – The Boy Friend?
@Malith- I do not believe so- certainly not in the last 10 years
These pages are not working.
* Blade Runner (1982)
* Richard Jewell (2019)
* Sudden Impact (1983)
* Interiors (1978)
* Champagne (1928)
* Conversation Piece (1974)
* Death in Venice (1971)
* Dersu Uzala (1975)
* Ikimono no kiroku (1955)
* Despair (1978)
* The Canterbury Tales (1972)
* Mamma Roma (1962)
@Malith- thanks- I’ve emailed myself and will try to fix these when I get the opportunity
Star Trek: The Motion Picture, at #568 (a Must-See). I haven’t seen that one. None of the other sites in the community even have it archived, and you don’t have a page for it, so it must be a new addition. That’s a surprise.
Is it worth watching, not knowing much about the series?
@K – Yes- semi recent- 2023.
RE: Entry 52 – Songs From The Second Floor – While I have yet to see it, I have read a number of reviews and analyses about it. In short, it is a short bundle of vignettes that critique aspects of modern life, work and all the absurdities that go into it. Just want to take a moment to congratulate the concept and poster designer. Without having seen the picture, the poster (and ultimately the VHS and DVD cover communicated exactly that message. For reference, it portrays a fat, disheveled Swedish businessman standing in a desolate field. It does an excellent job of communicating the feeling that this man has lost everything (and in reading the synopsis, he had).
How close is Spartacus from being near the 1000th film and what didnt you like about the film. Not sure if you have discussed this elsewhere on the site.
@Joe- There isn’t a quick list of honorable mentions- but Spartacus has the same grade as Das Boot here (#1000) so had to be reasonably close. I don’t think I discuss Spartacus at length on the site- sorry. I’ve seen it several times and it isn’t that it isn’t a very good film – there are just films that I believe are superior.
Archiveable Films Per Decade:
1910’s – 12
1920’s – 105
1930’s – 266
1940’s – 322
1950’s – 446
1960’s – 448
1970’s – 419
1980’s – 442
1990’s – 458
2000’s – 515
2010’s – 542
Years with 50 or more Archiveable Films:
*1955 – 55
*1960 – 52
*1967 – 50
*1971 – 52
*1987 – 56
*1988 – 55
*1990 – 55
*1997 – 50
*1999 – 51
*2002 – 60
*2004 – 53
*2005 – 51
*2006 – 56
*2007 – 51
*2009 – 58
*2011 – 53
*2012 – 51
*2013 – 59
*2014 – 51
*2015 – 54
*2017 – 59
*2018 – 60
*2019 – 69
*2021 – 55
*2022 – 63
*2023 – 54
What is the best era or period for globally for cinema?
thank you
@Joseph – In my opinion, the 60s and 70s had so many countries firing off at their peak.
How about best period or decade for strictly American Cinemam?
@Joseph – the 1970s! Runner up for US might be the 1950s…
@Drake- Do you have any Sergei Bondarchuk films in the archives other than War and Peace?
I love this! I’ll make a copy on Letterboxd, btw, how often does this list get updated?
@IronMaiden38 – to save you some time: https://letterboxd.com/dec95/list/the-cinema-archives-best-1000-films-of-all/
Jalsaghar is the real name of Satyajit Ray’s The Music Room. Plain and simple.
NYT will be releasing a top 100 for the 21st century – voted by “polling more than 500 filmmakers, stars and influential film fans to vote for the 10 best movies” (as described by them). Many filmmakers/actors have also released their individual lists on the site. They’ve released a the movies ranked 60 – 100 till now, its all over the place lmaoo but just for the sake of discussion:
100. Superbad (Greg Motolla)
99. Memories of A Murder (Bong Joon-ho)
98. Grizzly Man (Werner Herzog)
97. Gravity (Alfonso Cuaron)
96. Black Panther (Ryan Coogler)
95. The Worst Person in the World (Joachim Trier)
94. Minority Report (Steven Spielberg)
93. Michael Clayton (Tony Gilroy)
92. Gladiator (Ridley Scott)
91. Fish Tank (Andrea Arnold)
90. Frances Ha (Noah Baumbach)
89. Interstellar (Christopher Nolan)
88. The Gleaners and I (Agnes Varda)
87. The Fellowship of the Ring (Peter Jackson)
86. Past Lives (Celine Song)
85. Anchorman (Adam McKay)
84. Melancholia (Lars Von Trier)
83. Inside Llewyn Davis (Joel & Ethan Coen)
82. The Act of Killing (Joshua Oppenheimer)
81. Black Swan (Darren Aronofsky)
80. Volver (Almodovar, 2006)
79. The Tree of Life (Malick, 2011)
78. Aftersun (Welles, 2022)
77. Everything Everywhere All at Once (Daniels, 2022)
76. O Brother, Where Art Thou? (Coens, 2000)
75. Amour (Haneke, 2012)
74. The Florida Project (Baker, 2017)
73. Ratatouille (Bird, 2007)
72. Carol (Haynes, 2015)
71. Ocean’s Eleven (Soderbergh, 2001)
70. Let the Right One In (Alfredson, 2009)
69. Under the Skin (Glazer, 2013)
68. The Hurt Locker (Bigelow, 2009)
67. Tár (Field, 2022)
66. Spotlight (McCarthy, 2015)
65. Oppenheimer (Nolan, 2023)
64. Gone Girl (Fincher, 2014)
63. Little Miss Sunshine (Dayton/Faris, 2006)
62. Memento (Nolan, 2000)
61. Kill Bill Vol. 1 (Tarantino, 2003)
@Thomas – have you submitted a ballot for best films of the 21st Century here?
https://www.nytimes.com/interactive/2025/movies/reader-ballot-movies-21st-century.html
Yes! I submitted –
In the Mood for Love (2001)
The Piano Teacher (2001)
Oldboy (2005)
4 Months, 3 Weeks, 2 Days (2007)
Tree of Life (2011)
Melancholia (2011)
Inside Llewyn Davis (2013)
Tar (2022)
@Thomas – Nice! Two in common and Melancholia almost made mine
I went with:
Dunkirk
The Revenant
The Tree of Life
In The Mood For Love
Children of Men
There Will Be Blood
The Assassination of Jesse James by the Coward Robert Ford
Oppenheimer
Hero
Traffic
@Harry and @Thomas- awesome lists- thanks for sharing here on the site
Thanks Drake. Great great list @Harry! I noticed I gave only 8 – The Master and The Turin Horse round up my list. Also, to note, they released their 21-40 ranked films. I was truly shocked by Anatomy of a Fall at #26. Its a good film but will never ever understand the acclaim for that film, its so baffling
@Drake- What are the Masaki Kobayashi films in the archives now?
@Lionel- Just a quick search:
1953- Sincere Heart
1955- Beautiful Days
1956- Fountainhead
1956- I Will Buy You
1956- The Thick-Walled Room
1957- Black River
1959- The Human Condition I: No Greater Love
1959- The Human Condition II: Road to Eternity
1961- The Human Condition III: A Soldier’s Prayer
1962- The Inheritance
1962- Harakiri
1964- Kwaidan
1967- Samurai Rebellion
RIP James Foley. Not sure what happened at the end there but At Close Range and Glengarry Glen Ross are really good.
@Drake- Are any Jean Eustache films in the archives?
@Lionel- None as of right now
@Drake- Have you seen any of his films?
@Lionel – I’ve seen a really bad bootleg of The Mother and the Whore- it has been on my list to see again- but hard to count what I saw
@Drake – What are the Jerzy Skolimowski (as Director) films in the archives?
@Lionel- I think this is right:
1970- Deep End
1982- Moonlighting
2022- EO
What happened to Jeremy Irons? He used to be quite hot in the 80’s and early 90’s. With French Lieutenant’s Woman, Moonlighting, The Mission, Dead Ringers, Reversal of Fortune etc. then not much at all.
@Lionel- always enjoyed his work- even in films that aren’t great – Die Hard with a Vengeance, Man in the Iron Mask
@Drake-I do think Stealing Beauty is a pretty interesting film and Irons is excellent in that as a dying philosopher. Oddly enough Irons is co-starring in this with Rachel Weisz who starred in a Dead Ringers remake show recently.
Directors with the most films in the top 300:
8 – Ingmar Bergman (1)
6 – Roman Polanski, Akira Kurosawa, Stanley Kubrick (3)
5 – Krzysztof Kieślowski, John Ford, Francis Ford Coppola, Martin Scorsese, Alfred Hitchcock, Federico Fellini, Jean-Luc Godard, Paul Thomas Anderson, Orson Welles (9)
4 – Luchino Visconti, Andrei Tarkovsky, Wong Kar-Wai, Yazujiro Ozu, Terrence Malick, Michelangelo Antonioni, David Fincher (7)
3 – Satyajit Ray, Joel Coen, F.W. Murnau, Lars von Trier, Peter Greenaway, Francois Truffaut, Fritz Lang, Max Ophuls, Bela Tarr, Robert Bresson, Sergio Leone, Josef von Sternberg, Kenji Mizoguchi, Steven Spielberg, Woody Allen, Robert Altman, Charlie Chaplin, David Cronenberg, Luis Bunuel, Howard Hawks (20)
2 – Michael Cimino, Carl Theodor Dreyer, Sergei Eisenstein, D.W. Griffith, Ridley Scott, Vittorio de Sica, Jean Renoir, Quentin Tarantino, Alain Resnais, Mikhail Kalatazov, Alfonso Cuaron, Spike Lee, Roy Andersson, Terrence Davies, Jacques Tati, Buster Keaton, Sergei Imamura, Roberto Rossellini, Mike Powell, Sam Peckinpah, Yimou Zhang, Hou Hsiao-Hsien, Michael Haneke, Jean-Pierre Melville, Victor Fleming, David Lynch, William Wyler, Jim Jarmusch, Wes Anderson, Douglas Sirk, Darren Aronofsky, Masaki Kobayashi, Raoul Walsh, Clint Eastwood, Christopher Nolan, Nicolas Roeg, Billy Wilder, William Friedkin (38)
@Drake-What are the Maurice Pialat films do you have in the archives?
@Lionel- just two so far – much work to do still
1980- Loulou
1987- Sous le soleil de Satan
I really like the presence of Bong Joon-ho on this list. I would actually put Memories of murder a few dozens spots higher and maybe closer to the 200-250 area, but I’m not gonna quibble too much about it. As for Snowpiercer, I’ve rewatched it very recently and I don’t particularly think of it as one of his strongest efforts, so it’s kind of surprising to see that you placed it as his third best film (I’m assuming Parasite would be placer higher if it were eligible), especially considering that a film like The host doesn’t even crack the top 1000. We can agree on Mother though, that spot looks very reasonable to me.
Is Lord of the Rings: The Fellowship of the Ring a top 100 film of all-time on its own? I reckon Two Towers and especially Return of the King drag it’s rating down. The first one is amazing from start to finish.
@Drake-What are the archivable films do you have for Joseph Losey? I believe he has made close to 30 films. Quite prolific.
@Lionel- unvetted list below:
1950- The Lawless
1951- The Prowler
1954- The Sleeping Tiger
1963- The Servant
1967- Accident
1968- Secret Ceremony
1971- The Go-Between
1976- Mr. Klein
1979- Don Giovanni
@Drake-Have you seen The Criminal(1960) or King and Country(1964)?
@Lionel – I covered Losey, he is a worthy auteur to cover
Study Summary:
Joseph Losey was unknown to me until about two years ago when I caught Mr. Klein on the Criterion Channel and was extremely impressed. Losey is so commonly associated with European art house cinema that it is actually quite strange to remember that he was an American. Losey has a fascinating career due to involvement in political issues in the 40s and 50s during the McCarthyism Era. Losey was essentially exiled, and it was probably for the best, at least in terms of his career as a director. Working in Europe, Losey was not bound by the Hays Code and could take on a wider array of subject matter. Losey’s work spans several genres: noir/crime, period pieces, romance, melodrama and in many cases combinations of a couple of these.
There is a palpable coldness in the world that Losey’s films take place. In some cases, it is sinister like in The Servant (1963) while others it is not like in Accident (1967). I don’t think I laughed a single time during this study which is certainly not a complaint. He seems interested in human behavior and similar to Kubrick he seems to have a low view of mankind.
Losey worked with actor Dirk Bogarde on 5 of his films. I watched 4 of the 5 and would have watched Modesty Blaise (1966) as well if I had found a version with better quality. The Servant (1963) is a major performance and film. Accident (1967) and King and Country (1964) were excellent performances as well. The Sleeping Tiger (1954) was a lesser film than the others with Bogarde, but he was solid there as well.
Losey tends to hold shots with characters moving in the back of the frame. This is not to say he never demonstrates impressive camera movements, but it is definitely his compositions and use of deep focus that are his strengths. Losey uses triangle compositions in several of his films that revolve around love triangles; a subject he examines in several of his films.
Mr. Klein (1976) and The Servant (1963) are both MP in my opinion and clearly his two best works. The question is which is superior? For me I give the edge to Mr. Klein. Both of these works are psychological thrillers although The Servant might be more accurately a psychological drama. Both films examine issues of identity and individuals’ places in society at large. These are actually subject matter in several of Losey’s films.
The best performance in a Losey film would go to Dirk Bogarde in The Servant followed by Alain Delon in Mr. Klein.
Here are the final grades and rankings.
Final Ranking and Grades:
MP
# 1 Mr. Klein (1976) – MP
# 2 The Servant (1963) – MP
# 3 Time Without Pity – HR
# 4 Eva – HR
# 5 The Criminal – HR
# 6 The Go Between – HR/R
# 7 Accident – HR/R
# 8 King and Country – R
# 9 The Prowler – R
# 10 The Sleeping Tiger – R
@James Trapp-I had my eye on The Criminal for a while even though I have not yet seen it. I think Stanley Baker is extremely good and a very atypical British star. He plays bruiser, working class while almost all the others are playing posh, high class gentlemen.
@Lionel
The Criminal (1960)
Notes:
Starts with inside prison
4:45 prisoner recites nursey rhymes running through the common room like an elementary or middle school kid at recess
5:32 Stanley Baker as criminal Johnny Bannion
6:56 cutaway shot to prisoner singing while playing guitar
9:20 overhead shot of 1st floor of prison from 2nd floor
10:22 high angle shot of 1st floor of prison
12:16 nice composition using low angle shot
15 min quick cut to a low angle shot of guard representing power over prisoners
16:25 again quick cut to a low angle shot of guard
16:48 exterior shot of prison building
17 min montage consisting of series of close up or medium close up shots of prisoners acting out after being sent to cells for the night
18:39 high angle shot of prison interior
24:30 several impressive compositions as Johnny enjoys his coming home party complete with old friends, women, and lots of booze
26:11 best shot of film so far as Johnny looks through telescope that distorts image
29:01 deep focus with Johnny in background of frame and woman in foreground
30 min jazz score
31 min Johnny finds a naked woman in his bed
33:21 woman in black robe screams femme fatale, Johnny in white robe
35:48 great composition and symmetry with characters sitting back to back
36:18 great blocking of 5 characters in frame planning a heist
40:14 triangle composition involving two men and an attractive woman
45 min shot filled to brim with spectators at the racetrack
49:15 1st long shot of the film with Johnny burying cash in a field in the middle of nowhere
53 Johnny back in prison after being double crossed
57:20 shallow focus
59:21 zoom in on faces of 2 men after speaking to Johnny
1:08:08 cutaway shot to exterior of prison
1:09:20 slow zoom in to close up on prisoner who makes strange monologue about his mental state
1:16:24 nice tracking shot up the levels of the prison
1:16:53 close up shots on Johnny and prison guard staring down each other
1:18:35 overhead shot followed by a couple of other overhead shots including one of a prison throw off highest level to ground floor during prison riot
1:20:00 canted low angle shot during riot
1:22:58 another shot capturing the madness including a fire
1:24:21 overhead shot with prisoners walking in yard in circular shape
1:29:05 great blocking in this shot capturing 5 characters in escape vehicle
1:30:00 the final 8 minutes with some solid action sequences including a shootout in a field
Thoughts:
Losey with a British gangster/crime/prison film with underworld characters like a Jean Pierre Melville film that inevitably ends in a shootout
Losey captures a prison riot late in the film using canted angles and low angle shots, this is one of the best highlights
I love his overhead shots in several of the prison sequences along with some impressive tracking shots particularly one around the 76 min mark. Losey’s blocking is excellent in several shots especially around the 89 min mark as Johnny and four others in the getaway car
There are several cutaway shots of the prison’s exterior over the course of the film
There is a great montage around the 17 min that consists of a series of close up or medium close up shots of prisoners acting out after being sent to cells for the night. The film’s focus on everyday life in prison is actually the best aspect of the film.
Losey has this strange issue where he chooses some of the most inappropriate music/scores for scenes. It is not that the scores are always terrible but for some reason he has a knack for selecting odd music at times like an upbeat tempo during the prison riot.
Stanley Baker as solid as the lead performance. The acting all around is solid
Verdict: HR
@James Trapp- “I don’t think I laughed a single time during this study”
Interesting that you bring this up. I think he has a very dark humour. The ending of The Servant for example. But I read about Michael Caine betting with the crew on the set of The Romantic Englishwoman (You should see this film if you haven’t) that he will make Losey laugh before the shoot because he was so morose, but ended up
loosing the bet.
I noticed that his films have a cold streak too. Very bleak. I think The Lawless is a bit different. But that is a Pine-Thomas picture as much as a Joseph Losey picture. But fits in with Losey’s politics. I think this film led to his exile from the US?
He often dealt with the bourgeoisie. Things like The Servant and Mr. Klein is a sharp criticism of these upper-class lives. His films often had deliberate slow pacing and was psychological (characters playing mind games with each other). This goes as far back as The Sleeping Tiger (what’s up with Alexander Knox and his “experiments and analysis of his subject/s” in this and The Damned?). A couple of his films dealt with bourgeoisie infidelity or mid life crisis as well (Accident, The Romantic Englishwoman). FF Coppola was interested in this subject as well (The Rain People, One From the Heart) but I think Coppola was much more sillier dealing with these themes.
It’s impressive how avant-garde some of his later films are (Accident, Secret Ceremony, The Romantic Englishwoman). There is nothing quite like them.
What are the Chantel Akerman films in the archives?
@Lionel – just two (2) I believe- haven’t vetted this:
1975- Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
1978- Les rendez-vous d’Anna
sorry, 2001 being 1
@nick connolly- Awesome group of films- thanks for sharing